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1. Italian Landscape (Morning)

Italian Landscape (Morning)
Creator:
Richard Wilson, 1713/4–1782, British, active in Italy (1750–56)
Date:
between 1760 and 1765
Medium:
Oil on canvas
Dimensions:
27 5/8 x 37 1/4 inches (70.2 x 94.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Third Stage of Cruelty: Cruelty in Perfection - The Murder

The Third Stage of Cruelty: Cruelty in Perfection - The Murder
Creator:
Print made by William Hogarth, 1697–1764, British
Date:
1751, printed 1790
Medium:
Line engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell

3. Tail Piece, or the Bathos

No cover image available
Creator:
Print made by William Hogarth, 1697–1764, British
Date:
1764
Medium:
Etching with line engraving
Dimensions:
Sheet: 12 3/8 × 13 1/4 inches (31.4 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

4. The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."

The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827, British
Date:
between 1797 and 1798
Medium:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The Poems of Thomas Gray, Design 35, "Ode to Adversity."

The Poems of Thomas Gray, Design 35, "Ode to Adversity."
Creator:
William Blake, 1757–1827, British
Date:
between 1797 and 1798
Medium:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."

The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
Creator:
William Blake, 1757–1827, British
Date:
between 1797 and 1798
Medium:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching printed in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
Creator:
Print made by William Blake, 1757–1827, British
Date:
1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Church Tower at Stretton, Leicestershire

Church Tower at Stretton, Leicestershire
Creator:
Print made by Robert Sargent Austin, 1895–1973, British
Date:
1915
Medium:
Etching on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 3/4 inches (28.3 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

12. Tom Jones Assisting Molly Seagrim

Tom Jones Assisting Molly Seagrim
Creator:
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:
1782
Medium:
Line engraving and stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 x 15 7/16 inches (53.4 x 39.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

13. Grantham Church

Grantham Church
Creator:
Print made by Bartholomew Howlett, 1767–1827, British
Date:
1797
Medium:
Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 × 12 3/8 inches (24.1 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Monument with Missing Brass Plates of James and Eleanor Walsingham, Chislehurst

Monument with Missing Brass Plates of James and Eleanor Walsingham, Chislehurst
Creator:
Daniel Lysons, 1762–1834, British
Date:
between 1796 and 1811
Medium:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 × 10 3/4 inches (36.8 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. A Burial at Carisbrooke, Isle of Wight

A Burial at Carisbrooke, Isle of Wight
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
between 1797 and 1800
Medium:
Pen and black ink, brown ink, blue wash, gray wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/8 x 17 1/2 inches (13.7 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Painswick Churchyard, Sketchbook Study No.2

Painswick Churchyard, Sketchbook Study No.2
Creator:
Eliot Hodgkin, 1905–1987, British
Date:
ca. 1947
Medium:
Graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 17 7/8 × 16 inches (45.4 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Estate of Brian Sewell

17. Wooded Landscape with Peasant Reading an Inscription on a Tombstone beside a Ruined Church, Figures, Donkey, Sheep and Distant Mountains

Wooded Landscape with Peasant Reading an Inscription on a Tombstone beside a Ruined Church, Figures, Donkey, Sheep and Distant Mountains
Creator:
attributed to Thomas Gainsborough, 1727–1788, British
Date:
1742
Medium:
Black chalk and white chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 x 15 inches (29.2 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Girl Next to Tombstone with Eyes Closed

Girl Next to Tombstone with Eyes Closed
Creator:
Bruce Davidson, born 1933, American
Date:
1965
Medium:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 11 x 14 inches (27.9 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

19. Painswick Churchyard Study No.1

Painswick Churchyard Study No.1
Creator:
Eliot Hodgkin, 1905–1987, British
Date:
ca. 1940
Medium:
Gelatin silver print with traces of graphite on medium, matte photographic paper
Dimensions:
Sheet: 18 3/8 × 12 1/8 inches (46.7 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Estate of Brian Sewell

20. Chapel Church, Surrey

Chapel Church, Surrey
Creator:
Thomas Girtin, 1775–1802, British
Date:
ca. 1799
Medium:
Watercolor, gouache and scraping over graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 12 1/4 x 16 inches (31.1 x 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Carnagh

Carnagh
Creator:
Print made by Frederick Landseer Maur Griggs, 1876–1938, British
Date:
1915
Medium:
Etching; 1st state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/4 × 11 inches (19.7 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

22. The Reunion of the Soul & the Body

The Reunion of the Soul & the Body
Creator:
Print made by Luigi Schiavonetti, 1765–1810, Italian
Date:
1808, published 1813
Medium:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church

Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church
Creator:
Print made by Thomas Gainsborough, 1727–1788, British
Date:
1779 to 1780
Medium:
Soft-ground etching in gray ink on moderately thick, moderately textured, blue laid paper
Dimensions:
Sheet: 11 7/8 × 15 9/16 inches (30.2 × 39.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Piece of a Tombstone from Barking Chruch, Essex

Piece of a Tombstone from Barking Chruch, Essex
Creator:
Daniel Lysons, 1762–1834, British
Date:
1809
Medium:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. The Reunion of the Soul & the Body

No cover image available
Creator:
Print made by Luigi Schiavonetti, 1765–1810, Italian
Date:
1808
Medium:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 19 3/4 × 13 7/8 inches (50.2 × 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. The Reunion of the Soul & the Body

No cover image available
Creator:
Print made by Luigi Schiavonetti, 1765–1810, Italian
Date:
1808
Medium:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Binding: 16 inches (40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. The Reunion of the Soul & the Body

No cover image available
Creator:
Print made by Luigi Schiavonetti, 1765–1810, Italian
Date:
1808
Medium:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Binding: 14 1/2 inches (36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection