Bush Hill, Edmonton, London: Plan of a Knot Garden
1713
502
Thomas Forster, ca. 1677–after 1712, British
Banqueting House, Whitehall: Front Elevation
undated
503
unknown artist
A Barge on the Thames near Fulton
undated
504
George Bulteel Fisher, 1764–1834, British
View of St. Paul's from Greenwich
undated
505
George Cressal Ellis, ca. 1810–1875
Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
undated
506
Samuel Atkins, active 1787–1808, British, active in the East Indies (1796–1804)
Men-of-War and other Shipping on the Thames (most probably at Deptford)
undated
507
William Daniell, 1769–1837, British
View of London Bridge and St. Paul's Cathedral
ca. 1804
508
Henry Edridge, 1769–1821, British
The Custom House, London
1806
509
Samuel Hieronymus Grimm, 1733–1794, Swiss
Greenwich Park
undated
510
Samuel Hieronymus Grimm, 1733–1794, Swiss
The French Lady in London
ca. 1771
511
unknown artist, eighteenth century
Plan of Westminster Showing the Coronation Route of George II
ca. 1727
512
Print made by Charles J. Hullmandel, 1789–1850, British
View of Palace Yard on the day of the Coronation of His Majesty George IV
1821
513
unknown artist, eighteenth century
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
514
unknown artist, nineteenth century
View of the Coronation Procession of George IV
ca. 1821
515
Print made by James Basire the younger, 1769–1822, British
Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823
1828
516
Print made by Thomas Hall, active early 19th century
A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames
1808
517
Studio of Sir John Soane, 1753–1837, British
Section of the Court of Common Pleas and the Robery Room
1823
518
unknown artist, nineteenth century
Plan of the Old Parliament Houses, Westminster
1820
519
Print made by unknown artist
Elevations and Plans of the Court of Kings Bench
ca. 1827
520
Print made by John Thomas Smith, 1766–1833, British
Ceiling of the Star Chamber
1805
521
unknown artist, nineteenth century
Westminster Hall
ca. 1820
522
Print made by Day & Co., 1824–1913, British
Chimney piece, Star Chamber, Leasowe Castle, formerly in the King's Palace, Westminster
ca. 1845
523
Print made by B. Winkles, active 1830–1840, British
Interior of Westminster Hall as Prepared for the Banquet
ca. 1821
524
Print made by Day & Co., 1824–1913, British
Chimney piece, Star Chamber, Westminster
ca. 1845
525
Print made by B. Winkles, active 1830–1840, British
Longitudinal Section of Westminster Hall
ca. 1821
526
unknown artist, nineteenth century
St. Stephen's Chapel, Speaker's House, &c. from the River
ca. 1835
527
Print made by John Thomas Smith, 1766–1833, British
Cotton Garden, Westminster
1804
528
unknown artist, nineteenth century
Mr. Lee's House After the Fire, House of Lords
ca. 1835
529
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
530
Print made by T. Clarke, 1799–1839
Plate XXVIII: Window of the Crypt of St. Stephen's Chapel, Westminster
1835
531
Attributed to John Carter, 1748–1817, British
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
532
Print made by James Basire the younger, 1769–1822, British
Plate XI: St Stephen's Chapel
1795
533
Print made by James Basire, 1730–1802, British
Plate IX: St Stephen's Chapel
1795
534
Print made by John Thomas Smith, 1766–1833, British
Geometrical Construction of the Freeze and Battlements in the House of Commons
1805
535
John Carter, 1748–1817, British
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
536
Attributed to John Carter, 1748–1817, British
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
537
Attributed to John Carter, 1748–1817, British
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
538
Print made by John Le Keux, 1783–1846, British
Compartment on One Side, St Stephen's Chapel
1825
539
Print made by James Basire, 1730–1802, British
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
1795
540
Attributed to John Carter, 1748–1817, British
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
541
Attributed to John Carter, 1748–1817, British
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
542
Attributed to John Carter, 1748–1817, British
Impost moldings, St Stephen's Chapel
between 1790 and 1802
543
Attributed to John Carter, 1748–1817, British
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
544
Print made by T. Clarke, 1799–1839
Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel
1835
545
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
546
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
547
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
548
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
549
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
550
Print made by Robert William Billings, 1813–1874, British
Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster
1836
551
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
552
Attributed to John Carter, 1748–1817, British
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
