Image Use: Free to Use / Subject Terms: moon / Classification: Prints

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Bellman

1879

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Bellman

1879

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Bellman

1879

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Christmas

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

begun ca. 1880

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Harvest under a Crescent Moon

ca. 1826

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Lonely Tower

1879

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Lonely Tower

1879

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sepulchre

between 1880 and 1883

Print made by William Hogarth, 1697–1764, British

The Third Stage of Cruelty: Cruelty in Perfection - The Murder

1751, printed 1790

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Christmas

1877

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Christmas

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Christmas

1850

Etched by Joseph Mallord William Turner, 1775–1851, British

Rispah: 2nd Book of Samuel, Chap. 21

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Rispah: 2nd Book of Samuel, Chap. 21

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Rispah: 2nd Book of Samuel, Chap. 21

1812

Print made by William Hogarth, 1697–1764, British

Tail Piece, or the Bathos

1764

William Blake, 1757–1827, British

Illustrations of Imitation of Eclogue I, Page 16

1821

William Blake, 1757–1827, British

Illustrations of Imitation of Eclogue I, Page 15

1821

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 13, "Fiery the Angels Rose...."

1793

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 100

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 14, "One hair nor particle of dust...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 2, Title Page

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 20, "But when they saw Albion...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 25, "And there was heard...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 4, "Jerusalem / Chap. 1...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 85, "Became a Space & an Allegory...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 97, "Awake! Awake Jerusalem...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 24, "What have I said?...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 50, "The Atlantic Mountains...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 53, "Jerusalem / Chap. 3"

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 63, "Jehovah stood among the Druids...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 69, "Then all the Males...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 18, "From every-one of the Four Regions...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 37, "And One stood forth...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 8, "Rose up against me...."

1804 to 1820

Print made by William Blake, 1757–1827, British

I Want! I Want!; Plate 11

1793

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

1826

Print made by John Browne, 1741–1801, British

Moon-Light

ca. 1797

Print made by John Browne, 1741–1801, British

Moon-Light

ca. 1797

Print made by Thomas Creswick, 1811–1869, British

The Blacksmith's Shop

1838

Print made by J. P. Quilley, active 1828

The Deluge

1828

Print made by Henry Le Keux, 1787–1868, British

Villa Madama (vignette)

1830

William Payne, active 1850s, British

On the River Wye, Monmouthshire

Print made by Henry Le Keux, 1787–1868, British

Villa Madama, Moonlight

1830

Print made by John Russell, 1745–1806, British

Lunar Planisphere, Flat Light

1805

Print made by unknown artist

The Indians Astonished at the Eclipse of the Moon foretold by Columbus

1768

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Night

undated

Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain

Moonlight

1745

Thomas Gainsborough, 1727–1788, British

A Moonlit Landscape with Cattle by a Pool

ca. 1780

Print made by John Russell, 1745–1806, British

Lunar Planisphere, Hypothetical Oblique Light

1806

Print made by Peter P. Benazech, 1767–1794

The Monmouth of 64 Guns, taking the Foudroyant a French Man of War of 84 Guns on the 28th of Feb. 1758 in the Mediterranean,...

ca. 1760

James Gillray, 1756–1815, British

Sophia, Honour, and the Chambermaid

1780

Sir Francis Seymour Haden, 1818–1910, British

Battersea Bridge

1868

Sir Francis Seymour Haden, 1818–1910, British

The Breaking Up of the Agamemnon, no. 1

1870

Sir Francis Seymour Haden, 1818–1910, British

The Breaking Up of the Agamemnon, no. 2

after 1880

Print made by J. Walker, active ca. 1748, British

The Eclipse of the Sun as it Will Appear at London on July 14, 1748

1748

Print made by Henry J. Townsend, 1810–1890, British

Where the Bee Sucks. The Tempest, Act V, Scene I, Ariel on a Hammock of Convolvulus

1853

Sir Francis Seymour Haden, 1818–1910, British

An Early Riser

1897

Print made by Charles Henry Baskett, 1872–1953, British

The Harvest Moon

between 1910 and 1913

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by John Smith, 1652–1743, British

Tristis Mea est Anima Usque ad Mortem / My Soul is Sorrowful Even Unto Death

undated

Print made by Bernard Lens II, 1659–1725, British

Acteon and Diana

undated

Print made by William Say, 1768–1834, British

Cupid and Psyche

1816

Print made by Samuel Cousins, 1801–1887, British

Master Lambton

1827

Print made by George Arnald, 1763–1841, British

Left Bank, Meuse

between 1818 and 1828

Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain

Boy Lighting a Candle

1751

Print made by Johann Jacobus Haid, 1704–1767

Das Schachspiel

undated

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Soul Exploring the Recesses of the Grave

1808, published 1813

Print made by Charles Ansell, ca.1752–active 1790, British

Hamlet

1809

Print made by James H. Baker, born 1829

Come Gentle Night: "Romeo and Juliet," Act III, Scene II

between 1839 and 1849

George Siegmund Facius, 1750–1804

West Window of the Chapel, New College Oxford, Adoration of the Shepherds, From the Nativity Scene

1785

Print made by Thomas Gaugain, 1748–1812, French

Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)

1797

Print made by John Scott, 1774–1828, British

Eclipse (?) Shakespeare

Print made by unknown artist, seventeenth century-eighteenth century

Pyramus and Thisbe

undated

Print made by Thomas Creswick, 1811–1869, British

Moonlight

1839

Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain

Moonlight

1745

John Martin, 1789–1854, British

Joshua Commanding the Sun to Stand Still

1827

Print made by Henry Le Keux, 1787–1868, British

Villa Madama - Moonlight

1830

James Gillray, 1756–1815, British

The Valley of the Shadow of Death

1808

James Gillray, 1756–1815, British

Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)

1791

Print made by Alfred W. Cooper, active 1850–1901, British

The Nightingale

undated

Print made by unknown artist

The Eclipse at an End - and Political Tilting Discovered

ca. 1788

Bradshaw & Blacklock, active ca.1850, British

Set of 18 Labels from 'Twining & Sons' Hairpins Boxes

after 1850

Print made by Edward Calvert, 1799–1883, British

Ideal Pastoral Life

1829

Print made by Edward Calvert, 1799–1883, British

Ideal Pastoral Life

1829

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