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Thomas Jones The Vale of Pencerrig
Thomas Jones, 1742–1803, British, active in Italy (1776–83)
The Vale of Pencerrig
1776
Not on view
Edward Lear Mqabba, Qrendi
Edward Lear, 1812–1888, British
Mqabba, Qrendi
1866
Edward Lear On the Road, Two Hours from Tepelene, 19 April 1857
Edward Lear, 1812–1888, British
On the Road, Two Hours from Tepelene, 19 April 1857
1857
William Blake Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
ca. 1797
William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 65, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
William Blake Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
1797
William Blake Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
1797
William Blake The Poems of Thomas Gray, Design 3, "Ode on the Spring."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
ca. 1797
William Blake Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
ca. 1797
William Blake Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
ca. 1797
William Blake Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
ca. 1797
William Blake Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"
ca. 1797
William Blake Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
ca. 1797
William Blake Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
1797
William Blake Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
1797
William Blake Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
1797
Henry William Bunbury The Siege of Namur
Print made by Henry William Bunbury, 1750–1811, British
The Siege of Namur
between 1773 and 1817
John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
John Dixon, ca. 1740–1811, Irish
Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
1771
John Landseer Freshwater Bay
Print made by John Landseer, 1769–1852, British
Freshwater Bay
1799
unknown artist The Watermill Above the Bridge at Charenton
unknown artist
The Watermill Above the Bridge at Charenton
undated
Thomas Rowlandson Two Greyhounds Lying under a Tree
Thomas Rowlandson, 1756–1827, British
Two Greyhounds Lying under a Tree
undated
Thomas Daniell Landscape
Thomas Daniell, 1749–1840, British, active in India
Landscape
undated
Thomas Rowlandson A Stage Coach Outside of the Entrance of an Inn
Thomas Rowlandson, 1756–1827, British
A Stage Coach Outside of the Entrance of an Inn
undated
James McNeill Whistler Landscape with a Fisherman
James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)
Landscape with a Fisherman
1861
Henry Thomas Alken Wild Duck Shooting
Henry Thomas Alken, 1785–1851, British
Wild Duck Shooting
undated
Thomas Girtin Melville Castle, Midlothian
Thomas Girtin, 1775–1802, British
Melville Castle, Midlothian
ca. 1796
John Boyne Shepherd with Dog and Sheep
Print made by John Boyne, ca. 1750–1810, British
Shepherd with Dog and Sheep
1806
Sir Francis Seymour Haden Windmill Hill, no. 2
Sir Francis Seymour Haden, 1818–1910, British
Windmill Hill, no. 2
1877
Sir Francis Seymour Haden Kensington Gardens, no. 2 (large plate)
Sir Francis Seymour Haden, 1818–1910, British
Kensington Gardens, no. 2 (large plate)
1860
Sir Francis Seymour Haden Combe Bottom
Sir Francis Seymour Haden, 1818–1910, British
Combe Bottom
1860
Louis Haghe Thornbury Castle, Gloucestershire
Louis Haghe, 1806–1885, British
Thornbury Castle, Gloucestershire
between 1823 and 1835
George Percival Gaskell Forfecle
George Percival Gaskell, 1868–1934, British
Forfecle
1868