Jacques-Laurent Agasse, 1767–1849, Swiss, active in Britain (from 1800)
Tiger in a Cave
ca. 1814
Not on view
11
Robert Bateman, 1842–1922, British
The Pool of Bethesda
1877
Not on view
12
Charles West Cope, 1811–1890, British
Home Dreams
1869
Not on view
13
Attributed to Benjamin Barker, 1776–1838, British
West Country Landscape
ca. 1810
Not on view
14
Thomas Churchyard, 1798–1865, British
Landscape with Trees and a Figure
ca. 1840
Not on view
15
Richard Parkes Bonington, 1802–1828, British
In the Forest at Fontainebleau
ca. 1825
Not on view
16
Joseph Noel Paton, 1821–1901, British
Puck and Fairies, from "A Midsummer Night's Dream"
ca. 1850
Not on view
17
Frederick W. Watts, 1800–1862, British
Rocky Hillside
ca. 1830
Not on view
18
unknown artist, eighteenth century
A Horse Frightened by a Lioness
ca. 1800
Not on view
19
Henry Thomas Alken, 1785–1851, British
Partridge Shooting
ca. 1825
Not on view
20
Print made by George Stubbs, 1724–1806, British
A Sleeping Leopard
1791
21
Print made by George Stubbs, 1724–1806, British
A Tiger and a Sleeping Leopard
1788
22
Edward Lear, 1812–1888, British
Bassenthwaite
1836
23
Edward Lear, 1812–1888, British
Villa Torlania, formerly Villa Conti, Erascati
ca. 1844
24
Edward Lear, 1812–1888, British
Reggio, 26 July 1847
1847
25
Edward Lear, 1812–1888, British
Reggio
1847
26
Edward Lear, 1812–1888, British
Sorrento, 2 August 1838
1838
27
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
28
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."
1793
29
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
30
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
1789
31
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
32
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 8, "The Morning Comes...."
1793
33
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
34
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
1789
35
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 2, Title Page
1794
36
Frederick Goulding, 1842–1909, British
Ruins of the Old Bridge, Vernon
1879
37
George Richmond, 1809–1896, British
Study of a Tree on a Grassy Bank
1866
38
George Richmond, 1809–1896, British
Study of Trees, etc., in a Meadow
1866
39
William Wyld, 1806–1889, British
View of Gibraltar
undated
40
Henry Monro, 1791–1814, British
A Wooded Track
1813
41
Paul Jacob Naftel, 1817–1891, British
Head of Loch Lomond, with Ben Lomond in the Distance
1859
42
George Vicat Cole, 1833–1893, British
The Mill Pond, Evelyn Woods
1860
43
Thomas Hearne, 1744–1817, British
Cottage
undated
44
Michel Jean Cazabon, 1813–1888, Trinidadian
On the Cimaronero River
1857
45
Stefano della Bella, 1610–1664, Italian
A Study in Pinks and Roses
undated
46
Stefano della Bella, 1610–1664, Italian
A Study of Pinks and Roses
undated
47
Stefano della Bella, 1610–1664, Italian
A Study of Pinks and Roses
undated
48
Stefano della Bella, 1610–1664, Italian
A Study of Pinks and Roses
undated
49
James Ward, 1769–1859, British
Study of a Climbing Plant (Pumpkin Family)
undated
50
Thomas Rowlandson, 1756–1827, British
Covent Garden Market
between 1795 and 1810
51
Print made by Benjamin Green, ca. 1736–ca. 1800, British
Oxford Physic Garden
1766
52
John Ruskin, 1819–1900, British
Four Species of Grasses
undated
53
Print made by Mark Catesby, 1682–1749, British
An Thymelaea foliis obtusis; Anseri Bassano &c: The Great Booby, Plate 86 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London 1754
1754
54
Print made by John Chalon, 1738 – 1795
Study
1789-1790
55
Print made by Sir Charles D'Oyly, 1781–1845, British, active in India
Brahmins at a Toolsee Altar
