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Hendrick van Steenwyck the Younger, ca. 1580–1649, Flemish, active in Britain from 1617

The Liberation of St Peter

1617

Not on view

Print made by William Hogarth, 1697–1764, British

Paul Before Felix Burlesqued

1751

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

ca. 1797

William Blake, 1757–1827, British

An Angel with a Trumpet

between 1805 and 1808

William Blake, 1757–1827, British

The Man Sweeping the Interpreter's Parlour

ca. 1822

William Blake, 1757–1827, British

Satan Approaching the Court of Chaos

1784 to 1785

William Blake, 1757–1827, British

Songs of Innocence and of Experience

1789-1794

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."

between 1797 and 1798

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 45, "The Progress of Poesy."

between 1797 and 1798

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 67, "The Fatal Sisters."

between 1797 and 1798

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 81, "The Descent of Odin."

between 1797 and 1798

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 99, "Ode for Music."

between 1797 and 1798

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 1, Frontispiece (Bentley 2)

1789

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

ca. 1788

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Frontispiece Proof Impression

ca. 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 2, Title Page

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 30, "And the Two that escaped...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

1797

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 101, "Ode for Music."

between 1797 and 1798

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 93, "Ode for Music."

between 1797 and 1798

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 95, "Ode for Music."

between 1797 and 1798

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)

1789

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

1789

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 9, "Condens'd his Emanations...."

1804 to 1820

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 41, "The Progress of Poesy."

between 1797 and 1798

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"

ca. 1797

Print made by William Blake, 1757–1827, British

For Children. The Gates of Paradise, Title Page; Plate 2

1793

Print made by William Blake, 1757–1827, British

At Length for Hatching Ripe He Breaks the Shell; Plate 8

1793

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

ca. 1797

Print made by William Blake, 1757–1827, British

Aged Ignorance; Plate 13

1793

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)

1789

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)

1794

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)

1789

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)

1794

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

1797

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

Print made by John Smith, 1652–1743, British

Tobias and the Angel

ca. 1685

Edward Francis Burney, 1760–1848, British

Allegory of Sea Trades

undated

Sir David Young Cameron, 1865–1945, British

Notre Dame, Dinant [Belgian Set: No. 8]

1907

Isaac Oliver, ca. 1565–1617, French, active in Britain

An Angel

undated

Augustus Welby Northmore Pugin, 1812–1852, British

Design for the Brass Eagle Lectern Base

1846

Attributed to Daniel Lysons, 1762–1834, British

Brass Chrism of Constance Bownell and her Baby from Heston Church

1796-1811

John Ruskin, 1819–1900, British

Doorhead of the Palazzo Contarini della Porta di Ferro

undated

Print made by Sir Muirhead Bone, 1876–1953, British

From the Dome

1901

Print made by George Cruikshank, 1792–1878, British

Frontispiece: The Progress of a Midshipman

1820

Edward Burne-Jones, 1833–1898, British

Cupid and Psyche

ca. 1870

Attributed to Richard Cosway, 1742–1821, British

Time raising Truth, after Rubens’s “The Triumph of Truth”

undated

Richard Cosway, 1742–1821, British

Flight into Egypt

undated

Thomas Hartley Cromek, 1809–1873, British

School of St. Rocco, Venice, Study of Curved Decoration

ca. 1835

unknown artist, nineteenth century

Two Designs for Ecclesiastical Niches

undated

Thomas Girtin, 1775–1802, British

The Archangel Gabriel Awaiting Night

ca. 1799

Print made by Sir Muirhead Bone, 1876–1953, British

Glasgow Exhibition: From the Dome

1901

Print made by John Smith, 1652–1743, British

Annunciatio Beatae Mariae Virginis

undated

Print made by Bernard Lens II, 1659–1725, British

Tobit and the Angel

undated

Print made by Bernard Lens II, 1659–1725, British

Madonna, Child, and Angel

undated

Print made by Bernard Lens II, 1659–1725, British

Madonna, Child, and Angel

undated

Print made by John Smith, 1652–1743, British

Tobit and the Angel

undated

Print made by Bernard Lens II, 1659–1725, British

Peter Delivered out of Prison by an Angel

undated

Print made by Bernard Lens II, 1659–1725, British

Tobit and the Angel

undated

Print made by Elias Nessenthaler, 1664–1714

S. Matthaus

undated

Robert Smirke, 1752–1845, British

Scenes from an Eastern Romance [Arabian Nights]

undated

Print made by unknown artist, seventeenth century-eighteenth century

Christus Crucifixus

undated

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Death of the Good Old Man

1808, published 1813

George Siegmund Facius, 1750–1804

West Window of the Chapel, New College Oxford, Angel Contemplating the Mystery of the Cross

1785

Augustus Welby Northmore Pugin, 1812–1852, British

Angel and Instrument, Possibly Design for Interiors of St. Mary's, West Tofts, Norfolk

undated

Print made by Bernard Lens II, 1659–1725, British

Annuciation

undated

Joseph Powell, 1780–1834, British

The Angel and Tobias (Number 7)

1815

Edward Francis Burney, 1760–1848, British

Winged Figure Slaying a Bull

undated

Print made by Bernard Lens II, 1659–1725, British

Tobit and the Angel

undated

Richard Westall, 1765–1836, British

Joshua and the Angel (Joshua 5:13)

before 1835

Print made by John Martin, 1789–1854, British

Pandemonium

1831

Print made by Thomas Gaugain, 1748–1812, French

James Beattie, LL.D

1805

Benjamin Smith, 1775–1833, British

The Infant Shakespeare (engraving for Boydell's "Shakespeare Gallery")

1799

Caroline Watson, 1760–1814, British

Garrick Reading the Ode at the Shakespeare Jubilee

1784

Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain

Geometrical Plan of his Majesty's Dockyard, near Plymouth

1756

Simon François Ravenet, 1706–1774, French, active in Britain

The Pool of Bethesda

1772

unknown artist

Venus and Cupid

undated

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

St. Nil

1762

unknown artist, nineteenth century

Angel

undated

Print made by Robert Robinson, active 1674–1706, British

The Sacrifice of Isaac

undated

Print made by Valentine Green, 1739–1813, British

The Salutation

1778

Print made by James McArdell, ca. 1729–1765, Irish

Tobias and the Angel

undated

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Meeting of a Family in Heaven

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Day of Judgment

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Day of Judgment

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Death of the Good Old Man

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Death of the Good Old Man

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Meeting of a Family in Heaven

1808

James Watson, 1740–1790, British

Elizabeth (née Dashwood) Montague, With Her Son, George Montague, Viscount Mandeville

1770

Print made by Valentine Green, 1739–1813, British

The Return of Tobias

1805

Print made by Bernard Lens II, 1659–1725, British

Children's Bacchanal

1680-1690s

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