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1. Half-size Sketch for The Opening of Waterloo Bridge (“Whitehall Stairs, June 18, 1817”)

Half-size Sketch for The Opening of Waterloo Bridge (“Whitehall Stairs, June 18, 1817”)
Creator:
John Constable, 1776–1837, British
Date:
1829 to 1831
Medium:
Oil on canvas
Dimensions:
24 × 39 inches (61 × 99.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Judgement of Korah, Dathan and Abiram

The Judgement of Korah, Dathan and Abiram
Creator:
Maria Hadfield Cosway, 1759–1838, British
Date:
ca. 1801
Medium:
Pen and ink and oil on canvas
Dimensions:
14 3/4 × 11 1/2 inches (37.5 × 29.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Departure of the Bucintoro

Departure of the Bucintoro
Creator:
Sir Frank William Brangwyn, 1867–1956, British
Date:
ca. 1910
Medium:
Oil on canvas
Dimensions:
52 x 69 inches (132.1 x 175.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Gift of Joseph F. McCrindle, Yale LLB 1948

4. Westminster from Lambeth, with the Ceremonial Barge of the Ironmongers' Company

Westminster from Lambeth, with the Ceremonial Barge of the Ironmongers' Company
Creator:
Samuel Scott, 1701/2–1772, British
Date:
ca. 1745
Medium:
Oil on canvas
Dimensions:
31 1/4 x 59 1/4 inches (79.4 x 150.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Christening of the Heir

Christening of the Heir
Creator:
William Redmore Bigg, 1755–1828, British
Date:
ca. 1799
Medium:
Oil on canvas
Dimensions:
25 x 30 inches (63.5 x 76.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Allegory of the Power of Great Britain by Land, design for a decorative panel for George I's ceremonial coach

Allegory of the Power of Great Britain by Land, design for a decorative panel for George I's ceremonial coach
Creator:
Attributed to Sir James Thornhill, 1675–1734, British
Date:
ca. 1718
Medium:
Oil on panel
Dimensions:
18 x 21 inches (45.7 x 53.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Allegory of the Power of Great Britain by Sea, design for a decorative panel for George I's ceremonial coach

Allegory of the Power of Great Britain by Sea, design for a decorative panel for George I's ceremonial coach
Creator:
Attributed to Sir James Thornhill, 1675–1734, British
Date:
ca. 1720
Medium:
Oil on panel
Dimensions:
18 x 21 inches (45.7 x 53.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Preparing to Administer the Sacrament

Preparing to Administer the Sacrament
Creator:
Benjamin Robert Haydon, 1786–1846, British
Date:
1838
Medium:
Pen and brown ink on medium, slightly textured, cream wove paper mounted to medium, smooth cream card
Dimensions:
Sheet: 7 5/8 × 10 3/4 inches (19.4 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. Paul Moore

9. Frieze of a Medieval Wedding

Frieze of a Medieval Wedding
Creator:
Thomas Stothard, 1755–1834, British
Date:
undated
Medium:
Gray wash, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 3/8 × 9 1/8 inches (8.6 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Entry of the Rajah, Ogmor

Entry of the Rajah, Ogmor
Creator:
Print made by William Spencer Bagdatopolous, 1888–1965, Greek
Date:
1935
Medium:
Drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 9/16 x 10 15/16 inches (42 x 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald and Willi Holden

11. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867, British
Date:
after 1893
Medium:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 5/16 inches (22.6 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867, British
Date:
after 1852
Medium:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19.1 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The Three Witches from Macbeth: Double, Double, Toil and Trouble

The Three Witches from Macbeth: Double, Double, Toil and Trouble
Creator:
Mary Hoare, 1744–1820, British
Date:
1781
Medium:
Watercolor with black ink and scraping over graphite on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:
Mount: 20 3/4 x 24 3/16 inches (52.7 x 61.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. A Prospect of the Inside of Westminster, Shewing how the King and Queen with the Nobility and others did sit at Dinner on the Day of the Coronation. Also the manner of tghe Champions performing the Ceremony of Challenge whilst the King & c. were at Dinner

A Prospect of the Inside of Westminster, Shewing how the King and Queen with the Nobility and others did sit at Dinner on the Day of the Coronation. Also the manner of tghe Champions performing the Ceremony of Challenge whilst the King & c. were at Dinner
Creator:
unknown artist
Medium:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 1/8 × 9 inches (28.3 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867, British
Date:
after 1893
Medium:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 9 x 6 5/16 inches (22.9 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867, British
Date:
after 1852
Medium:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867, British
Date:
after 1893
Medium:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 inches (22.5 x 15.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Date:
1745
Medium:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/8 x 21 1/4 inches (39 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

19. Village of Secoton, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 38 A]

Village of Secoton, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 38 A]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Medium:
Watercolor, with pen in black ink, over graphite, with gouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 12 1/2 × 7 9/16 inches (31.8 × 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821

The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821
Creator:
Print made by Matthew Dubourg, active 1786–1838, British
Date:
1822
Medium:
Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 7/16 × 19 3/16 inches (36.6 × 48.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David M. Doret

21. A Graceful Speciman of The Retort Courteous

A Graceful Speciman of The Retort Courteous
Creator:
Print made by John Doyle ('H.B.'), 1797–1868, Irish
Date:
1831
Medium:
Lithograph, hand-colored on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 x 17 5/16 inches (30.5 x 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Brian and Linda Gracie

22. The Opening of the New London Bridge

The Opening of the New London Bridge
Creator:
David Cox, 1783–1859, British
Date:
1831
Medium:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 x 14 3/4 inches (24.1 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. The Marriage of Moses

The Marriage of Moses
Creator:
Print made by Bernard Lens II, 1659–1725, British
Date:
undated
Medium:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/16 × 12 7/8 inches (25.6 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

24. The Blessing of the Suez Canal, November 16, 1869

The Blessing of the Suez Canal, November 16, 1869
Creator:
William Simpson, 1823–1899, British
Date:
after 1869
Medium:
Graphite and brown wash on moderately thick, slightly textured, cream Asian paper
Dimensions:
Sheet: 10 7/8 x 17 1/4 inches (27.6 x 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
Creator:
Guillaume Philippe Benoist, 1725–ca. 1770, French
Date:
1762
Medium:
Engraving
Dimensions:
Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. The Ceremony of Opening London Bridge, August 1, 1831

The Ceremony of Opening London Bridge, August 1, 1831
Creator:
Print made by Thomas Allom, 1804–1872, British
Date:
undated
Medium:
Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867, British
Date:
after 1852
Medium:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 9/16 inches (19 x 14.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. A Hero of Our Century

No cover image available
Creator:
Lionel Percy Smythe, 1839–1918, British
Date:
1874
Medium:
Watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 × 6 3/4 inches (23.5 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Dr. Lee MacCormick Edwards Collection, Gift of Alison Edwards Curwen

29. The Sacrifice

No cover image available
Creator:
Print made by unknown artist, nineteenth century
Date:
1867
Medium:
Chromolithograph on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 3/4 × 11 1/4 inches (19.7 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Thomas Kenny and Susan Phillips, In Memory of Richard Kressler and Leland Sweet

30. The Spirit of the East

No cover image available
Creator:
Print made by Edward Julius Detmold, 1883–1957, British
Date:
between 1923 and 1924
Medium:
Drypoint and etching on moderately thick, very smooth, beige Asian paper
Dimensions:
Sheet: 16 7/16 x 12 1/8 inches (41.8 x 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery