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The Countess of Blessington
Creator:
Print made by Samuel Cousins, 1801–1887, British
Date:
1837
Medium:
Mezzotint, line engraving, and stipple engraving on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 15/16 x 12 15/16 inches (40.5 x 32.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Traveling in France -or, -Le départ de la diligence
Creator:
Print made by George Cruikshank, 1792–1878, British
Date:
1818
Medium:
Etching and stipple engraving, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 x 17 5/8 inches (29.9 x 44.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Costume of the Reign of King Henry III, 1250
Creator:
Print made by John Augustus Atkinson, (etching), 1775–1831, British
Date:
1814
Medium:
Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 1/4 x 13 5/8 inches (26 x 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Miss Sarah Campbell
Creator:
Print made by Valentine Green, 1739–1813, British
Date:
ca. 1779
Medium:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 5/16 × 13 3/16 inches (43.9 × 33.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Master Henry Thomas Hope
Creator:
Print made by Samuel Cousins, 1801–1887, British
Date:
1836
Medium:
Mezzotint, line engraving, and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 x 12 15/16 inches (40 x 32.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
No cover image available
Creator:
Print made by John Dean, 1754–1798, British
Date:
1780
Medium:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 1/2 x 13 15/16 inches (47 x 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund