Scipio, a spotted hunter, the property of Colonel Roche
ca. 1750
Not on view
102
Dean Wolstenholme, 1798–1882, British
Red pied carrier
1837
Not on view
103
Jacques-Laurent Agasse, 1767–1849, Swiss, active in Britain (from 1800)
Study of a Grey Horse
ca. 1800
Not on view
104
Jacques-Laurent Agasse, 1767–1849, Swiss, active in Britain (from 1800)
Studies of a Fox, a Barn Owl, a Peahen, and the Head of a Young Man
ca. 1815
Not on view
105
Edmund Bristow, 1787–1876, British
Outside the Guard House at Windsor
between 1817 and 1821
Not on view
106
David Dalby of York, 1780–1849, British
Signal, a Grey Arab, with a Groom in the Desert
1820 or 1829
Not on view
107
John Ferneley, 1782–1860, British
William Massey-Stanley driving his Cabriolet in Hyde Park
1833
Not on view
108
Jacques-Laurent Agasse, 1767–1849, Swiss, active in Britain (from 1800)
Study of a Fox
between 1810 and 1830
Not on view
109
Jacques-Laurent Agasse, 1767–1849, Swiss, active in Britain (from 1800)
A Grey Pony and a Black Charger in a Stable
1804
Not on view
110
Henry Bernard Chalon, 1771–1849, British
The Duchess of York's Spaniel
1804
Not on view
111
unknown artist
A Setter: Standing
ca. 1775
Not on view
112
unknown artist, (Scottish Pearlware)
Jockey and Racehorse: he in black cap, blue jacket, pink waistcoat and white breeches; the horse, sponged black with purple saddle cloth (reins missing)
1830
Not on view
113
Josiah Wedgwood, 1730–1795, British
Horse Frightened by a Lion (Episode A)
modeled 1780
Not on view
114
Edward Burch, 1730–1814, British
Horse Studies in Relief, after George Stubbs
modeled 1788–1789
Not on view
115
Joseph Edgar Boehm, 1834–1890, British
St. Simon
1885
Not on view
116
Adrian Jones, 1845–1938, British
The Tetrarch
ca. 1913
Not on view
117
unknown artist, fifteenth century
Carved wood misericord of a Sleeping Fox, possibly from Dunblane Cathedral, Perthshire, Scotland
ca. 1400
Not on view
118
Robert Polhill Bevan, 1865–1925, British
Sketch of a Horse
undated
119
Print made by Robert Polhill Bevan, 1865–1925, British
The Meet
1898-1899
120
Print made by Robert Polhill Bevan, 1865–1925, British
Found!
1898-1899
121
Print made by Robert Polhill Bevan, 1865–1925, British
The Flying Pack
1898-1899
122
Print made by Robert Polhill Bevan, 1865–1925, British
Who-o-p!
1898-1899
123
Print made by Robert Polhill Bevan, 1865–1925, British
Huntsman and Hounds
1898-1899
124
Robert Polhill Bevan, 1865–1925, British
A Harrow in the Orchard
ca. 1896
125
Robert Polhill Bevan, 1865–1925, British
The Horse Mart
ca. 1917
126
Robert Polhill Bevan, 1865–1925, British
The Ploughing Team
1905 or 1906
127
Robert Polhill Bevan, 1865–1925, British
The Horse Mart (with further sketches in the margin)
ca. 1918
128
Robert Polhill Bevan, 1865–1925, British
Study for Mare and Foal, Lytchetts, Clayhidon
1917
129
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
A Cow Lodge with a Mossy Roof
ca. 1829
130
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
131
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
132
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
133
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Herdsman's Cottage
1850
134
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Homeward Star
etching begun ca. 1880; impression printed in 1924
135
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Weary Ploughman
1858
136
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
137
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Weary Ploughman
1858
138
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Moeris and Galatea
1880-1883
139
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
140
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Herdsman's Cottage
1850
141
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Morning of Life
1860-1861
142
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Moeris and Galatea
plate etched between 1880 and 1883; impression printed in 1924
143
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Sleeping Shepherd
1857
144
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Willow
1850
145
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
146
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Weary Ploughman
1858
147
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Morning of Life
1860-1861
148
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
begun before 1861
149
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Sleeping Shepherd
1857
150
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Opening the Fold
1880
151
Print made after George Stubbs, 1724–1806, British
Plate X, Fowl Body, Lateral View
1804
152
Print made by George Stubbs, 1724–1806, British
A Horse Affrighted by a Lion
1788
153
Print made by George Stubbs, 1724–1806, British
A Sleeping Leopard
1791
154
George Stubbs, 1724–1806, British
A Foxhound on the Scent
1788
155
George Stubbs, 1724–1806, British
A Tyger (Sleeping Leopard)
1788
156
Print made by George Stubbs, 1724–1806, British
A Tiger and a Sleeping Leopard
1788
157
after George Stubbs, 1724–1806, British
Horses Fighting
undated
158
Robert Polhill Bevan, 1865–1925, British
Hounds in Covert
ca. 1896
159
Robert Polhill Bevan, 1865–1925, British
Horses Threshing, Pont Aven
1893
160
Robert Polhill Bevan, 1865–1925, British
Horse Dealers
ca. 1918
161
Robert Polhill Bevan, 1865–1925, British
Horse in Breton Yard
undated
162
Robert Polhill Bevan, 1865–1925, British
Sussex Cart Horse
between 1905 and 1906
163
Robert Polhill Bevan, 1865–1925, British
The Meet, with further sketches in margin
164
Robert Polhill Bevan, 1865–1925, British
Found, with further sketches in the margin
165
William Hogarth, 1697–1764, British
The Bruiser
1763
166
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
begun before 1861
167
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
etching begun before 1861; impression printed in 1926
168
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
begun before 1861
169
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Morning of Life
1860-1861
170
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Skylark
1850
171
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Skylark
1850
172
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Weary Ploughman
1858
173
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Willow
1850
174
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Skylark
1850
175
Edward Lear, 1812–1888, British
Near Suez, 1 pm, 16 January 1849 (48)
1849
176
Edward Lear, 1812–1888, British
Sketch studies of camels
January to April 1867
177
Edward Lear, 1812–1888, British
Studies of Camels
January to April 1867
178
Edward Lear, 1812–1888, British
Studies of Camels and Egyptian Men
1867
179
Edward Lear, 1812–1888, British
Camel studies
1867
180
Edward Lear, 1812–1888, British
Outside the Walls of Suez, 8:30 a.m., 17 January 1849 (54)