553
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
554
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
555
Print made by John Thomas Smith, 1766–1833, British
Oak Door Discovered in the Speaker's State Dining Room
1806
556
Attributed to John Carter, 1748–1817, British
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
557
unknown artist, nineteenth century
Grave of the Supposed William Lyndewode
1852
558
unknown artist
View of the Office of Ordnance with the Entrance of the House of Lords
undated
559
Attributed to office of Sir John Soane, (George Bailey), 1753–1837, British
Part of the Construction in the Old House of Lords
1823
560
Print made by James Fittler, 1758–1835, British
The King on his Throne in the House of Lords
1804
561
Attributed to John Carter, 1748–1817, British
North Side, Painted Chamber
between 1793 and 1799
562
Attributed to John Carter, 1748–1817, British
East End, Painted Chamber
between 1793 and 1799
563
Attributed to John Carter, 1748–1817, British
Door on South Side of Painted Chamber
between 1793 and 1799
564
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
1842
565
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech
1842
566
Print made by unknown artist
Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber
undated
567
George Birch, 1842–1904, British
View of Guy Fawkes' Tower
1827
568
George Birch, 1842–1904, British
Sections of Room under Painted Chamber
1827
569
George Harley, 1791–1871, British
Ruins of Westminster Palace
1834
570
Print made by John Thomas Smith, 1766–1833, British
Views of the Four Sides of a Cellar under the Old House of Lords; East End of the Prison Chamber; South Side of the Princes Chamber
1804
571
Print made by Henry Melville, active 1826–1841, British
House of Lords, Her Majesty Opening the Session of Parliament
ca. 1837
572
Attributed to John Carter, 1748–1817, British
Plan of Princes Chamber, One Pair
between 1800 and 1807
573
Attributed to John Carter, 1748–1817, British
East Front of Princes Chamber
between 1800 and 1807
574
Attributed to John Carter, 1748–1817, British
Princes Chamber, East Side with the Old House of Lords
between 1800 and 1807
575
Attributed to John Carter, 1748–1817, British
Princes Chamber
between 1800 and 1807
576
Attributed to John Carter, 1748–1817, British
South Side of Princes Chamber West
between 1800 and 1807
577
Attributed to John Carter, 1748–1817, British
Window Detail, Princes Chamber
between 1800 and 1807
578
Attributed to John Carter, 1748–1817, British
Door near Painted Chamber
between 1800 and 1807
579
Print made by John Woods, active 1836–1860
Plate XXXV: Capital Carved in Stone of the Time of William Rufus; Part of the Ceiling of the Ancient Palace of Westminster
1825
580
Frederick Mackenzie, 1788–1854, British
Old Palace Yard
1809
581
Print made by unknown artist
Exterior & Interior Views of the Painted Chamber & Old House of Lords
1823
582
Charles James Richardson, 1806–1871, British
Drawing Room Ceiling, No. 3 Old Palace Yard
1871
583
Charles James Richardson, 1806–1871, British
Ceiling of Front Parlor House in Old Palace Yard
1871
584
Print made by unknown artist
Destruction of the Houses of Parliament, Oct 16th, 1834, as Seen from Henry VIIth's Chapel
undated
585
Print made by unknown artist
Ruins of the Houses of Parliament as they Appeared on the Morning after the Conflagration
1834
586
Print made by T. Kearnan, active 1821–1850, British
New Houses of Parliament, View of the Adopted Design as the Building Would Appear from the Surrey End of Westminster Bridge
ca. 1835
587
Print made by John Collins, active ca. 1682
The North Prospect of Westminster Abbey
between 1680 and 1710
588
Print made by William Henry Toms, ca. 1700–ca. 1750, British
The South-East Prospect of King Henry The VII's Chapel at Westminster
1739
589
Print made by unknown artist
Houses of Parliament
undated
590
Print made by George Hawkins, active 1795–1810, British
View of the East End of Henry VIIth Chapel as Restored in 1813
1814
591
Print made by Augustus Charles Pugin, 1762–1832, French
Henry VII Chapel at Westminster Showing Two Renovated Pinacles
undated
592
Print made by Charles J. Hullmandel, 1789–1850, British
Henry the Seventh's Chapel, North Side
undated
593
Attributed to John Carter, 1748–1817, British
Buildings on East Side of Dean's Yard
between 1806 and 1815
594
James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)
The "Adam and Eve," Old Chelsea
1879
595
John Maurer, active 1713–1761
A Perspective View of Covent Garden
596
unknown artist
The Lord Mayor's Mansion House, shewing the Front of the House & the West Side
597
Thomas Bowles, ca. 1712–died 1753, British
The South West Prospect of London, from Somerset Gardens to the Tower
598
Thomas Bowles, ca. 1712–died 1753, British
An Inside View of the Church of St. Stephen Walbrooke London
599
Henry Thomas Alken, 1785–1851, British
Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could