Subject Terms: church - YCBA Collections Search Search Results

Attributed to John Carter, 1748–1817, British

Plan of Moldings, St Stephen's Chapel

between 1790 and 1802

Attributed to John Carter, 1748–1817, British

Impost moldings, St Stephen's Chapel

between 1790 and 1802

Attributed to John Carter, 1748–1817, British

Details of Imposts and Bases of Columns, St Stephen's Chapel

between 1790 and 1802

Print made by T. Clarke, 1799–1839

Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel

1835

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1781

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1781

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

ca. 1781

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1781

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1780

Print made by Robert William Billings, 1813–1874, British

Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster

1836

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1780

Attributed to John Carter, 1748–1817, British

Impost and Base of Columns, St Stephen's Chapel

between 1790 and 1802

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1780

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1780

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1780

James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)

Île de la Cité, Paris

1859

James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)

The "Adam and Eve," Old Chelsea

1879

Print made by George Cruikshank, 1792–1878, British

Jack Sheppard Committing the Robbery in Willesden Church

1839

Print made by George Cruikshank, 1792–1878, British

Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard

1839

Lewis Vulliamy, 1791–1871, British

Design for a Chapel at Enfield: Longitudinal Section

undated

Print made by Robert Brandard, 1805–1862, British

Beaugency

1833

Print made by John Cousen, 1804–1880, British

Harfleur

1834

George Buchanan Wollaston, Active 1879–1886

London Chatham and Dover Railway Viaduct, S Mary Cray, Kent, Feb. 16, 1881 - Dec. 15, 1882

1881

Carington Bowles, 1724–1793, British

The Inside of St. Paul's Church in Rome built by Constantine the Great..

Thomas Bowles, ca. 1712–died 1753, British

A South View of Westminster Abby & St. Margarets Church

Print made by John Robert Cozens, 1752–1797, British

Ariccia

between 1783 and 1789

unknown artist

A View of Queen's College (a), University College (b), All Souls College (c), the Steeple of St. Mary's Church (d), & c. in the University of Oxford

Remi Parr A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice

Remi Parr, active 1723–1750, British

A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice

between 1780 and 1815

Thomas Bowles A View of St. Martin's Church, Also of the Arch of Septimius Severus, through which the Roman Generals marched in their Triumphs to the Capitol.

Thomas Bowles, ca. 1712–died 1753, British

A View of St. Martin's Church, Also of the Arch of Septimius Severus, through which the Roman Generals marched in their Triumphs to the Capitol

undated

Robert Havell, 1769–1832, British

Crofton

1813

Print made by Edward Francis Finden, 1791–1857, British

Bacharach on the Rhine

1832-1834

Print made by Robert Brandard, 1805–1862, British

Beaugency

1833

Print made by John Cousen, 1804–1880, British

Honfleur

1834

Print made by John Cousen, 1804–1880, British

Honfleur

1834

Print made by William Radclyffe, 1780–1855, British

Mantes

1835

Print made by William Radclyffe, 1780–1855, British

Mantes

1835

Print made by James T. Willmore, 1800–1863, British

Bedford, Bedfordshire

1831

Print made by James Baylis Allen, 1803–1876, British

Caudebec

1833

Print made by James Baylis Allen, 1803–1876, British

Caudebec

1833

Lewis Vulliamy, 1791–1871, British

Design for a Chapel at Enfield: Transverse Sections of the East and West End

undated

Lewis Vulliamy, 1791–1871, British

Design for a Chapel at Enfield: Longitudinal Section

undated

Lewis Vulliamy, 1791–1871, British

Design for a Chapel at Enfield: Transverse Sections, East and West End

undated

James Wyatt, 1746–1813, British

[One of] Five Designs for a Church

undated

James Wyatt, 1746–1813, British

[One of] Five Designs for a Church

undated

unknown artist

Appledore Church, Cornwall

undated

unknown artist, nineteenth century

Section of the House of Commons as it is at Present

ca. 1800

Print made by John Thomas Smith, 1766–1833, British

Eight Illustrations of Westminster

1806

unknown artist, nineteenth century

House of Commons Restored Giving Additional Sitting Room for 100 Members

ca. 1800

Print made by John Carter, 1748–1817, British

PLATE XXVIII. St Stephen's Chapel, East Front, Westminster

between 1790 and 1802

Print made by George Gladwin, active 1820s–1830s

Plate XXV: Section of St. Stephen's chapel and crypt. As fitted up for the House of Commons. 1834

1835

Print made by James Basire the younger, 1769–1822, British

South West view of St. Stephen's Chapel Westminster, Restored 1800

1801

Print made by James Sands, active 1813–1846

The Lower Lobby, House of Commons

1815

Print made by Robert William Billings, 1813–1874, British

Plate XI: Elevation, Section and Plan, of One Compartment (of Three) of the Screen, St. Stephen's Chapel, Westminster

