Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Peasants Going to Market
1802
4
John Raphael Smith, 1752–1812, British
Bellsane and Parcival under the Enchantment of Urma
1782
5
Print made by Samuel Rawle, 1771–1860, British
Gibside, County of Durham
1819
6
Print made by Henry Le Keux, 1787–1868, British
Simmer Lake near Askrig
1822
7
Print made by Charles Heath, 1785–1848, British
Ingleborough, from Hornby Castle Terrace
1818-1823
8
Print made by W. R. Smith, active 1819–1851
Longships Lighthouse, Lands End
1836
9
Print made by James C. Allen, active 1821–1831, British
Aldborough
ca. 1830
10
Francis David Soiron, Born 1764
St. James's Park
1790
11
Robert Pollard, 1755–1838, British
This View of Hanover Square
1787
12
Print made by John Landseer, 1769–1852, British
Alum Bay, Isle of Wight
1799
13
Print made by James Basire the younger, 1769–1822, British
View of Oxford from the South Side of Heddington Hill
1808
14
Print made by John Landseer, 1769–1852, British
Orchard Bay
1799
15
Print made by John Landseer, 1769–1852, British
Freshwater Bay
1799
16
Print made by John Landseer, 1769–1852, British
Alum Bay and the Needles
1799
17
Print made by John Landseer, 1769–1852, British
Shanklin Castle
1799
18
Print made by John Landseer, 1769–1852, British
Cowes
1799
19
Print made by James C. Allen, active 1821–1831, British
Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz
1824
20
Print made by William Henry Boucher, 1842–1906, British
Over the Nuts and Wine!
1889
21
F. Jones, 19th century, British
The Falls from the Narrow Neck near the Eastern Headland of the Outlet
1865
22
Alfred East, 1849–1913, British
St. Ives
undated
23
Thomas Girtin, 1775–1802, British
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
24
George Vertue, 1684–1756, British
Mary, Queen of France / Charles Brandon, Duke of Suffolk
1748
25
Sir John Dean Paul, 1775–1852, British
Fox Hunting [set of four]: Leicestershire 'Gaudet Equis Canisbusque'. No. 3. Symptoms of a Skurry in a Pewy Country ..
1825
26
Henry Papprill, 1816–d.after 1883, American
This View of the Capture of Amoy, on the Coast of China, on the 26th August, 1841
1842
27
Engraved by Joseph Constantine Stadler, active 1780–1812, British
View of London from Greenwich Park
1796
28
William Ward, 1766–1826, British
The Shephard Boy
29
Engraved by William Pether, ca. 1738–1821, British
The Continence of Chevalier Bayard
1771
30
unknown artist, eighteenth century
Spilsbury's Views of Jamaica: A View Looking South of the Town and Harbour of Lucea in the Parish of Hanover the North Side of Jamaica
1770
31
Print made by James Basire the younger, 1769–1822, British
Plate XI: St Stephen's Chapel
1795
32
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
1842
33
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech
1842
34
Sir John Dean Paul, 1775–1852, British
Fox Hunting [set of four]: Leicestershire 'Gaudet Equis Canisbusque'. No. 1. A Struggle for the Start ..
1825
35
Thomas Sutherland, ca. 1785–1838, British
[Fox-hunting] Going to Cover
1820-1821
36
Thomas Sutherland, ca. 1785–1838, British
[Fox-hunting] Breaking Cover
1820-1821
37
Thomas Sutherland, ca. 1785–1838, British
[Fox-hunting] Tree-ing the Fox
1820-1821
38
John Raphael Smith, 1752–1812, British
[Shooting] The Sportsman's Repast
1801
39
John Raphael Smith, 1752–1812, British
[Shooting] Enamour'd Sportsman
1801
40
John Raphael Smith, 1752–1812, British
[Shooting] Enamour'd Sportsman
1801
41
Thomas Sutherland, ca. 1785–1838, British
[Fox-hunting] Full Cry
1820-1821
42
Richard Earlom, 1743–1822, British
The Exhibition of the Royal Academy of Painting 1771
1772
43
Morton, active 1767
Elevation of the Front for the Register Offices in Scotland
1767
44
unknown artist, eighteenth century
Scenographia Americana: Untitled view (perhaps of Boston?)
