Image Use: Free to Use / Subject Terms: angel - YCBA Collections Search Search Results

1. The Liberation of St Peter

Creator:: Hendrick van Steenwyck the Younger, ca. 1580–1649, Flemish, active in Britain from 1617
Date:: 1617
Medium:: Oil on copper
Dimensions:: 13 3/4 × 16 1/8 inches (34.9 × 41 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund

2. Paul Before Felix Burlesqued

Creator:: Print made by William Hogarth, 1697–1764, British
Date:: 1751
Medium:: Etching with line engraving and mezzotint
Dimensions:: Sheet: 10 1/4 × 15 1/2 inches (26 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

3. Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. An Angel with a Trumpet

Creator:: William Blake, 1757–1827, British
Date:: between 1805 and 1808
Medium:: Graphite, watercolor, and pen and black ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 3/4 x 4 1/8 inches (19.7 x 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Man Sweeping the Interpreter's Parlour

Creator:: William Blake, 1757–1827, British
Date:: ca. 1822
Medium:: White-line metal cut engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 x 9 1/8 inches (17.8 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Satan Approaching the Court of Chaos

Creator:: William Blake, 1757–1827, British
Date:: 1784 to 1785
Medium:: Graphite with pen and gray ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/4 x 13 1/4 inches (23.5 x 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Songs of Innocence and of Experience

Creator:: William Blake, 1757–1827, British
Date:: 1789-1794
Medium:: Relief etching printed in dark-brown ink, with watercolor and pen and ink on wove paper
Dimensions:: Spine: 7 3/8 inches (18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The Poems of Thomas Gray, Design 45, "The Progress of Poesy."

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. The Poems of Thomas Gray, Design 67, "The Fatal Sisters."

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. The Poems of Thomas Gray, Design 81, "The Descent of Odin."

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. The Poems of Thomas Gray, Design 99, "Ode for Music."

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Songs of Innocence, Plate 1, Frontispiece (Bentley 2)

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1789
Medium:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1788
Medium:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Europe. A Prophecy, Frontispiece Proof Impression

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1820
Medium:: Relief etching prined in brown ink; verso: color printed relief etching, pen and black ink, and gray ink; proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 1/2 x 9 1/4 inches (31.8 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Jerusalem, Plate 2, Title Page

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Jerusalem, Plate 30, "And the Two that escaped...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. The Poems of Thomas Gray, Design 101, "Ode for Music."

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. The Poems of Thomas Gray, Design 93, "Ode for Music."

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Poems of Thomas Gray, Design 95, "Ode for Music."

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1789
Medium:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1789
Medium:: Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Jerusalem, Plate 9, "Condens'd his Emanations...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Poems of Thomas Gray, Design 41, "The Progress of Poesy."

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. For Children. The Gates of Paradise, Title Page; Plate 2

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1793
Medium:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. At Length for Hatching Ripe He Breaks the Shell; Plate 8

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1793
Medium:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Aged Ignorance; Plate 13

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1793
Medium:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1789
Medium:: Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1794
Medium:: Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1789
Medium:: Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1794
Medium:: Color-printed relief etching, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1826
Medium:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1826
Medium:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1826
Medium:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Tobias and the Angel

Creator:: Print made by John Smith, 1652–1743, British
Date:: ca. 1685
Medium:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 5 1/16 x 6 9/16 inches (12.8 x 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Allegory of Sea Trades

Creator:: Edward Francis Burney, 1760–1848, British
Date:: undated
Medium:: Pen and brown ink, watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 5/8 × 4 7/8 inches (9.2 × 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Notre Dame, Dinant [Belgian Set: No. 8]

Creator:: Sir David Young Cameron, 1865–1945, British
Date:: 1907
Medium:: Etching on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 15 5/8 × 9 1/2 inches (39.7 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

49. An Angel

Creator:: Isaac Oliver, ca. 1565–1617, French, active in Britain
Date:: undated
Medium:: Gray wash with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/4 × 2 15/16 inches (10.8 × 7.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Design for the Brass Eagle Lectern Base

Creator:: Augustus Welby Northmore Pugin, 1812–1852, British
Date:: 1846
Medium:: Graphite and pen and black ink on moderately thick, smooth, beige paper
Dimensions:: Sheet: 32 1/2 x 27 7/8 inches (82.6 x 70.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Brass Chrism of Constance Bownell and her Baby from Heston Church

Creator:: Attributed to Daniel Lysons, 1762–1834, British
Date:: 1796-1811
Medium:: Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Doorhead of the Palazzo Contarini della Porta di Ferro

Creator:: John Ruskin, 1819–1900, British
Date:: undated
Medium:: Pen and black ink, brown wash and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 x 10 7/8 inches (22.5 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Chauncey B. Tinker, B.A. 1899

53. From the Dome

Creator:: Print made by Sir Muirhead Bone, 1876–1953, British
Date:: 1901
Medium:: Drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 11/16 x 12 5/8 inches (45 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

54. Frontispiece: The Progress of a Midshipman

Creator:: Print made by George Cruikshank, 1792–1878, British
Date:: 1820
Medium:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/2 x 11 3/8in. (21.6 x 28.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Cupid and Psyche

Creator:: Edward Burne-Jones, 1833–1898, British
Date:: ca. 1870
Medium:: Watercolor, gouache and pastel on moderately thick, moderately textured, wove paper mounted on linen
Dimensions:: Sheet: 27 5/8 x 19 inches (70.2 x 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Mary Gertrude Abbey Fund

56. Time raising Truth, after Rubens’s “The Triumph of Truth”

Creator:: Attributed to Richard Cosway, 1742–1821, British
Date:: undated
Medium:: Graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 8 x 11 15/16 inches (20.3 x 30.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

57. Flight into Egypt

Creator:: Richard Cosway, 1742–1821, British
Date:: undated
Medium:: Gray ink, gray wash, watercolor, black chalk, red chalk and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/4 x 7 1/2 inches (23.5 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. Stuart P. Feld

58. School of St. Rocco, Venice, Study of Curved Decoration

Creator:: Thomas Hartley Cromek, 1809–1873, British
Date:: ca. 1835
Medium:: Watercolor, gouache, pen and brown ink, and graphite on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 8 15/16 x 7 1/4in. (22.7 x 18.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Two Designs for Ecclesiastical Niches

Creator:: unknown artist, nineteenth century
Date:: undated
Medium:: Watercolor, black ink, and graphite on moderately thick, moderately textured, cream wove paper mounted on board
Dimensions:: Sheet: 7 5/8 × 3 1/8 inches (19.4 × 7.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

60. The Archangel Gabriel Awaiting Night

Creator:: Thomas Girtin, 1775–1802, British
Date:: ca. 1799
Medium:: Watercolor and brown wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 1/16 x 9 7/8 inches (30.6 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Glasgow Exhibition: From the Dome

Creator:: Print made by Sir Muirhead Bone, 1876–1953, British
Date:: 1901
Medium:: Etching and drypoint on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 10 7/16 x 6 7/16 inches (26.5 x 16.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

62. Annunciatio Beatae Mariae Virginis

Creator:: Print made by John Smith, 1652–1743, British
Date:: undated
Medium:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/8 × 9 inches (30.8 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

63. Tobit and the Angel

Creator:: Print made by Bernard Lens II, 1659–1725, British
Date:: undated
Medium:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/4 × 13 inches (26 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

64. Madonna, Child, and Angel

Creator:: Print made by Bernard Lens II, 1659–1725, British
Date:: undated
Medium:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/16 × 7 1/8 inches (23 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

65. Madonna, Child, and Angel

Creator:: Print made by Bernard Lens II, 1659–1725, British
Date:: undated
Medium:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 7/16 × 7 15/16 inches (26.5 × 20.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

66. Tobit and the Angel

Creator:: Print made by John Smith, 1652–1743, British
Date:: undated
Medium:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 4 7/8 × 6 3/8 inches (12.4 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

67. Peter Delivered out of Prison by an Angel

Creator:: Print made by Bernard Lens II, 1659–1725, British
Date:: undated
Medium:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 6 11/16 inches (22.2 × 17 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

68. Tobit and the Angel

Creator:: Print made by Bernard Lens II, 1659–1725, British
Date:: undated
Medium:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 13 1/8 inches (26.7 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

69. S. Matthaus

Creator:: Print made by Elias Nessenthaler, 1664–1714
Date:: undated
Medium:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 9/16 × 9 5/16 inches (34.4 × 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

70. Scenes from an Eastern Romance [Arabian Nights]

Creator:: Robert Smirke, 1752–1845, British
Date:: undated
Medium:: Oil and graphite on medium, moderately textured, cream wove paper mounted to medium, moderately textured, gray wove paper
Dimensions:: Sheet: 4 1/8 × 3 inches (10.5 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Christus Crucifixus

Creator:: Print made by unknown artist, seventeenth century-eighteenth century
Date:: undated
Medium:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/8 × 4 11/16 inches (18.7 × 11.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

72. The Death of the Good Old Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810, Italian
Date:: 1808, published 1813
Medium:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 15 inches (28.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. West Window of the Chapel, New College Oxford, Angel Contemplating the Mystery of the Cross

Creator:: George Siegmund Facius, 1750–1804
Date:: 1785
Medium:: Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 7/8 × 24 3/4 inches (50.5 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Angel and Instrument, Possibly Design for Interiors of St. Mary's, West Tofts, Norfolk

Creator:: Augustus Welby Northmore Pugin, 1812–1852, British
Date:: undated
Medium:: Graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 3/4 × 4 1/2 inches (24.8 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Annuciation

Creator:: Print made by Bernard Lens II, 1659–1725, British
Date:: undated
Medium:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 9/16 × 3 3/4 inches (14.1 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

76. The Angel and Tobias (Number 7)

Creator:: Joseph Powell, 1780–1834, British
Date:: 1815
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection

77. Winged Figure Slaying a Bull

Creator:: Edward Francis Burney, 1760–1848, British
Date:: undated
Medium:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 × 8 1/8 inches (14.3 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

78. Tobit and the Angel

Creator:: Print made by Bernard Lens II, 1659–1725, British
Date:: undated
Medium:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 9/16 × 6 3/4 inches (21.7 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

79. Joshua and the Angel (Joshua 5:13)

Creator:: Richard Westall, 1765–1836, British
Date:: before 1835
Medium:: Graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 3 3/8 x 5 3/8 inches (8.6 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

80. Pandemonium

Creator:: Print made by John Martin, 1789–1854, British
Date:: 1831
Medium:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 22 3/8 × 30 3/4 inches (56.8 × 78.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. James Beattie, LL.D.

Creator:: Print made by Thomas Gaugain, 1748–1812, French
Date:: 1805
Medium:: Stipple engraving and etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 7 13/16 × 9 1/8 inches (19.8 × 23.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. The Infant Shakespeare (engraving for Boydell's "Shakespeare Gallery")

Creator:: Benjamin Smith, 1775–1833, British
Date:: 1799
Medium:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of John Gerli, B.A. 1932

83. Garrick Reading the Ode at the Shakespeare Jubilee

Creator:: Caroline Watson, 1760–1814, British
Date:: 1784
Medium:: Stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 24 7/16 x 17 13/16 inches (62 x 45.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David Alexander

84. Geometrical Plan of his Majesty's Dockyard, near Plymouth

Creator:: Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Date:: 1756
Medium:: Line engraving on medium, moderately textured, cream laid paper mounted on laid paper
Dimensions:: Sheet: 22 1/16 × 28 13/16 inches (56 × 73.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. The Pool of Bethesda

Creator:: Simon François Ravenet, 1706–1774, French, active in Britain
Date:: 1772
Medium:: Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/8 x 22 5/8 inches (49.2 x 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Venus and Cupid

Creator:: unknown artist
Date:: undated
Medium:: Pen and brown ink, brown wash and gray wash and gouache on medium, moderately textured, gray wove paper mounted to medium slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/4 × 11 1/4 inches (19.7 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Professor Richard L. Purdy

87. St. Nil

Creator:: Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:: 1762
Medium:: Etching on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 19 9/16 x 12 15/16 inches (49.7 x 32.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Angel

Creator:: unknown artist, nineteenth century
Date:: undated
Medium:: Graphite on medium, smooth, blue wove paper
Dimensions:: Sheet: 7 15/16 × 3 3/8 inches (20.2 × 8.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. The Sacrifice of Isaac

Creator:: Print made by Robert Robinson, active 1674–1706, British
Date:: undated
Medium:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/4 × 7 7/8 inches (24.8 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

90. The Salutation

Creator:: Print made by Valentine Green, 1739–1813, British
Date:: 1778
Medium:: Mezzotint (? state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 25 1/2 × 18 7/8 inches (64.8 × 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

91. Tobias and the Angel

Creator:: Print made by James McArdell, ca. 1729–1765, Irish
Date:: undated
Medium:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 18 1/8 × 13 15/16 inches (46 × 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

92. The Meeting of a Family in Heaven

Creator:: Print made by Luigi Schiavonetti, 1765–1810, Italian
Date:: 1808
Medium:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. The Day of Judgment

Creator:: Print made by Luigi Schiavonetti, 1765–1810, Italian
Date:: 1808
Medium:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. The Day of Judgment

Creator:: Print made by Luigi Schiavonetti, 1765–1810, Italian
Date:: 1808
Medium:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/4 × 13 1/2 inches (50.2 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. The Death of the Good Old Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810, Italian
Date:: 1808
Medium:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. The Death of the Good Old Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810, Italian
Date:: 1808
Medium:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 5/8 × 20 inches (34.6 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. The Meeting of a Family in Heaven

Creator:: Print made by Luigi Schiavonetti, 1765–1810, Italian
Date:: 1808
Medium:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/4 × 13 1/2 inches (51.4 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Elizabeth (née Dashwood) Montague, With Her Son, George Montague, Viscount Mandeville

Creator:: James Watson, 1740–1790, British
Date:: 1770
Medium:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 25 1/2 × 16 11/16 inches (64.8 × 42.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. The Return of Tobias

Creator:: Print made by Valentine Green, 1739–1813, British
Date:: 1805
Medium:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 × 27 inches (50.8 × 68.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

100. Children's Bacchanal

Creator:: Print made by Bernard Lens II, 1659–1725, British
Date:: 1680-1690s
Medium:: Mezzotint, proof before inscriptions on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 3/8 × 7 3/4 inches (28.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

YCBA Collections Search

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Subject Terms angel

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1. The Liberation of St Peter

2. Paul Before Felix Burlesqued

3. Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

4. An Angel with a Trumpet

5. The Man Sweeping the Interpreter's Parlour

6. Satan Approaching the Court of Chaos

7. Songs of Innocence and of Experience

8. The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."

9. The Poems of Thomas Gray, Design 45, "The Progress of Poesy."

10. The Poems of Thomas Gray, Design 67, "The Fatal Sisters."

11. The Poems of Thomas Gray, Design 81, "The Descent of Odin."

12. The Poems of Thomas Gray, Design 99, "Ode for Music."

13. Songs of Innocence, Plate 1, Frontispiece (Bentley 2)

14. There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

15. Europe. A Prophecy, Frontispiece Proof Impression

16. Jerusalem, Plate 2, Title Page

17. Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."

18. Jerusalem, Plate 30, "And the Two that escaped...."

19. Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

20. Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

21. Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

22. Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

23. The Poems of Thomas Gray, Design 101, "Ode for Music."

24. The Poems of Thomas Gray, Design 93, "Ode for Music."

25. The Poems of Thomas Gray, Design 95, "Ode for Music."

26. Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)

27. Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

28. Jerusalem, Plate 9, "Condens'd his Emanations...."

29. The Poems of Thomas Gray, Design 41, "The Progress of Poesy."

30. Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

31. Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"

32. For Children. The Gates of Paradise, Title Page; Plate 2

33. At Length for Hatching Ripe He Breaks the Shell; Plate 8

34. Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

35. Aged Ignorance; Plate 13

36. Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)

37. Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)

38. Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)

39. Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)

40. For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

41. For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

42. The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."

43. Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

44. Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

45. For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

46. Tobias and the Angel

47. Allegory of Sea Trades

48. Notre Dame, Dinant [Belgian Set: No. 8]

49. An Angel

50. Design for the Brass Eagle Lectern Base

51. Brass Chrism of Constance Bownell and her Baby from Heston Church

52. Doorhead of the Palazzo Contarini della Porta di Ferro

53. From the Dome

54. Frontispiece: The Progress of a Midshipman

55. Cupid and Psyche

56. Time raising Truth, after Rubens’s “The Triumph of Truth”

57. Flight into Egypt

58. School of St. Rocco, Venice, Study of Curved Decoration

59. Two Designs for Ecclesiastical Niches

60. The Archangel Gabriel Awaiting Night

61. Glasgow Exhibition: From the Dome

62. Annunciatio Beatae Mariae Virginis

63. Tobit and the Angel

64. Madonna, Child, and Angel

65. Madonna, Child, and Angel

66. Tobit and the Angel

67. Peter Delivered out of Prison by an Angel

68. Tobit and the Angel

69. S. Matthaus

70. Scenes from an Eastern Romance [Arabian Nights]

71. Christus Crucifixus

72. The Death of the Good Old Man

73. West Window of the Chapel, New College Oxford, Angel Contemplating the Mystery of the Cross

74. Angel and Instrument, Possibly Design for Interiors of St. Mary's, West Tofts, Norfolk