St. Stephen's Chapel, Speaker's House, & c. From the River as Before the Fire on Oct. 16th 1834
ca. 1835
1202
unknown artist, nineteenth century
Section of the House of Commons as it is at Present
ca. 1800
1203
Print made by John Thomas Smith, 1766–1833, British
Eight Illustrations of Westminster
1806
1204
unknown artist, nineteenth century
House of Commons Restored Giving Additional Sitting Room for 100 Members
ca. 1800
1205
Print made by John Carter, 1748–1817, British
PLATE XXVIII. St Stephen's Chapel, East Front, Westminster
between 1790 and 1802
1206
Print made by George Gladwin, active 1820s–1830s
Plate XXV: Section of St. Stephen's chapel and crypt. As fitted up for the House of Commons. 1834
1835
1207
Print made by James Basire the younger, 1769–1822, British
South West view of St. Stephen's Chapel Westminster, Restored 1800
1801
1208
Print made by James Sands, active 1813–1846
The Lower Lobby, House of Commons
1815
1209
Print made by Robert William Billings, 1813–1874, British
Plate XI: Elevation, Section and Plan, of One Compartment (of Three) of the Screen, St. Stephen's Chapel, Westminster
1835
1210
Print made by unknown artist, (W.F. Starling)
Part of the Front of the Vestibule
1843
1211
unknown artist, eighteenth century
Entrance Doorway in the Tower, St Stephen's Chapel
undated
1212
John Carter, 1748–1817, British
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
1213
Attributed to John Carter, 1748–1817, British
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
1214
Attributed to John Carter, 1748–1817, British
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
1215
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
1216
Attributed to John Carter, 1748–1817, British
New East Front, St Stephen's Chapel
ca. 1801
1217
Attributed to John Carter, 1748–1817, British
Capitals, St Stephen's Chapel
between 1790 and 1802
1218
Attributed to John Carter, 1748–1817, British
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
1219
Print made by James Basire, 1730–1802, British
Plate VIII: St Stephen's Chapel
1795
1220
Print made by James Basire, 1730–1802, British
Plate X: St Stephen's Chapel
1795
1221
Print made by John Carter, 1748–1817, British
Plate XIX: St Stephen's Chapel
1811
1222
Print made by James Basire, 1730–1802, British
Plate XIII: St Stephen's Chapel
1795
1223
Print made by unknown artist, (J. Hawkesworth)
Plate XXXII: Longitudinal Section through the Chantry Chapel and Cloister, St Stephen's Chapel
1835
1224
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
1225
Print made by John Le Keux, 1783–1846, British
Plate XXVII: St Stephen's Chapel, Looking East, Westminster
ca. 1836
1226
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
1227
Print made by Frederick Mackenzie, 1788–1854, British
View of St Stephen's Chapel as it appeared after the Fire in October 1834
1843
1228
Print made by Robert William Billings, 1813–1874, British
Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall
1835
1229
George Johann Scharf, 1788–1860, British
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
1230
Print made by Henry Melville, active 1826–1841, British
The House of Commons
1834
1231
Print made by Charles Grignion, 1717–1810, British
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
1232
Attributed to William Capon, 1757–1827, British
Entrance to the House of Lords
1796
1233
Print made by unknown artist, (A Smith)
Entrance of the House of Lords with the Office of Ordnance
undated
1234
Attributed to John Carter, 1748–1817, British
Plan of the Basement Story under the House of Lords
between 1800 and 1807
1235
Attributed to John Carter, 1748–1817, British
Parts in Stone Underhouse of Lords
between 1800 and 1807
1236
Attributed to John Carter, 1748–1817, British
View in Basement Story under House of Lords
between 1800 and 1807
1237
Attributed to office of Sir John Soane, (George Bailey), 1753–1837, British
Part of the Construction in the Old House of Lords
1823
1238
Attributed to John Carter, 1748–1817, British
Elevation of the Basement Story, House of Lords
between 1800 and 1807
1239
Print made by John Thomas Smith, 1766–1833, British
A Doorway in one of the Cellars Under the Old House of Lords
1804
1240
Print made by Henry Melville, active 1826–1841, British
The Kind Proroguing Parliament
1834
1241
Attributed to office of Sir John Soane, (George Bailey), 1753–1837, British
Part of the Construction in the Old House of Lords
1823
1242
Print made by unknown artist
View of the Higher House of Parliament in England
ca. 1695
1243
Print made by unknown artist, (William Taylor)
Plate XXXIX: House of Commons as Fitted Up in 1835
ca. 1836
1244
Print made by Henry Melville, active 1826–1841, British
House of Commons, the Speaker Reprimanding a Person at the Bar
after 1850
1245
unknown artist
Survey view of a lobby, Palace of Westminster
undated
1246
Attributed to office of Sir John Soane, 1753–1837, British
Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
ca. 1794
1247
unknown artist, nineteenth century
New Rooms at Westminster for the Bishops
undated
1248
