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Edward Lear El Areesh, 6:30 pm, 31 March 1867 (33)

Edward Lear, 1812–1888, British

El Areesh, 6:30 pm, 31 March 1867 (33)

1867

Edward Lear Kourayim

Edward Lear, 1812–1888, British

Kourayim

1867

Edward Lear Belbeis

Edward Lear, 1812–1888, British

Belbeis

1867

Edward Lear Boat on the Nile

Edward Lear, 1812–1888, British

Boat on the Nile

1867

Edward Lear Salahiyeh

Edward Lear, 1812–1888, British

Salahiyeh

1867

Edward Lear El Areesh

Edward Lear, 1812–1888, British

El Areesh

1867

Edward Lear El Areesh

Edward Lear, 1812–1888, British

El Areesh

1867

Edward Lear Salahiyeh

Edward Lear, 1812–1888, British

Salahiyeh

1867

Edward Lear Kurayim

Edward Lear, 1812–1888, British

Kurayim

1867

Edward Lear Zereeba, near Belbeis

Edward Lear, 1812–1888, British

Zereeba, near Belbeis

1867

Edward Lear View near Palermo

Edward Lear, 1812–1888, British

View near Palermo

1847

Edward Lear The Capo Sant' Angelo, Amalfi

Edward Lear, 1812–1888, British

The Capo Sant' Angelo, Amalfi

ca. 1885

Edward Lear Wied Zurrik (Malta)

Edward Lear, 1812–1888, British

Wied Zurrik (Malta)

1848

Edward Lear Rocky Valley of Mosta, Malta, 2:15 p.m. (April 3, 1866)

Edward Lear, 1812–1888, British

Rocky Valley of Mosta, Malta, 2:15 p.m. (April 3, 1866)

1866

Edward Lear Rocky Valley of Mosta, Malta, 1:30 p.m. (April 3, 1866)

Edward Lear, 1812–1888, British

Rocky Valley of Mosta, Malta, 1:30 p.m. (April 3, 1866)

1866

Edward Lear Benares

Edward Lear, 1812–1888, British

Benares

1873

Edward Lear Bavella, Corsica

Edward Lear, 1812–1888, British

Bavella, Corsica

ca. 1868

Edward Lear Abu Simbel, 11-11:30 am, 8 February 1867 (374)

Edward Lear, 1812–1888, British

Abu Simbel, 11-11:30 am, 8 February 1867 (374)

1867

Edward Lear Salonica, from my Room Window, 11 Sept. 1848, after Sunset

Edward Lear, 1812–1888, British

Salonica, from my Room Window, 11 Sept. 1848, after Sunset

1848

Edward Lear Nice from the Genoa Road

Edward Lear, 1812–1888, British

Nice from the Genoa Road

1865

Edward Lear Albenga

Edward Lear, 1812–1888, British

Albenga

1864

George Romney Study of a Clouded Moonlit Sky

George Romney, 1734–1802, British

Study of a Clouded Moonlit Sky

undated

George Romney A Procession of the Damned: Study for the Damned in Dante's "Inferno"

George Romney, 1734–1802, British

A Procession of the Damned: Study for the Damned in Dante's "Inferno"

undated

William Blake Abraham and Isaac

William Blake, 1757–1827, British

Abraham and Isaac

1799 to 1800

William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 65, "The Bard."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 65, "The Bard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 67, "The Fatal Sisters."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 67, "The Fatal Sisters."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 81, "The Descent of Odin."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 81, "The Descent of Odin."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 83, "The Descent of Odin."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 99, "Ode for Music."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 99, "Ode for Music."

between 1797 and 1798

William Blake Jerusalem, Plate 100

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 100

1804 to 1820

William Blake Jerusalem, Plate 28 Proof Impression

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 28 Proof Impression

ca. 1820

William Blake Jerusalem, Plate 14, "One hair nor particle of dust...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 14, "One hair nor particle of dust...."

1804 to 1820

William Blake Jerusalem, Plate 15, "And Hand & Hyle...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 15, "And Hand & Hyle...."

1804 to 1820

William Blake Jerusalem, Plate 20, "But when they saw Albion...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 20, "But when they saw Albion...."

1804 to 1820

William Blake Jerusalem, Plate 3, "To the Public...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 3, "To the Public...."

1804 to 1820

William Blake Jerusalem, Plate 39, "By Satans Watch-fiends...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 39, "By Satans Watch-fiends...."

1804 to 1820

William Blake Jerusalem, Plate 4, "Jerusalem / Chap. 1...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 4, "Jerusalem / Chap. 1...."

1804 to 1820

William Blake Jerusalem, Plate 43, "They saw their Wheels...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 43, "They saw their Wheels...."

1804 to 1820

William Blake Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."

1804 to 1820

William Blake Jerusalem, Plate 85, "Became a Space & an Allegory...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 85, "Became a Space & an Allegory...."

1804 to 1820

William Blake Jerusalem, Plate 89, "Tho divided by the Cross...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 89, "Tho divided by the Cross...."

1804 to 1820

William Blake Jerusalem, Plate 97, "Awake! Awake Jerusalem...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 97, "Awake! Awake Jerusalem...."

1804 to 1820

William Blake Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."

1804 to 1820

William Blake Jerusalem, Plate 24, "What have I said?...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 24, "What have I said?...."

1804 to 1820

William Blake Jerusalem, Plate 28, "Jerusalem / Chap. 2...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 28, "Jerusalem / Chap. 2...."

1804 to 1820

William Blake Jerusalem, Plate 53, "Jerusalem / Chap. 3"

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 53, "Jerusalem / Chap. 3"

1804 to 1820

William Blake Jerusalem, Plate 57, "And the voices of Bath...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 57, "And the voices of Bath...."