1758-1760
45
Print made by James Basire, 1730–1802, British
Plate VIII: St Stephen's Chapel
1795
46
Print made by James Basire, 1730–1802, British
Plate XIII: St Stephen's Chapel
1795
47
Print made by G.F. Storm, active mid–19th century, British
Vol. 6, Plate XXVIII
1842
48
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXVII: The Painted Chamber
1842
49
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXXII: The Story of Hezekiah
1842
50
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha
1842
51
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus
1842
52
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha
1842
53
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City
1842
54
Thomas Girtin, 1775–1802, British
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1802
55
Thomas Girtin, 1775–1802, British
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1803
56
Thomas Girtin, 1775–1802, British
View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame
1802
57
Thomas Girtin, 1775–1802, British
View of the Gate of St. Denis taken from the Suburbs
1802
58
unknown artist, eighteenth century
Spilsbury's Views of Jamaica: A Prospect of Ora Cabeca in the Parish of St. Maries the North Side Jamaica taken from the Road leading to St. Ann's 1766
1770
59
unknown artist, eighteenth century
Spilsbury's Views of Jamaica: A Prospect of Port Antonio, and Town of Titchfield, in the Parish of Portland, on the North Side Jamaica, taken from Navy Island
1769-1770
60
Print made by Charles West Cope, 1811–1890, British
W. Mulready RA
1863
61
Print made by Joseph Constantine Stadler, active 1780–1812, British
Rosehill
ca. 1810
62
Engraved by Robert Pollard, 1755–1838, British
View of Queen Square
1789
63
Robert Pollard, 1755–1838, British
View of Grosvenor Square
1789
64
Sir John Dean Paul, 1775–1852, British
Fox Hunting [set of four]: Leicestershire 'Gaudet Equis Canisbusque'. No. 4. The Death ..
1825
65
Sir John Dean Paul, 1775–1852, British
Fox Hunting [set of four]: Leicestershire 'Gaudet Equis Canisbusque'. No. 2. The First Ten Minutes - Shaking Off the Cocktails ..
1825
66
Print made by James Basire, 1730–1802, British
Plate XII: St Stephen's Chapel
1795
67
Print made by Thomas Talbot Bury, 1811–1877, British
Elevation of the River Front
ca. 1835
68
Print made by James Mason, 1710–1783, British
A View in the Island of Jamaica, of the Spring-head of Roaring River on the Estate of William Beckford Esq.r
1778
69
Print made by Sir Hubert von Herkomer, 1849–1914, British
The Lady in White
ca. 1885
70
George Vertue, 1684–1756, British
The Battle-Array of Carberry-hill Near Edinburgh with the Surrender of Mary Queen of Scots to the Confederate Lords of Scotland, and the Escape of Earl Bothwell, 1567
1742
71
Print made by Frederick Stacpoole, 1813–1907, British
The Palm Offering
1868
72
Print made by Miles Edmund Cotman, 1810–1858, British
From the Garden front of my Father's House at Thorpe next Norwich
1847
73
Print made by Paul Nash, 1889–1946, British
The Raider on the Moors
1940
74
Print made by Day & Co., 1824–1913, British
The Falls from the Western End of the Chasm
1856
75
Print made by Sir Francis Seymour Haden, 1818–1910, British
The Breaking Up of the Agamemnon, no. 2
after 1880
76
Sir Francis Seymour Haden, 1818–1910, British
The Breaking Up of the Agamemnon, no. 2
after 1880
77
unknown artist, ( Thomas Dunhill )
The Launch of the Iron Steamship 'The Great Britain' at Bristol
1843
78
Sir Muirhead Bone, 1876–1953, British
Piccadilly Circus
1915
79
William Sherwin, 1645–1711, British
Barbara Duchess of Cleaveland as a Shepherdess
1670
80
Print made by John Young, 1755–1825, British
A Woman Swearing her Child to a Grave Citizen
1816
81
Print made by Richard Earlom, 1743–1822, British
Thomas King and Mrs. Baddeley
1772
82
Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565, French
Theatrum Sive Coliseum Romanum
1538
83
Print made by William Miller, 1796–1882, British
The Grand Canal, Venice
1838
84
Print made by George Hollis, 1792–1842, British
St. Mark's Place, Venice - Juliet and her Nurse
1842
85
after George Vertue, 1684–1756, British
The Battle Array of Carberry Hill Near Edinburgh with the Surrender of Mary Queen of Scots
1738
86
William Say, 1768–1834, British
Mrs. Siddons
1810
87
William Woollett, 1735–1785, British
[Shooting] The Spanish Pointer
1768
88
William Woollett, 1735–1785, British
Shooting, Plate II
1770
89
William Woollett, 1735–1785, British
Shooting, Plate III
1770
90
George Morland, 1763–1804, British
Smugglers
1793
91
Print made by Thomas Girtin, 1775–1802, British
View of the City with the Louvre & Taken from Pont Marie
1802
92
Benjamin Green, ca. 1736–ca. 1800, British
The Lion and Stag
1770
93
William Woollett, 1735–1785, British
Shooting, Plate IV
1771
94
George Morland, 1763–1804, British
Fishermen
1793
95
Print made by John Young, 1755–1825, British
The Setting Sun
1790
96
Print made by William Say, 1768–1834, British
The Cottar's Door
1802
97
Benjamin Green, ca. 1736–ca. 1800, British
The Right Honourable Lord Pigot, Governor of Madras
1769
98
George Hunt, active 1820–1840, British
"Nonpareil" / The Property of Mr. John Dixon of Knightsbridge / This Wonderful Creature, Performed the unprecedented Match, of Trotting 100 Miles in harness on Sunbury Common, on Wednesday the 27th April, 1836. ..
1836
99
Johannes Tangena, active 1687–1692
William of Orange Leaving Hellevoetsluis for England