"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
102
Henry Thomas Alken, 1785–1851, British
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
103
Henry Thomas Alken, 1785–1851, British
"Sporting Discoveries, or the Miseries of Driving:"...You Discover You Have Obtained a Steady One
undated
104
Henry Thomas Alken, 1785–1851, British
Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory
between 1822 and 1827
105
Henry Thomas Alken, 1785–1851, British
Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road
between 1809 and 1823
106
James Seymour, 1702–1752, British
'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
undated
107
James Seymour, 1702–1752, British
Foxhunter, with Jockey Up
undated
108
James Seymour, 1702–1752, British
Sloven, with Jockey Up, Galloping to Right
undated
109
James Seymour, 1702–1752, British
Racehorse with Jockey Up: Galloping, Seen from the Near-Side; the Jockey Holds a Switch
undated
110
James Seymour, 1702–1752, British
Racehorse with Jockey Up: the Jockey Holds a Whip in His Teeth
undated
111
Henry Thomas Alken, 1785–1851, British
A Groom Leading a Bay Horse
undated
112
Henry Thomas Alken, 1785–1851, British
'Getting Across the Country Like a Gentleman'
undated
113
Henry Thomas Alken, 1785–1851, British
'Rather Too Slow'
undated
114
Henry Thomas Alken, 1785–1851, British
'Rather Too Fast'
undated
115
Henry Thomas Alken, 1785–1851, British
'Riding to Horses with Difficulty'
undated
116
Henry Thomas Alken, 1785–1851, British
Rider Holding on to a Gray Horse After a Fall
undated
117
Henry Thomas Alken, 1785–1851, British
Jumping a Wooden Fence
undated
118
Henry Thomas Alken, 1785–1851, British
Jumping a Double Oxer - A Rider in Difficulties
undated
119
Henry Thomas Alken, 1785–1851, British
Steeplechasing: The Field Coming up to a Ditch
undated
120
Peter Tillemans, 1684–1734, Flemish, active in Britain (from 1708)
Horse and Rider Walking to Left in a Hilly Landscape
undated
121
James Seymour, 1702–1752, British
A Huntsman Holding a Dead Hare, with Two Greyhounds Looking On
undated
122
Print made by unknown artist
Harvest
undated
123
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
124
James Seymour, 1702–1752, British
Setting Off for the Chase: The Huntsman Leading out a Pack of Harriers followed by the Master and the Whipper-In
undated
125
James Seymour, 1702–1752, British
A Gentleman on a Managed Horse Riding Out With a Lady
undated
126
Nathaniel Smith, 1740–1787
Westminster Abbey and St. Paul's from Battersea Fields
undated
127
Richard Dighton, 1795–1880, British
Mr. Ashton Smith
1841
128
Richard Dighton, 1795–1880, British
Mr. Smith Dorian, 1841
1841
129
George Moutard Woodward, ca. 1760–1809, British
A Family Likeness
undated
130
Print made by Michael "Angelo" Rooker, 1746–1801, British
A View of the Prince's House at Kew
1776
131
Attributed to James Sharples, ca. 1751–1811, American
Two Children Wearing Yellow Dresses, the Elder Holding a Rolling Hoop and Stick and the Younger Holding a Whip Top and Whip
undated
132
Print made by unknown artist, ( J. B. )
The Young Roscius
1804
133
Thomas Sandby, 1721–1798, British
Whitehall Showing Holbein's Gate and Banqueting Hall
ca. 1760
134
Print made by unknown artist, eighteenth century
Fortune
1796
135
Print made by L. Truchy, 1721–1764
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
136
Print made by James Bretherton, ca. 1730–1806, British
John Jehu L'Inghilterra
1772
137
Print made by Charles Bretherton, ca. 1760–1783, British
Postiglione Germanico
1772
138
Print made by James Bretherton, ca. 1730–1806, British
Englishman at Paris, 1767
1799
139
Print made by Bradshaw & Blacklock, active ca.1850, British
Four Subjects
after 1850
140
Print made by Thomas Bewick, 1753–1828, British
The Cadger's Trot
1823
141
James Gillray, 1756–1815, British
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
142
Print made by James Gillray, 1756–1815, British
Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will
1791
143
Print made by Gabriel Charton, active 1810
Juif; Paysan d'Ukraine
ca. 1810
144
Print made by Thomas Bewick, 1753–1828, British
The Cadger's Trot (first State)
1823
145
Paul Sandby, 1731–1809, British
The Opening of the Carnival at Rome
ca. 1781
146
Paul Sandby, 1731–1809, British
The Horse Race at Rome During the Carnival
ca. 1781
147
Print made by Thomas Barber, ca. 1768–1843, British
Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington
1829
148
Print made by Robert Isaac Cruikshank, 1789–1856, British
A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820
after 1820
149
Print made by Alfred W. Cooper, active 1850–1901, British
The Young Squire
undated
150
Print made by Thomas Rowlandson, 1756–1827, British