Attributed to office of Sir John Soane, 1753–1837, British
Plan of the Upper Floor of Lord Committee Rooms
1835
1249
Attributed to office of Sir John Soane, 1753–1837, British
Plan of the Ground Floor, House of Lords
1835
1250
Print made by John Greig, active 1803–1853, British
The Painted Chamber, Westminster
1804
1251
unknown artist
Exterior of Painted Chamber, North View
undated
1252
Attributed to John Carter, 1748–1817, British
Palace at Westminster
between 1800 and 1807
1253
Print made by unknown artist, (William Taylor)
Staircase at Southeast Angle, Painted Chamber, Westminster
1835
1254
Attributed to John Carter, 1748–1817, British
Plan of Painted Chamber
between 1793 and 1799
1255
Attributed to John Carter, 1748–1817, British
Side Window, North, Painted Chamber
between 1793 and 1799
1256
Attributed to John Carter, 1748–1817, British
East Front of Painted Chamber
between 1793 and 1799
1257
Attributed to John Carter, 1748–1817, British
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
1258
Attributed to John Carter, 1748–1817, British
Wall Paintings
between 1793 and 1799
1259
Print made by G.F. Storm, active mid–19th century, British
Vol. 6, Plate XXVIII
1842
1260
Attributed to John Carter, 1748–1817, British
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
1261
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXVII: The Painted Chamber
1842
1262
Print made by G.F. Storm, active mid–19th century, British
Vol. 6, Plate XXIX
1842
1263
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXXII: The Story of Hezekiah
1842
1264
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus
1842
1265
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha
1842
1266
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus
1842
1267
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha
1842
1268
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger
after 1819
1269
George Birch, 1842–1904, British
Plan and View of Room under the Painted Chamber
1827
1270
Charles James Richardson, 1806–1871, British
Sections of Room under Painted Chamber
1827
1271
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City
1842
1272
Print made by T. Clarke, 1799–1839
Plate XXXVIII: House of Lords, as Fitted up in 1835
1836
1273
Print made by T. Kearnan, active 1821–1850, British
The House of Lords, as Restored after the Fire
1835
1274
Attributed to William Capon, 1757–1827, British
Elevation of Buildings Fronting Westminster Hall
1822
1275
Print made by Miss Mary Byrne, 1776–1846, British
The Houses of Lords and Commons
1815
1276
Print made by William Deeble, active 1814–1849, British
The King's Entrance to the House of Lords, From Poets Corner
1829
1277
Charles James Richardson, 1806–1871, British
Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard
1871
1278
Charles James Richardson, 1806–1871, British
Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard
1871
1279
Charles James Richardson, 1806–1871, British
Decoration between Windows of Parlor, No. 3 Old Palace Yard
1871
1280
Print made by R.C. Roffe, active in London 1806–1835, British
Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c
1827
1281
Attributed to John Carter, 1748–1817, British
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
1282
Print made by Edward Rooker, 1724–1774, British
Henry the Seventh's Chapel
undated
1283
Attributed to John Carter, 1748–1817, British
Continuation of the Preceeding Ornaments
1793
1284
William Capon, 1757–1827, British
Henry VII Chapel
ca. 1793
1285
John Phillipps Emslie, 1839–1913, British
Houses Adjacent to Westminster Abbey in the Process of Demolition
1896
1286
John Carter, 1748–1817, British
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
1287
Attributed to John Carter, 1748–1817, British
Door-way in Wall of South Precints of Westminster Abbey
undated
1288
Print made by John Carter, 1748–1817, British
Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
1791
1289
Attributed to John Carter, 1748–1817, British
Line of Buildings on East Side, Dean's Yard
between 1806 and 1815
1290
Attributed to John Carter, 1748–1817, British
Continuation of Details
between 1806 and 1815
1291
Attributed to John Carter, 1748–1817, British
Window, Dean's Yard
between 1806 and 1815
1292
Print made by unknown artist
Plate I. Memorials of the Commissioners for Improving Westminster, 1811
1811
1293
Attributed to John Carter, 1748–1817, British
Continuation of Detail
between 1806 and 1815
1294
Attributed to John Carter, 1748–1817, British
Continuation of Detail
between 1806 and 1815
1295
Attributed to John Carter, 1748–1817, British
Detail, Dean's Yard
between 1806 and 1815
1296
Attributed to John Carter, 1748–1817, British
Figure study, Henry VII Chapel
ca. 1793
1297
unknown artist
North Foreland Light House
after 1814
1298
John Buckler FSA, 1770–1851, British
North East View of Harlaxton Manor House, Lincolnshire
1817
1299
John Buckler FSA, 1770–1851, British
South View of Thornbury Castle, Gloucestershire
1822
1300
John Buckler FSA, 1770–1851, British
North West View of Harlaxton Manor House, Lincolnshire