America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
1793
4
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
1793
5
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Frontispiece Proof Impression
ca. 1820
6
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 14, "One hair nor particle of dust...."
1804 to 1820
7
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 1, Frontispiece
1793
8
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 10, "The Terror Answered...."
1793
9
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 16, "In the Flames Stood...."
1793
10
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 2, Title Page
1793
11
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 24, "What have I said?...."
1804 to 1820
12
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 75, "And Rahab Babylon the Great...."
1804 to 1820
13
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."
1793
14
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
1793
15
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 4, "Silent as despairing love...."
1793
16
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."
1793
17
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 12, "Why wilt thou give to her...."
1804 to 1820
18
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 35, "Then the Divine hand...."
1804 to 1820
19
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 6, "Appear to the Americans...."
1793
20
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 7, "Albions Angel stood...."
1793
21
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
1793
22
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 8, "The Morning Comes...."
1793
23
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 1, Frontispiece
1794
24
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
1794
25
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
1794
26
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
1794
27
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 13 (Bentley 10)
1794
28
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)
1794
29
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 3, "Preludium"
1794
30
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)
1794
31
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)
1794
32
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
1794
33
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
1794
34
Thomas Girtin, 1775–1802, British
Ruins on the Coast
undated
35
Print made by John Smith, 1652–1743, British
Tobias and the Angel
ca. 1685
36
Print made by Jean B. C. Chatelain, 1710–1771, French
Wooded Landscape with a River Leading to Distant Buildings
undated
37
Paul Sandby, 1731–1809, British
A Group of Men on Westminster Pier
ca. 1752
38
Sir James Thornhill, 1675–1734, British
Neptune
undated
39
David Charles Read, 1790–1851, British
Landscape with two figures beside an old building
undated
40
John Linnell, 1792–1882, British
Millbank
1806
41
unknown artist, eighteenth century
The Royal Sport, Pit Ticket
undated
42
Imitator of Renold Elstrack, 1570–1625(?), British
George Villiers, first Duke of Buckingham
between 1700 and 1720
43
Sir David Young Cameron, 1865–1945, British
Porta del Molo, Genoa [North Italian Set: No. 23]
1896
44
Print made by George Barret, ca. 1728/32–1784, Irish
Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone
undated
45
John Nixon, ca. 1760–1818, British
The Steine, Brighton
1787
46
Sir David Wilkie, 1785–1841, British
The Chelsea Pensioners Reading the Waterloo Dispatch
before 1822
47
Robert Smirke, 1752–1845, British
Falstaff in the Boar's Head
1807
48
Sir David Wilkie, 1785–1841, British
Sketch for "Reading the Will"
before 1820
49
Thomas Stothard, 1755–1834, British
For the Triumph of Britannia
undated
50
Sir James Thornhill, 1675–1734, British
The House of Commons
after 1731
51
Louis Philippe Boitard, active 1734–1760
Holbein's Gateway and Jones's Banqueting House, Whitehall..
undated
52
Thomas Rowlandson, 1756–1827, British
Drawing Cover
undated
53
Thomas Rowlandson, 1756–1827, British
Dr Syntax outside the Halfway House
1821
54
unknown artist
Portrait of Two Men
18th century
55
Lewis Morley, 1925–2013, British
The Crazy Horse, London's First Topless Bar
1965
56
Lewis Morley, 1925–2013, British
Charlotte Rampling Outside the Establishment
1967
57
Print made by Robert Spence, 1871–1964, British
George Fox and Captain Keat
between 1890 and 1911
58
Print made by Robert Spence, 1871–1964, British
George Fox and the Old Priest
between 1890 and 1911
59
Print made by Robert Spence, 1871–1964, British
George Fox and Captain Keat
between 1890 and 1911
60
Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)
The Smith's Yard
ca. 1895
61
Print made by Sir Charles D'Oyly, 1781–1845, British, active in India
Nuts or Indian Jugglers
ca. 1830
62
unknown artist, nineteenth century
A Three- Masted Ship
undated
63
John Fulleylove, 1845–1908, British
Argos and Larissa
undated
64
Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
Design for a Frontispiece: Shepherds with Flock
undated
65
Samuel Atkins, active 1787–1808, British, active in the East Indies (1796–1804)
Ships of the Line off Dover
undated
66
Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
Girl and Youth at a Table
undated
67
Henry Thomas Alken, 1785–1851, British
Three Men in (?) Seventeenth Century Dress, in a Street Sword Fight, Central Man Run Through
undated
68
Henry Thomas Alken, 1785–1851, British
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities:" 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman'
undated
69
Henry Thomas Alken, 1785–1851, British
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Lift me Up! Tie me in my Chair! Fill my Glass'
undated
70
Henry Thomas Alken, 1785–1851, British
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '
undated
71
Thomas Ross, active from 1753, British
Riders, Figures and a Dog
undated
72
possibly John Frederick Tayler, 1802–1889, British
Hunting Scene: The Meet
undated
73
Thomas Rowlandson, 1756–1827, British
Doctor Syntax loses his Money on the Race Ground at York
1820
74
Thomas Rowlandson, 1756–1827, British
Fruit and Nut Picking
undated
75
Henry Thomas Alken, 1785–1851, British
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed'
undated
76
Henry Thomas Alken, 1785–1851, British
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": "Water, I do Declare with Worms in it"
undated
77
John Wootton, 1682–1764, British
A Meet: a Lady Rider Converses with a Gentleman Standing by His Horse..
undated
78
Print made by John Chalon, 1738 – 1795
Study
1789-1790
79
Thomas Rowlandson, 1756–1827, British
Diners in a Chop Shop
between 1800 and 1805
80
Thomas Girtin, 1775–1802, British
The Tithe Barn at Abbotsbury with the Abbey on the hill..
ca. 1795
81
Thomas Girtin, 1775–1802, British
Glasgow Cathedral
between 1794 and 1795
82
Sir George Clausen, 1852–1944, British
Sketch of Three Laborers
undated
83
Giulio Aristide Sartorio, 1860–1932, Italian
Study for Bacchanal
ca. 1894
84
Richard Cosway, 1742–1821, British
Cupid Overpowering a Satyr
undated
85
Bert Hardy, 1913–1995, British
At the Stables
1948
86
William Alexander, 1767–1816, British
Mourning at a Tomb
between 1792 and 1794
87
David Allan, 1744–1796, British, born in Scotland
Symon Breaks the News to Glaud: Design number 3 for The Gentle Shepherd
1788
88
Thomas Stothard, 1755–1834, British
A Girl Giving a Key to a Cavalier
undated
89
unknown artist
Oh an Ill Wind that Blows Nobody Good
undated
90
Print made by Robert Spence, 1871–1964, British
We Went Back to Our Inn..
between 1890 and 1911
91
unknown artist
A Dissecting Scene
undated
92
Print made by Robert Sargent Austin, 1895–1973, British
The Blind Beggar of Tivoli
1923
93
Print made by Henry Wilfrid Deville, 1871–?, French
Singer Building
undated
94
Print made by Andrew Fairbairn Affleck, 1874/7–1936
Six Venice Etchings, Title Page
undated
95
Print made by Andrew Fairbairn Affleck, 1874/7–1936
Porta della Carta
undated
96
Print made by Sir Muirhead Bone, 1876–1953, British
Under the Pincian Trees
1911
97
Paul Sandby, 1731–1809, British
The Light Dragoons
undated
98
unknown artist
Farmers Harvesting
undated
99
Print made by Jacob Gole, 1660–1737, Dutch
Love Scene
undated
100
Print made by Luigi Schiavonetti, 1765–1810, Italian