Print made by Luigi Schiavonetti, 1765–1810, Italian
The Day of Judgment
1808
902
George Keating, 1762–1842, Irish
Henrietta Cavendishe, Countess of Stamford
1793
903
Print made by Luigi Schiavonetti, 1765–1810, Italian
Robert Blair, The Grave, Title Page
1808
904
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Meeting of a Family in Heaven
1808
905
William Holl, 1807–1871, British
Lloyd, Lord Kenyon, Baron of Gredington
1804
906
James Watson, 1740–1790, British
Caroline Spencer, Duchess of Marlborough, With Her Daughter, Lady Caroline Spencer
1768
907
Frederick Christian Lewis the Elder, 1779–1856, British
Miss O'Neill as Juliet - "Romeo and Juliet", Act II, Scene II
1816
908
unknown artist
Unknown. Published by Landseer and P.J. de Loutherbourg
1804
909
unknown artist
Unknown. Published by Landseer and P.J. Loutherbourg
1804
910
Print made by Valentine Green, 1739–1813, British
Lady Caroline Isabella Howard
1778
911
Print made by John Dean, 1754–1798, British
Phoebe Hoppner as a Flower Girl
1785
912
Print made by Henry Hoppner Meyer, ca. 1782–1847, British
Margaret Emma, the Lady Kenyon
undated
913
Print made by Charles Wilkin, 1750–1814, British
Mrs. Parkyns
1795
914
Print made by Charles Wilkin, 1750–1814, British
Her Grace The Duchess of Rutland
1803
915
Print made by James Watson, 1740–1790, British
Shepherd Boy
ca. 1778
916
Print made by William James Ward, ca. 1800–1840, British
Juliana Vinicombe Lady St. Aubyn
undated
917
unknown artist, nineteenth century
Erlestoke, Wiltshire, England
ca. 1825
918
Print made by Paulus Pontius, 1603–1658, Flemish
Frederico Henrico D.G
between 1630 and 1645
919
William Dickinson, 1746–1823, British
Charlotte at the Tomb of Werther
1785
920
Ezekial A. Ezekiel, 1757–1806
Major-General Stringer Lawrence
1795
921
John Watts, active 1766–1786
Joseph Baretti, Secretary for Foreign Correspondence to the Royal Academy
1780
922
Thomas Watson, 1743–1781, British
Frances Brooke, Lady Whitmore
1778
923
Print made by Frederick Bacon, 1803–1887, British
The Penitent
between 1842 and 1887
924
James Gillray, 1756–1815, British
The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber
1807
925
James Gillray, 1756–1815, British
Confederated- Coalitions; or, The Giant's Storming Heaven, With the Gods Alarmed for their Everlasting Abodes
1804
926
James Gillray, 1756–1815, British
Pillars of the Constitution - Three O'Clock and A Cloudy Morning
1809
927
James Gillray, 1756–1815, British
British Tars Towing the Danish Fleet into Harbour; The Broad Bottom Leviathan Trying to Swamp Billy's Old Boat; and the Little Corsican Tottering on the Clouds of Ambition
1807
928
James Gillray, 1756–1815, British
The Magnanimous Minister Chastising Prussian Perfidy - Vide the "Morning Chronicle." April 28th
1806
929
James Gillray, 1756–1815, British
The Westminster Hunt
1788
930
James Gillray, 1756–1815, British
Britania's Assassination - or - The Republicans Amusement
1782
931
James Gillray, 1756–1815, British
Election-Troops, Bringing in Their Accounts, to the Pay-Table
1788
932
James Gillray, 1756–1815, British
Blood on Thunder Fording the Red Sea
1788
933
James Gillray, 1756–1815, British
The Political Hydra
1788
934
James Gillray, 1756–1815, British
Georgey in the Coal - Hole. (Colonel Hanger)
1800
935
James Gillray, 1756–1815, British
One of the Advantages of a Low Carriage
1801
936
Edmund Ashfield, active 1669–1690?, British
Portrait of a Nobleman
between 1670 and 1675
937
Edmund Ashfield, active 1669–1690?, British
Portrait of a Nobleman's Wife
between 1670 and 1675
938
James Gillray, 1756–1815, British
The Bear and His Leader. --"What tho' I am Obliged to Dance A Bear, A Man may be a Gentleman for That, --My Bear Ever Dances to the Genteelest of Tunes"
1806
939
James Gillray, 1756–1815, British
Comfort's of a Bed of Roses; Vide Charley's Elucidation of Lord C(a)stl(e) R(ea)gh's Speech! --A Nightly Scene near Cleveland Row
1806
940
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)