Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
ca. 1797
2
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
1797
3
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
4
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
1797
5
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
1797
6
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
1797
7
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"
1797
8
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
ca. 1797
9
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
ca. 1797
10
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
11
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
ca. 1797
12
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
1797
13
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
1797
14
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
1797
15
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
16
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
1797
17
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
1797
18
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
1797
19
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
1797
20
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
21
Print made by Richard Earlom, 1743–1822, British
James McArdell
1771
22
Print made by Thomas Gaugain, 1748–1812, French
Turnips & Carrots ho
1797
23
Print made by Giovanni Vendramini, 1769–1839, Italian
Hot Spice Gingerbread, Smoking Hot!
1796
24
David Hockney, born 1937, British
Panama Hat
1972
25
Print made by John Blackmore, active 1740–1780
Samuel Foote Esq
1771
26
Print made by Thomas Gaugain, 1748–1812, French
Turnips & Carrots ho
1797
27
Print made by Charles Phillips, 1737– after 1783
Miss Nelly O'Brien
1770
28
Print made by James Watson, 1740–1790, British
James Paine and his Son
1767
29
Print made by James Watson, 1740–1790, British
Sir Joshua Reynolds, P.R.A., F.R.S., LL.D
c.1770
30
Print made by William Dickinson, 1746–1823, British
Elizabeth Godden (née Houghton), Lady Taylor
ca. 1775
31
Print made by Samuel Cousins, 1801–1887, British
The Countess of Blessington
1837
32
Print made by Johann Jacobus Haid, 1704–1767
L'Antiquaire
undated
33
Print made by Giovanni Vendramini, 1769–1839, Italian
Knives, Scissars, and Razors to Grind
1795
34
Thomas Watson, 1743–1781, British
Barbara Palmer (née Villiers) Countess of Castlemaine
undated
35
Edward Scriven, 1775–1841, British
George Colman, The Elder
1813
36
John Blackmore, active 1740–1780
Samuel Foote
1771
37
Charles Howard Hodges, 1764–1837, British
Mrs. Williams Hope of Amsterdam
1788
38
Charles Phillips, 1737– after 1783
Miss Nelly O'Brien
1770
39
Thomas Watson, 1743–1781, British
Lucy Hardinge (née Long)
1780
40
Thomas Watson, 1743–1781, British
Henrietta, Countess of Rochester
1779
41
John Hamilton Mortimer, 1740–1779, British
Edgar, "King Lear", Act III, Scene III
1775
42
John Hamilton Mortimer, 1740–1779, British
York, "Henry IV", Part II, Act V, Scene IV
1775
43
Print made by James Watson, 1740–1790, British
Mrs. Henry Bunbury
1778
44
Print made by William Doughty, 1757–1782, British
Samuel Johnson, L. L. D
1779
45
Print made by William Doughty, 1757–1782, British
The Honorable Augustus Keppel, Admiral of the Blue
1779
46
Print made by James Watson, 1740–1790, British
Right Hon. John Hely Hutchinson, LL.D
1778
47
Print made by Johann Jacobus Haid, 1704–1767
La benedicite
undated
48
Print made by Johann Jacobus Haid, 1704–1767
La gouvernante
undated
49
Thomas Watson, 1743–1781, British
Frances Teresa Stewart, Duchess of Richmond and Lennox
1779
50
James Watson, 1740–1790, British
The Right Reverent Thomas Newton, D.D
1776
51
Print made by James Watson, 1740–1790, British
Frances Russell, Marquess of Tavistock
1767
52
John Hamilton Mortimer, 1740–1779, British
Twelve etchings of Characters from Shakespeare: 12) Shylock, from The Merchant of Venice, Act IV, Scene 1 (Catalogue Mortimer Exhibition 1968 - number 79)
53
Print made by Robert Blyth, 1750–1784
An Aga of the Janizaries
1779
54
Valentine Green, 1739–1813, British
John Boydell, Engraver
1772
55
Valentine Green, 1739–1813, British
John Hamilton Mortimer, Esq
1779
56
John Watts, active 1766–1786
Joseph Baretti. Secretary for Foreign Correspondence to the Royal Academy
1780
57
James Watson, 1740–1790, British
Mrs.Catherine Bunbury (née Horneck)
1778
58
John Young, 1755–1825, British
The Flower Girl
1785
59
James Mitchell, 1791–1852, British
Rat Hunters
1830
60
Print made by Thomas Girtin, 1775–1802, British
The Water Mill above the Bridge at Charenton
1803
61
T. J. Rawlins, active 1837–1840
Recommendation to Farriers and Shoeing-Smiths thoughout the United Kingdom of Great Britain, In Respect to the Injurious Practice of slicing and cutting away the horn from the frogs of horses' feet
62
Thomas Watson, 1743–1781, British
The Right Reverend Thomas Newton, D.D. Lord Bishop of Bristol, and Dean of St. Paul's
1775
63
Thomas Watson, 1743–1781, British
Barbara Villiers Countess of Castlemaine
1779
64
Thomas Watson, 1743–1781, British
Barbara Villiers Countess of Castlemaine
1779
65
Thomas Watson, 1743–1781, British
Mary Bagot Countess of Falmouth and Dorset
1779
66
Thomas Watson, 1743–1781, British
Frances Brooke, Lady Witmore
1778
67
Print made by Thomas Watson, 1743–1781, British
Lucy Hardinge
1780
68
Print made by Thomas Watson, 1743–1781, British
Mrs. Hardinge
1780
69
Print made by Thomas Watson, 1743–1781, British
The Strawberry Girl
1774
70
Print made by John Dean, 1754–1798, British
Lady Gertrude Fitzpatrick as Collina
1780
71
Print made by Thomas Watson, 1743–1781, British
Frances Brooke, Lady Whitmore
undated
72
John Dean, 1754–1798, British
Lady Gertrude Fitzpatrick
1782
73
James Watson, 1740–1790, British
John Hely-Hutchinson
1778
74
John Watts, active 1766–1786
Joseph Baretti, Secretary for Foreign Correspondence to the Royal Academy