ca. 1830
56
Sir Francis Seymour Haden, 1818–1910, British
By Twickenham
1865
57
Peter P. Benazech, 1767–1794
For Japaning, Where may be 200 Different Sorts
1757
58
Thales Fielding, 1793–1837, British
Hop Picking
1832
59
George Edwards, 1694–1773, British
A Stone Curlew
ca. 1790
60
Print made by Thomas Bewick, 1753–1828, British
The Wild Bull, of the Ancient Caledonian Breed, Now in the Park, at Chillingham-Castle, Northumberland
1789
61
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
62
Henry Thomas Alken, 1785–1851, British
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
63
Francis Barlow, 1622–1704, British
Hare Hunting
undated
64
Print made by George Cruikshank, 1792–1878, British
Mr Crump's Extreme Politeness
undated
65
Thomas Daniell, 1749–1840, British, active in India
Sketches
undated
66
Print made by Alfred Henry Forrester, 1804–1872, British
Wrapper for six prints from Alfred Crowquill's Christmas Pieces
undated
67
Thomas Rowlandson, 1756–1827, British
The Gardener's Offering
between 1803 and 1805
68
Henry Thomas Alken, 1785–1851, British
"Sporting Incidents:" Drawing For the Soft-gound Etching of 'Panther Hunting'
undated
69
Henry Thomas Alken, 1785–1851, British
"Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'
undated
70
Henry Thomas Alken, 1785–1851, British
Pheasant Shooting
undated
71
C. Blake, active 1825–1826
"The Poacher's Progress:" 'Poachers Snaring Pheasants'
undated
72
John Buckler FSA, 1770–1851, British
The Court at Blithfield
1823
73
Possibly Henry Thomas Alken, 1785–1851, British
Drawing Covert
undated
74
Henry William Bunbury, 1750–1811, British
Patience in a Punt
undated
75
Henry Thomas Alken, 1785–1851, British
Jumping a Wooden Fence
undated
76
Peter P. Benazech, 1767–1794
For Japaning, Where may be 200 Different Sorts
1757
77
Peter P. Benazech, 1767–1794
For Japaning, Where may be 200 Different Sorts
1757
78
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
79
Julius Caesar Ibbetson, 1759–1817, British
Supported by a Bramble
undated
80
unknown artist
81
attributed to Thomas Girtin, 1775–1802, British
In the Farnese Gardens, Rome
ca. 1795
82
John Robert Cozens, 1752–1797, British
Near Raito on the Gulf of Salerno
ca. 1783
83
Alfred Diston, active 1818–1829
Woman of El Miradero, Tenerife
1828
84
Joshua Cristall, 1768–1847, British
Young Woodcutter
1818
85
Joshua Cristall, 1768–1847, British
Isaac Willis
1816
86
Edward Burne-Jones, 1833–1898, British
Sketches of Myrtle and a Head Crowned with Myrtle
undated
87
William Cruickshank, 1836–1917
Plums and Apple
1864
88
Thomas Rowlandson, 1756–1827, British
The Flower Seller
undated
89
Thomas Rowlandson, 1756–1827, British
The Vinery
undated
90
Thomas Rowlandson, 1756–1827, British
Dr. Syntax Soliloquising
between 1812 and 1820
91
Print made by Sir Francis Seymour Haden, 1818–1910, British
Mytton Hall
1859
92
Print made by Sir Francis Seymour Haden, 1818–1910, British
Mytton Hall
1859
93
Sir Francis Seymour Haden, 1818–1910, British
Dusty Millers
1877
94
Sir Francis Seymour Haden, 1818–1910, British
Shere Mill Pond, no. 2 (large plate)
1860
95
Sir Francis Seymour Haden, 1818–1910, British
The Three Sisters
after 1867
96
Sir Francis Seymour Haden, 1818–1910, British
A Salmon River, no. 2
1884
97
Sir Francis Seymour Haden, 1818–1910, British
Encombe Woods, no. 2
1881-1882
98
Print made by William Havell, 1782–1857, British, active in India (1820–26)
Landscape with Trees, Girl Crossing a Footbridge
1804
99
Print made by John Blackmore, active 1740–1780
Henry Bunbury Esqr
ca. 1769
100
Print made by Sir Francis Seymour Haden, 1818–1910, British