1804 to 1820

William Blake Jerusalem, Plate 69, "Then all the Males...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 69, "Then all the Males...."

1804 to 1820

William Blake Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

1797

William Blake The Poems of Thomas Gray, Design 101, "Ode for Music."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 101, "Ode for Music."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 93, "Ode for Music."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 93, "Ode for Music."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 95, "Ode for Music."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 95, "Ode for Music."

between 1797 and 1798

William Blake Jerusalem, Plate 12, "Why wilt thou give to her...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 12, "Why wilt thou give to her...."

1804 to 1820

William Blake Jerusalem, Plate 18, "From every-one of the Four Regions...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 18, "From every-one of the Four Regions...."

1804 to 1820

William Blake Jerusalem, Plate 37, "And One stood forth...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 37, "And One stood forth...."

1804 to 1820

William Blake Jerusalem, Plate 5, "The banks of the Thames...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 5, "The banks of the Thames...."

1804 to 1820

William Blake Jerusalem, Plate 65, "To decide Two Worlds...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 65, "To decide Two Worlds...."

1804 to 1820

William Blake Jerusalem, Plate 70, "And this the form of mighty Hand...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 70, "And this the form of mighty Hand...."

1804 to 1820

William Blake Jerusalem, Plate 8, "Rose up against me...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 8, "Rose up against me...."

1804 to 1820

William Blake Jerusalem, Plate 82, "I have heard Jerusalems groans...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 82, "I have heard Jerusalems groans...."

1804 to 1820

William Blake Jerusalem, Plate 92, "What do I see!...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 92, "What do I see!...."

1804 to 1820

William Blake The Poems of Thomas Gray, Design 43, "The Progress of Poesy."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 43, "The Progress of Poesy."

between 1797 and 1798

William Blake Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

ca. 1797

William Blake Air; Plate 6

Print made by William Blake, 1757–1827, British

Air; Plate 6

1793

William Blake I Want! I Want!; Plate 11

Print made by William Blake, 1757–1827, British

I Want! I Want!; Plate 11

1793

William Blake Help! Help!; Plate 12

Print made by William Blake, 1757–1827, British

Help! Help!; Plate 12

1793

William Blake Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "

William Blake, 1757–1827, British

Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "

1793

William Blake Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)

1794

William Blake For the Sexes: The Gates of Paradise, Plate 6, "Air"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

1826

Thomas Girtin Ruins on the Coast

Thomas Girtin, 1775–1802, British

Ruins on the Coast

undated

John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

John Dixon, ca. 1740–1811, Irish

Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

1771

Sir Francis Seymour Haden Egham

Sir Francis Seymour Haden, 1818–1910, British

Egham

1859

William Callow The Seine at St. Cloud

William Callow, 1812–1908, British, active in France

The Seine at St. Cloud

undated

William Callow Notre Dame, Paris

William Callow, 1812–1908, British, active in France

Notre Dame, Paris

1835

Thomas Shotter Boys Street Scene at Stratford by Bow

Thomas Shotter Boys, 1803–1874, British

Street Scene at Stratford by Bow

undated

Thomas Shotter Boys Fountain in the Gardens, Paris: Evening

Thomas Shotter Boys, 1803–1874, British

Fountain in the Gardens, Paris: Evening

undated

Samuel Davis View in St. Helena

Samuel Davis, 1760–1819, British

View in St. Helena

1806

James Holland Evening Sky on the Coast

James Holland, 1799–1870, British

Evening Sky on the Coast

between 1859 and 1861

James Duffield Harding Naples from the Strada Nouva, Nov.26, 1830

James Duffield Harding, 1798–1863, British

Naples from the Strada Nouva, Nov.26, 1830

1830

James Duffield Harding French Coast Scene with Fisherboy

James Duffield Harding, 1798–1863, British

French Coast Scene with Fisherboy

1829

James Duffield Harding The Grand Canal, Venice

James Duffield Harding, 1798–1863, British

The Grand Canal, Venice

1835

James Duffield Harding Lyons from Quayside on the Rhone

James Duffield Harding, 1798–1863, British

Lyons from Quayside on the Rhone

ca. 1824

Claude Hayes Moorland with Sheep and Shepherd

Claude Hayes, 1852–1922, British

Moorland with Sheep and Shepherd

undated

Thomas Lindsay Sky Study, No. 4

Attributed to Thomas Lindsay, 1793–1861, British

Sky Study, No. 4

undated

Lt. Humphrey John Julian Hong Kong Harbor

Lt. Humphrey John Julian, active 1842–1849

Hong Kong Harbor

1843

Thomas Lindsay Sky Study, No. 3

Attributed to Thomas Lindsay, 1793–1861, British

Sky Study, No. 3

undated

Elijah Walton Mountain View: Portion of the Chain of the Terglon Alps as seen from near Rudmannsdorf, Italy

Elijah Walton, 1832–1880, British

Mountain View: Portion of the Chain of the Terglon Alps as seen from near Rudmannsdorf, Italy

undated

Paul Sandby Roslin Castle, Midlothian

Paul Sandby, 1731–1809, British

Roslin Castle, Midlothian

ca. 1780

Francesco Bartolozzi Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785

1785

William Callow Versailles

William Callow, 1812–1908, British, active in France

Versailles

1833

William Callow Rheinfels and St. Goar

William Callow, 1812–1908, British, active in France

Rheinfels and St. Goar

1838

James Holland Greenwich

James Holland, 1799–1870, British

Greenwich

undated

Sir George Hayter A Capriccio of Windsor Castle

Sir George Hayter, 1792–1871, British

A Capriccio of Windsor Castle

1827

Samuel Howitt A Seascape

Samuel Howitt, 1756–1822, British

A Seascape

undated