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Kings Weston, Bristol: Basement Plan
Creator:
Sir John Vanbrugh, 1664–1726, British
Date:
ca. 1710
Medium:
Pen and brown ink with graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 14 5/8 x 18 9/16 inches (37.1 x 47.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Stables at Hinton St. George, Somerset: Plan
Creator:
James Wyatt, 1746–1813, British
Date:
undated
Medium:
Pink wash on graphite, pen and brown and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 22 3/8 × 14 1/4 inches (56.8 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Part of the Construction in the Old House of Lords
Creator:
Attributed to office of Sir John Soane, (George Bailey), 1753–1837, British
Date:
1823
Medium:
Graphite, black and brown pen, and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 9 13/16 × 12 5/8 inches (24.9 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plan of the Basement Story under the House of Lords
Creator:
Attributed to John Carter, 1748–1817, British
Date:
between 1800 and 1807
Medium:
Graphite and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 7/8 × 6 5/16 inches (20 × 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Parts in Stone Underhouse of Lords
Creator:
Attributed to John Carter, 1748–1817, British
Date:
between 1800 and 1807
Medium:
Graphite and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 3/8 × 5 1/4 inches (18.7 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View in Basement Story under House of Lords
Creator:
Attributed to John Carter, 1748–1817, British
Date:
between 1800 and 1807
Medium:
Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 × 10 5/8 inches (36.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Part of the Construction in the Old House of Lords
Creator:
Attributed to office of Sir John Soane, (George Bailey), 1753–1837, British
Date:
1823
Medium:
Graphite, pen and brown ink and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 13 1/2 × 10 1/8 inches (34.3 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Elevation of the Basement Story, House of Lords
Creator:
Attributed to John Carter, 1748–1817, British
Date:
between 1800 and 1807
Medium:
Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/4 × 10 1/2 inches (36.2 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Doorway in one of the Cellars Under the Old House of Lords
Creator:
Print made by John Thomas Smith, 1766–1833, British
Date:
1804
Medium:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 9 3/8 × 7 7/16 inches (23.8 × 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Part of the Construction in the Old House of Lords
Creator:
Attributed to office of Sir John Soane, (George Bailey), 1753–1837, British
Date:
1823
Medium:
Graphite, watercolor, pen and black and brown ink on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 10 3/16 × 12 1/2 inches (25.9 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Raglan Castle, Monmouthshire, Wales: Detail of the Fountain Court
Creator:
unknown artist, (B Green)
Date:
1831
Medium:
Graphite and pen and pink ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 1/8 x 15 3/8 inches (25.7 x 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund