<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Image Use Free to Use

Remove constraint Image Use: Free to Use

Subject Terms train

Remove constraint Subject Terms: train

Search Results

Corby Viaduct, the Newcastle and Carlisle Railway
Creator:
John Wilson Carmichael, 1799–1868, British
Date:
1836
Medium:
Oil on canvas
Dimensions:
8 x 12 inches (20.3 x 30.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
First Class—The Meeting. "And at first meeting loved."
Creator:
Abraham Solomon, 1823–1862, British
Date:
1855
Medium:
Oil on panel
Dimensions:
8 x 10 inches (20.3 x 25.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Second Class—The Parting. "Thus part we rich in sorrow, parting poor."
Creator:
Abraham Solomon, 1823–1862, British
Date:
1855
Medium:
Oil on panel
Dimensions:
8 x 10 inches (20.3 x 25.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Railway Bridge over the River Cart, Paisley
Creator:
Waller Hugh Paton, 1828–1895, British
Date:
1857
Medium:
Oil on canvas
Dimensions:
27 × 39 inches (68.6 × 99.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Louth-London Royal Mail Travelling by Train from Peterborough East, Northamptonshire
Creator:
James Pollard, 1792–1867, British
Date:
1845
Medium:
Oil on canvas
Dimensions:
9 1/4 x 12 1/8 inches (23.5 x 30.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Belfast from Bunker's Hill / On the Road to Hollywood
Creator:
John O'Connor, 1830–1889, British
Date:
undated
Medium:
Watercolor, graphite, pen and brown ink and black ink on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 7 1/4 × 11 5/16 inches (18.4 × 28.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rain, Steam and Speed
Creator:
Myles Birket Foster, 1825–1899, British
Date:
undated
Medium:
Watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/4 × 5 inches (5.7 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83) June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)
Creator:
Thomas Stothard, 1755–1834, British
Date:
undated
Medium:
Gray wash with pen and black ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 3 3/4 × 4 1/4 inches (9.5 × 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
[Landscape with train]
Creator:
Edward W. Fitch, active 1839–1867
Date:
1854
Medium:
Watercolor, graphite and gum arabic on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 × 6 1/2 inches (12.7 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert and Frances Chapman
Hiram King of Tyre, Sends Presents to King Solomon
Creator:
Print made by John Murphy, ca. 1748–1820, British
Date:
1790
Medium:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 5/16 × 25 1/2 inches (49.1 × 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Viaduct over the Sankey Canal
Creator:
Isaac Shaw, active 1830
Date:
ca. 1830
Medium:
Brown wash, brown ink, and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/8 × 8 7/16 inches (15.6 × 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lady Time Present and Lady Time Past
Creator:
Print made by unknown artist, eighteenth century
Date:
1773
Medium:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 5/8 x 11 1/4 inches (42.2 x 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Creator:
Print made by Bradshaw & Blacklock, active ca.1850, British
Date:
after 1850
Medium:
Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 5 9/16 x 2 7/16 inches (14.1 x 6.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection