<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Subject Terms man

Remove constraint Subject Terms: man

Search Results

George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Anterior View
George Stubbs, 1724–1806, British
Human Skeleton, Anterior View
1795 to 1806
William Hogarth Hymen
William Hogarth, 1697–1764, British
Hymen
ca. 1748
William Hogarth Hogarth Painting the Comic Muse
Print made by William Hogarth, 1697–1764, British
Hogarth Painting the Comic Muse
1764
Samuel Palmer The Skylark
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Skylark
1850
Samuel Palmer The Skylark
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Skylark
1850
Samuel Palmer The Skylark
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Skylark
1850
Joseph Mallord William Turner Man with Horse and Cart Entering a Quarry
Joseph Mallord William Turner, 1775–1851, British
Man with Horse and Cart Entering a Quarry
ca. 1797
Joseph Mallord William Turner A Great Tree
Joseph Mallord William Turner, 1775–1851, British
A Great Tree
ca. 1796
Joseph Mallord William Turner The Deluge
Engraved by Joseph Mallord William Turner, 1775–1851, British
The Deluge
between 1813 and 1823
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851, British
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Christ and the Woman of Samaria
Etched by Joseph Mallord William Turner, 1775–1851, British
Christ and the Woman of Samaria
1819
Joseph Mallord William Turner Jason
Etched by Joseph Mallord William Turner, 1775–1851, British
Jason
1807
Joseph Mallord William Turner Procris and Cephalus
Etched by Joseph Mallord William Turner, 1775–1851, British
Procris and Cephalus
1812
Edward Lear Greek Woodcutter, June 13 /56
Edward Lear, 1812–1888, British
Greek Woodcutter, June 13 /56
1856
Edward Lear Egyptian Man
Edward Lear, 1812–1888, British
Egyptian Man
1867
Edward Lear Egyptian Man
Edward Lear, 1812–1888, British
Egyptian Man
1867
Edward Lear Egyptian Man
Edward Lear, 1812–1888, British
Egyptian Man
1867
Edward Lear Egpytian Man on Camel
Edward Lear, 1812–1888, British
Egpytian Man on Camel
1867
Edward Lear Egyptian Man
Edward Lear, 1812–1888, British
Egyptian Man
1867
William Hogarth Paul Before Felix
Print made by William Hogarth, 1697–1764, British
Paul Before Felix
1752
George Romney Study of a Male Figure
George Romney, 1734–1802, British
Study of a Male Figure
undated
George Romney Back View of a Standing Classical Male Figure
George Romney, 1734–1802, British
Back View of a Standing Classical Male Figure
undated
George Romney Birth of Man
George Romney, 1734–1802, British
Birth of Man
undated
George Romney Birth of Man
George Romney, 1734–1802, British
Birth of Man
undated
George Romney Lear Awakened by Cordelia
George Romney, 1734–1802, British
Lear Awakened by Cordelia
ca. 1774
George Romney Seated Man and Seated Woman
George Romney, 1734–1802, British
Seated Man and Seated Woman
undated
George Romney William Hayley
George Romney, 1734–1802, British
William Hayley
undated
George Romney John Henderson as Falstaff
George Romney, 1734–1802, British
John Henderson as Falstaff
1780
George Romney Tom Hayley and William Meyer
George Romney, 1734–1802, British
Tom Hayley and William Meyer
between 1749 and 1802
George Romney Sketch for a Portrait of a Standing Man
George Romney, 1734–1802, British
Sketch for a Portrait of a Standing Man
undated
George Romney Major Thomas Pearson
George Romney, 1734–1802, British
Major Thomas Pearson
undated
George Romney Horseman of Montecavallo
George Romney, 1734–1802, British
Horseman of Montecavallo
between 1773 and 1774
George Romney Seated and Half-Kneeling Woman
George Romney, 1734–1802, British
Seated and Half-Kneeling Woman
undated
George Romney Studies for Portraits of a Man and of a Woman
George Romney, 1734–1802, British
Studies for Portraits of a Man and of a Woman
undated
George Romney A Man with a Horse, Possibly Ward Thomas
George Romney, 1734–1802, British
A Man with a Horse, Possibly Ward Thomas
undated
George Romney Unidentified Subject: A Man with a Child
George Romney, 1734–1802, British
Unidentified Subject: A Man with a Child
undated
George Romney The Bath of Bath-sheba
George Romney, 1734–1802, British
The Bath of Bath-sheba
undated
George Romney River God
George Romney, 1734–1802, British
River God
undated
George Romney Bolingbroke and Head of a Fiend
George Romney, 1734–1802, British
Bolingbroke and Head of a Fiend
undated
George Romney Sketches for a Man with a Horse
George Romney, 1734–1802, British
Sketches for a Man with a Horse
undated
George Romney Prospero and Miranda
George Romney, 1734–1802, British
Prospero and Miranda
ca. 1787
George Romney Two Lovers (Man Awakening from a Dream)
George Romney, 1734–1802, British
Two Lovers (Man Awakening from a Dream)
undated
George Romney Man (Unidentified Subject)
George Romney, 1734–1802, British
Man (Unidentified Subject)
undated
George Romney Man and Horse
George Romney, 1734–1802, British
Man and Horse
undated
George Romney The Abandonment and Rescue of Perdita from "The Winter's Tale"
George Romney, 1734–1802, British
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
George Romney Classical Male Nude with a Rearing Horse
George Romney, 1734–1802, British
Classical Male Nude with a Rearing Horse
undated
George Romney Classical Male Nude
George Romney, 1734–1802, British
Classical Male Nude
undated
George Romney Ladies in Waiting
George Romney, 1734–1802, British
Ladies in Waiting
undated
George Romney Duke of Dorset (So-called)
George Romney, 1734–1802, British
Duke of Dorset (So-called)
undated
George Romney Lord Salisbury, Standing by a Pillar
George Romney, 1734–1802, British
Lord Salisbury, Standing by a Pillar
undated
George Romney Unidentified Subject: Woman, Child, Man and Horse
George Romney, 1734–1802, British
Unidentified Subject: Woman, Child, Man and Horse
undated
George Romney Man Bemoaning
George Romney, 1734–1802, British
Man Bemoaning
undated
George Romney Standing Figure
George Romney, 1734–1802, British
Standing Figure
undated
George Romney Study of the Head of a Young Man
attributed to George Romney, 1734–1802, British
Study of the Head of a Young Man
undated
George Romney A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
George Romney, 1734–1802, British
A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
George Romney Head of a Man
George Romney, 1734–1802, British
Head of a Man
undated
George Romney Laocoon
George Romney, 1734–1802, British
Laocoon
undated
George Romney Borghese Gladiator
George Romney, 1734–1802, British
Borghese Gladiator
undated
George Romney Lear Awakened by Cordelia
George Romney, 1734–1802, British
Lear Awakened by Cordelia
between 1774 and 1775
William Blake Illustrations of Imitation of Eclogue I, Frontispiece
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Frontispiece
1821
William Blake Rev. John Caspar Lavater (1787-1801)
Print made by William Blake, 1757–1827, British
Rev. John Caspar Lavater (1787-1801)
1800
William Blake An Angel with a Trumpet
William Blake, 1757–1827, British
An Angel with a Trumpet
between 1805 and 1808
William Blake A Visionary Head
William Blake, 1757–1827, British
A Visionary Head
1819 to 1820
William Blake The Widow Embracing Her Husband's Grave
William Blake, 1757–1827, British
The Widow Embracing Her Husband's Grave
1805 to 1808
William Blake Moses Receiving the Law
William Blake, 1757–1827, British
Moses Receiving the Law
ca. 1780
William Blake Socrates, a Visionary Head
William Blake, 1757–1827, British
Socrates, a Visionary Head
ca. 1820
William Blake Study for a Destroying Deity
William Blake, 1757–1827, British
Study for a Destroying Deity
1820 to 1825
William Blake Songs of Innocence and of Experience
William Blake, 1757–1827, British
Songs of Innocence and of Experience
1789-1794
William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 33, "A Long Story."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 33, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 35, "Ode to Adversity."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 37, "Ode to Adversity."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 37, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 65, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 85, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 85, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 99, "Ode for Music."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 99, "Ode for Music."
between 1797 and 1798
William Blake Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
1789
William Blake Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
William Blake There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
ca. 1788
William Blake The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 101, "Ode for Music."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 101, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 3, "Ode on the Spring."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 5, "Ode on the Spring."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 5, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 79, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 79, "The Descent of Odin."
between 1797 and 1798
William Blake Jerusalem, Plate 76
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 76
1804 to 1820
William Blake Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
1797
William Blake Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
1797
William Blake The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 53, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 53, "The Bard."
between 1797 and 1798