Width [cm]: 35 - YCBA Collections Search Search Results

Richard Parkes Bonington, 1802–1828, British

Calais Jetty, France

ca. 1824

William Hogarth, 1697–1764, British

William Augustus, Duke of Cumberland

1732

Not on view

Charles Reuben Ryley, 1752–1798, British

'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia

1786

Not on view

Charles Reuben Ryley, 1752–1798, British

'The Vicar of Wakefield,' Vol. I, Chap. VIII: Dining in the Hayfields' (Surprised by Mr. Thornhill's Chaplain)

1786

Not on view

Marcellus Laroon the Younger, 1679–1772, British

The Barber

between 1760 and 1769

Not on view

Attributed to Thomas Hudson, 1701–1779, British

Alexander van Aken

ca. 1770

Not on view

George Augustus Wallis, 1770–1847, British

Study of Rocks and Branches

ca. 1795

Not on view

Gwen John, 1876–1939, British

Rue Terre Neuve, Meudon

between 1915 and 1925

Not on view

John Sell Cotman, 1782–1842, British

Ruined House

between 1807 and 1810

Not on view

Gwen John, 1876–1939, British

Seated Woman in a Broad-Brimmed Hat

undated

Not on view

Arthur Devis, 1712–1787, British

An Unknown Woman in a Drawing Room

between 1740 and 1741

Not on view

Arthur Devis, 1712–1787, British

An Unknown Man in a Library

between 1740 and 1741

Not on view

Samuel John Egbert Jones, active 1820–1845, British

Pheasant Shooting

mid-19th century

Not on view

Richard Parkes Bonington, 1802–1828, British

Barges on a River

1826

Not on view

Richard Parkes Bonington, 1802–1828, British

Grand Canal, Venice

1826

Not on view

Harold Gilman, 1876–1919, British

Nude in an Interior

ca. 1911

Not on view

Thomas Bardwell, 1704–1767, British

Portrait of a Gentleman

ca. 1740

Not on view

Thomas Bardwell, 1704–1767, British

Portrait of a Lady

ca. 1740

Not on view

Richard Parkes Bonington, 1802–1828, British

In the Forest at Fontainebleau

ca. 1825

Not on view

Frederick Richard Lee, 1798–1879, British

Southampton Water, near Hamble

after 1837

Not on view

unknown artist, nineteenth century

Mountainous Landscape with Figures and Cattle

1806 to 1807

Not on view

John Frederick Herring, 1795–1865, British

The Royal Mail Coach on the Road

1841

Not on view

Herbert Haseltine, 1877–1962, American

The Chaser: Sergeant Murphy

cast 1963 (original model 1926)

Not on view

Herbert Haseltine, 1877–1962, American

Harboro’ Nulli Secundus, Shire Stallion

1968

Not on view

Robert Polhill Bevan, 1865–1925, British

Sketch of a Horse

undated

Robert Polhill Bevan, 1865–1925, British

Crocks

undated

Robert Polhill Bevan, 1865–1925, British

Farm Buildings and Well, Poland

ca. 1908

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Moeris and Galatea

plate etched between 1880 and 1883; impression printed in 1924

George Stubbs, 1724–1806, British

Human Skeleton, Anterior View (Final study)

1795 to 1806

George Stubbs, 1724–1806, British

Human Figure, Posterior View (Outline drawing for a key figure showing the final stage of dissection)

1795 to 1806

Print made by George Stubbs, 1724–1806, British

A Sleeping Leopard

1791

George Stubbs, 1724–1806, British

Tiger Body, Lateral View

1795 to 1806

George Stubbs, 1724–1806, British

Tiger Body, Lateral View

1795 to 1806

George Stubbs, 1724–1806, British

Leopard Body, Lateral View (First of Five Studies of Another Large Cat)

1795 to 1806

George Stubbs, 1724–1806, British

Fowl Skeleton, Lateral View (Outline drawing of the skeleton prepared for the key figure to Table V)

1795 to 1806

George Stubbs, 1724–1806, British

Fowl Skeleton, Lateral View (Probably Basic Study of the Proportions of the Fowl Skeleton Used for Other Drawings)

1795 to 1806

Robert Polhill Bevan, 1865–1925, British

Horse in Breton Yard

undated

William Hogarth, 1697–1764, British

Hudibras and the Lawyer (no.7)

Print made by William Hogarth, 1697–1764, British

Plate 2, The Industrious 'Prentice Performing the Duty of a Christian

1747

Print made by William Hogarth, 1697–1764, British

Plate 4, The Industrious 'Prentice a Favourite, and Entrusted by his Master

1747

Print made by William Hogarth, 1697–1764, British

Plate 7, The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute

1747

Print made by William Hogarth, 1697–1764, British

Plate 8, The Industrious 'Prentice Grown Rich and Sheriff of London

1747

Print made by William Hogarth, 1697–1764, British

Plate 9, The Idle 'Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplice

1747

Print made by William Hogarth, 1697–1764, British

Plate 6, The Industrious 'Prentice Out of his Time and Married to his Master's Daughter

1747

Print made by William Hogarth, 1697–1764, British

Plate 3, The Idle 'Prentice at Play in the Church Yard during Divine Service

1747

Print made by William Hogarth, 1697–1764, British

Plate 5, The Idle 'Prentice Turned Away, and Sent to Sea

1747

Print made by William Hogarth, 1697–1764, British

Plate 10, The Industrious 'Prentice Alderman of London, The Idle One Brought Before him & Impeach'd by his Accomplice

1747

Print made by William Hogarth, 1697–1764, British

Hogarth Painting the Comic Muse

1764

Joseph Mallord William Turner, 1775–1851, British

Dent de Lion, Margate

ca. 1791

Etched by Joseph Mallord William Turner, 1775–1851, British

Jason

1807

Etched by Joseph Mallord William Turner, 1775–1851, British

Chain of Alps from Grenoble to Chamberi

1812