Image Use: Free to Use / Subject Terms: working / Classification: Prints

Print made by Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)

The West India Washer-Women

1779

Print made by Thomas Creswick, 1811–1869, British

The Blacksmith's Shop

1838

Print made by Joseph Farington, 1747–1821, British

Windsor Bridge

1792

Print made by Sir Muirhead Bone, 1876–1953, British

Demolition of St. James's Hall, Interior

1906

Print made by Sir Muirhead Bone, 1876–1953, British

Stockholm

1923

Sir Muirhead Bone, 1876–1953, British

The Building

1904

Print made by Sir Muirhead Bone, 1876–1953, British

Ely Cathedral

1903

Print made by Sir Muirhead Bone, 1876–1953, British

La Lanterna, Genova

1912

Print made by Sir Muirhead Bone, 1876–1953, British

Walberswick Ferry

1913

Print made by Richard Parkes Bonington, 1802–1828, British

Rue du Gros-Horloge, Rouen

1824

Print made by Thomas Shotter Boys, 1803–1874, British

St. Paul's from Ludgate Hill

1842

Print made by George Barret, ca. 1728/32–1784, Irish

Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone

undated

Print made by William Angus, 1752–1821, British

West Hill in Surrey, the Seat of D. H. Rucker Esqr

1810

Print made by Ebenezer Challis, active 1837–1859

View between the Roofs of King's College Chapel

1836

Print made by Charles Golding Constable, 1821–1879, British

Harbour Scene

undated

Print made by Thomas Chambars, ca. 1724–1789, British

Lewis Francis Roubiliac

undated

Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain

The Housewife's Employment

undated

Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain

Young Male Shearing a Sheep

undated

Print made by Day & Haghe, 1824–1913, British

The High Street, Southampton

1828

Print made by John Doyle ('H.B.'), 1797–1868, Irish

A Strong Case for Shortening the Hours of Labour

1848

Print made by Day & Co., 1824–1913, British

Royal Crescent, County Hospital, St. George's Chapel, Kemp Town

1839

Print made by Day & Haghe, 1824–1913, British

New Steine and Rock Gardens

1839

John Hill, 1770–1850, British

St. Sepulchres, The Round Church

1814

Print made by Sir Muirhead Bone, 1876–1953, British

A Manhattan Excavation

1923

Print made by David Allan, 1744–1796, British, born in Scotland

Glaud and Peggy

1808

Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain

Moonlight

1745

Print made by Thomas Chambars, ca. 1724–1789, British

Lewis Francis Roubiliac

undated

Print made by unknown artist

Harvest

undated

Print made by Thomas Dale, active ca. 1921, British

Interior of the Chapel of the Holy Trinity

1825

Print made by James Dobie, 1849–1911, British

Fishing Boats at Hastings

1882

Print made by Sir George Clausen, 1852–1944, British

The Barn (From "The Neolith", 1908)

1908

Print made by Sir Muirhead Bone, 1876–1953, British

The Fishmarket, Venice, No. 2

1912

Arthur Evershed, 1836–1919

On the Banks of the Thames

1876

Sir Francis Seymour Haden, 1818–1910, British

Hands Drypointing

1877

Print made by Richard Earlom, 1743–1822, British

View of a Sea Port

1774

Print made by Thomas Gaugain, 1748–1812, French

Turnips & Carrots ho

1797

Print made by Sir Muirhead Bone, 1876–1953, British

Ayr Prison

1905

Print made by Thomas Shotter Boys, 1803–1874, British

Quayside, Notre Dame in Distance

undated

Print made by Thomas Cheesman, 1760–1834/35, British

Lady Hamilton as The Sempstress

1787

Print made by Jacob Gole, 1660–1737, Dutch

Berthold Schwarz

undated

Print made by George Arnald, 1763–1841, British

Choquer

1821

Print made by George Arnald, 1763–1841, British

Left Bank, Meuse

between 1818 and 1828

Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain

The Housewife's Employment

undated

Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain

The Housewife's Employment

undated

Print made by Jacob Gole, 1660–1737, Dutch

Berthold Schwarz

undated

Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain

Marine Study No. 1

1773

Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain

Marine Study No. 4

1773

Print made by George Arnald, 1763–1841, British

Choquer

1821

Print made by George Arnald, 1763–1841, British

Left Bank, Meuse

between 1818 and 1828

Print made by George Arnald, 1763–1841, British

Meuse and Sambre, from the Gate of the Sambre

1822

Print made by George Arnald, 1763–1841, British

Meuse and Sambre, from the Gate of the Sambre

1822

Print made by George Arnald, 1763–1841, British

Dinant, No. 1: Southwest View

between 1818 and 1828

Print made by Sir Muirhead Bone, 1876–1953, British

A Manhattan Excavation

1923

Print made by George Arnald, 1763–1841, British

Dinant, No. 1: Southwest View

between 1818 and 1828

Print made by John Robert Cozens, 1752–1797, British

The City of Bath taken from the London Road

1773

Print made by John Robert Cozens, 1752–1797, British

Bath: The New Bridge

1773

Print made by John Robert Cozens, 1752–1797, British

Bath: The Crescent

1773

Print made by Bradshaw & Blacklock, active ca.1850, British

Constantinople

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Eight Rural Subjects

after 1850

Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain

Marine Study No. 2

1773

Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain

Noon

1745

Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain

Moonlight

1745

Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain

Evening

1745

Print made by Philip Dawe, ca.1745–ca.1809, British

Domestick Employment Ironing

ca. 1769

Print made by Philip Dawe, ca.1745–ca.1809, British

The Oyster Woman

1769

Print made by Richard Earlom, 1743–1822, British

View with several Vessels lying close to the Shore

1774

Print made by Richard Earlom, 1743–1822, British

Scene of a Storm, with a Vessel Wrecked

1774

Print made by Richard Earlom, 1743–1822, British

Vulcan's Forge

1802

John Greig, active 1803–1853, British

Cloisters of Worcester Cathedral

1807

Print made by James C. Allen, active 1821–1831, British

Penzance, Cornwall

1833

Print made by James Fittler, 1758–1835, British

Warwick Castle

1780

Print made by Louis Charles Ruotte, 1754–ca. 1806, French

The West India Flower Girl

undated

William Hincks, 1752–1797

Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

1791

Print made by Henry Burn, active 1845

Bedford from the North

ca. 1840

Print made by Richard Parkes Bonington, 1802–1828, British

Campos sur les bords du Rio das Velhas

1827

Print made by Richard Parkes Bonington, 1802–1828, British

Façade de l'Eglise de Brou

1825

Print made by Richard Parkes Bonington, 1802–1828, British

Rue du Gros Horloge

1824

Print made by Richard Parkes Bonington, 1802–1828, British

Ruines de Château d'Arlay

1827

Print made by Richard Parkes Bonington, 1802–1828, British

Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417

1824

Print made by George Cooke, 1781–1834, British

Part of Waterloo Bridge with the Shot Tower, &c

1832

William Ellis, 1747–1810, British

Baskerville House, the Residence of John Ryland, Esq

1792

Print made by John Doyle ('H.B.'), 1797–1868, Irish

Supposed Colloquy between a Top Sawyer and his Brother Labourer

1843

Print made by Axel Herman Haig, 1835–1921, British

An Old Hanse Town

undated

Print made by Jean B. C. Chatelain, 1710–1771, French

Horseman Fording a Stream with Cattle

1737

Print made by Jean B. C. Chatelain, 1710–1771, French

Man Chopping Wood

1737

Print made by William Baillie, 1723–1810, Irish

Portrait of Sofonisba Angusciola Pittrice

between 1761 and 1786

Print made by Bradshaw & Blacklock, active ca.1850, British

Constantinopole

after 1850

Print made by Bradshaw & Blacklock, active ca.1850, British

Country Scenes

after 1850

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