1835

Print made by unknown artist, (W.F. Starling)

Part of the Front of the Vestibule

1843

unknown artist, eighteenth century

Entrance Doorway in the Tower, St Stephen's Chapel

undated

John Carter, 1748–1817, British

South View in the Entrance of Porch at West End of St. Stephen's Chapel West

between 1790 and 1802

John Carter Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel

Attributed to John Carter, 1748–1817, British

Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel

between 1790 and 1802

Attributed to John Carter, 1748–1817, British

Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West

between 1790 and 1802

unknown artist

Details of the Screen of Entrance Porch, St Stephen's Chapel

undated

Attributed to John Carter, 1748–1817, British

New East Front, St Stephen's Chapel

ca. 1801

Attributed to John Carter, 1748–1817, British

Capitals, St Stephen's Chapel

between 1790 and 1802

Attributed to John Carter, 1748–1817, British

Springing of an Arch, St Stephen's Chapel

between 1790 and 1802

Print made by James Basire, 1730–1802, British

Plate VIII: St Stephen's Chapel

1795

Print made by James Basire, 1730–1802, British

Plate X: St Stephen's Chapel

1795

Print made by John Carter, 1748–1817, British

Plate XIX: St Stephen's Chapel

1811

Print made by James Basire, 1730–1802, British

Plate XIII: St Stephen's Chapel

1795

Print made by unknown artist, (J. Hawkesworth)

Plate XXXII: Longitudinal Section through the Chantry Chapel and Cloister, St Stephen's Chapel

1835

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West

ca. 1781

Print made by John Le Keux, 1783–1846, British

Plate XXVII: St Stephen's Chapel, Looking East, Westminster

ca. 1836

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1780

Print made by Frederick Mackenzie, 1788–1854, British

View of St Stephen's Chapel as it appeared after the Fire in October 1834

1843

Print made by Robert William Billings, 1813–1874, British

Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall

1835

George Johann Scharf, 1788–1860, British

View through the South East Window of the Crypt beneath St Stephen's, Westminster

1852

Print made by Henry Melville, active 1826–1841, British

The House of Commons

1834

Print made by Charles Grignion, 1717–1810, British

House of Commons and the Entrance to the House of Lords with the Office of Ordnance

undated

Print made by unknown artist, (de Bois)

A View of the Piazza of St. John de Lateran, of the Cardinals College, and of the Holy Stairs in the City of Rome

undated

Print made by Walker & Cockerell, 1851–1933, British

St. Mary's Church, Dover

1903

Attributed to John Carter, 1748–1817, British

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

ca. 1781

Print made by Thomas A. Woolnoth, 1785–1857, British

Plate III: Crypt under St Stephen's Chapel

ca. 1836

Thomas Rowlandson, 1756–1827, British

The Welcome

ca. 1817

Thomas Rowlandson, 1756–1827, British

The Vicar's Family on the Road to Church

ca. 1817

James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)

Battersea Reach

1863

Thomas Rowlandson, 1756–1827, British

Dr Syntax Meditating on the Tombstones

1820

Thomas Bowles, ca. 1712–died 1753, British

The Church of St. Mary Le Bow in Cheapside London

Thomas Bowles, ca. 1712–died 1753, British

A View of Somerset House with St. Mary's Church in the Strand London

John Vanderbank "The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse...

John Vanderbank, 1694–1739, British

"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..

1729

Henry Thomas Alken, 1785–1851, British

The Night Riders of Nacton: The Finish. Nacton Church and Village

undated

James Wyatt, 1746–1813, British

[One of] Five Designs for a Church

undated

Print made by unknown artist, (de Bois)

A View of the Piazza Navona in the City of Rome

undated

Francis Towne, 1740–1816, British

New Radnor

undated

Print made by John Sell Cotman, 1782–1842, British

Church of L'Ery, near Pont-de-l'Arche

1820

Print made by John Cousen, 1804–1880, British

Harfleur

1834

Print made by John Cousen, 1804–1880, British

Harfleur

1834

Print made by John Cousen, 1804–1880, British

Harfleur

1834

Print made by Robert Brandard, 1805–1862, British

Château de la Mailleraie

1834

Print made by Robert Brandard, 1805–1862, British

Château de la Mailleraie

1834

Print made by Robert Brandard, 1805–1862, British

Château de la Mailleraie

1834

Print made by Robert Brandard, 1805–1862, British

Quilleboeuf

1834

Print made by Robert Brandard, 1805–1862, British

Château de la Mailleraie

1834

Print made by Thomas Dale, active ca. 1921, British

Interior of the Chapel of the Holy Trinity

1825

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