Width [cm]: 32 / Classification: Prints - YCBA Collections Search Search Results

Print made by George Stubbs, 1724–1806, British

A Tiger and a Sleeping Leopard

1788

Print made by William Hogarth, 1697–1764, British

The Second Stage of Cruelty: Coachman Beating a Fallen Horse

1751, printed 1790

Print made by William Hogarth, 1697–1764, British

The Third Stage of Cruelty: Cruelty in Perfection - The Murder

1751, printed 1790

Print made by William Hogarth, 1697–1764, British

The First Stage of Cruelty: Children Torturing Animals

1751, printed 1790

Print made by William Hogarth, 1697–1764, British

The Fourth Stage of Cruelty: The Reward of Cruelty

1751, printed 1790

William Hogarth, 1697–1764, British

The First Stage of Cruelty: First, Children Torturing Animals

1751

William Hogarth, 1697–1764, British

The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse

1751

Engraved by Joseph Mallord William Turner, 1775–1851, British

Stonehenge at Daybreak

1815 to 1819

Print made by Joseph Mallord William Turner, 1775–1851, British

Paestum

between 1820 and 1826

Etched by Joseph Mallord William Turner, 1775–1851, British

Marine Dabblers

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

London from Greenwich

1811

Print made by William Hogarth, 1697–1764, British

After

1736

Print made by William Hogarth, 1697–1764, British

Before

1736

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 23, "We censure nature for a span too short"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

ca. 1797

William Blake, 1757–1827, British

The Complaint and the Consolation; or Night Thoughts

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 13, "The present moment terminates our sight"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

ca. 1797

William Blake, 1757–1827, British

The Complaint and the Consolation; or Night Thoughts (and title page)

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 27, "O treacherous conscience!"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

1797

William Blake, 1757–1827, British

Illustrations of the Book of Job

1825

William Blake, 1757–1827, British

Illustrations of the Book of Job, pl. 1 (Title Page): 'Illustrations of/ the/ Book/ of/ Job'

1826

Print made by Charles Shannon, 1863–1937, British

Autumn

1917

Print made by John Sell Cotman, 1782–1842, British

Column at Yarmouth to the Memory of Lord Nelson

1817

Print made by John Sell Cotman, 1782–1842, British

Spanish Student

ca. 1830

Francis Jukes, 1747–1812, British

Cottage Scene Near Colchester, Essex

1797

Francis Jukes, 1747–1812, British

Cottage Scene Near Colchester, Essex

1797

Print made by Henry William Bunbury, 1750–1811, British

The Siege of Namur

between 1773 and 1817

Print made by Henry William Bunbury, 1750–1811, British

The Battle of the Cataplasm

between 1773 and 1817

Print made by Henry William Bunbury, 1750–1811, British

Overthrow of Dr. Slop

between 1773 and 1817

Print made by George Cuitt, 1779–1854, British

Presented by the Officers

after 1813

Print made by Sir Frank Short, 1857–1945, British

Via Mala

1896

John Dixon, ca. 1740–1811, Irish

Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

1771

Print made by Thomas Gainsborough, 1727–1788, British

Wooded Landscape with Herdsman and Cows

between 1785 and 1788

Print made by Charles Henry Baskett, 1872–1953, British

The Mill by the Sea

1914

Print made by Alfred East, 1849–1913, British

View of Arched Doorway

undated

Print made by George Cooke, 1781–1834, British

Hythe, Kent

1824

Print made by Robert Wallis, 1794–1878, British

Folkstone, Kent

1814 to 1826

Print made by William Bernard Cooke, 1778–1855, British

Bodiham Castle, Sussex

1817

Print made by William Bernard Cooke, 1778–1855, British

Bodiham Castle, Sussex

1817

Print made by John Byrne, 1786–1847, British

Rome from Monte Mario

1818-1820

Print made by John Byrne, 1786–1847, British

Rome from Monte Mario

1820

Print made by George Cooke, 1781–1834, British

Naples, from the Mole

1820

Print made by George Cooke, 1781–1834, British

Naples, from the Mole

1819

Print made by Robert Wallis, 1794–1878, British

Linlithgow Palace

1822

Print made by W. R. Smith, active 1819–1851

Longships Lighthouse, Lands End

1836

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