Height [cm]: 39 / Image Use: Free to Use / Classification: Prints

Print made by William Hogarth, 1697–1764, British

The Second Stage of Cruelty: Coachman Beating a Fallen Horse

1751, printed 1790

Print made by William Hogarth, 1697–1764, British

The Third Stage of Cruelty: Cruelty in Perfection - The Murder

1751, printed 1790

Print made by William Hogarth, 1697–1764, British

The First Stage of Cruelty: Children Torturing Animals

1751, printed 1790

Print made by William Hogarth, 1697–1764, British

The Fourth Stage of Cruelty: The Reward of Cruelty

1751, printed 1790

Print made by William Hogarth, 1697–1764, British

Marriage à la Mode, Plate 6

1745

Print made by William Hogarth, 1697–1764, British

Simon Lord Lovat

1746

William Hogarth, 1697–1764, British

John Wilkes, Esq

1763

William Hogarth, 1697–1764, British

The First Stage of Cruelty: First, Children Torturing Animals

1751

William Hogarth, 1697–1764, British

The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse

1751

Etched by Joseph Mallord William Turner, 1775–1851, British

Winchelsea, Sussex

1812

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

ca. 1797

William Blake, 1757–1827, British

Europe. A Prophecy, 1793 (printed 1795)

1793, printed 1795

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

ca. 1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"

ca. 1797

William Blake, 1757–1827, British

Illustrations of The Book of Job, Title Page

1825

William Blake, 1757–1827, British

Book of Job, Plate 1, Job and His Family

1825

William Blake, 1757–1827, British

Book of Job, Plate 6, Satan Smiting Job with Boils

1825

William Blake, 1757–1827, British

Book of Job, Plate 21, Job and His Family Restored to Prosperity

1825

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

1797

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

1797

William Blake, 1757–1827, British

Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

1827

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 1, Frontispiece

1794

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 2, Title Page

1794

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)

1794

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)

1794

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)

1794

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 13 (Bentley 10)

1794

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)

1794

William Blake, 1757–1827, British

Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]

1827

William Blake, 1757–1827, British

Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

1827

William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

William Blake, 1757–1827, British

Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

1827

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 3, "Preludium"

1794

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)

1794

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)

1794

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)

1794

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)

1794

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)

1794

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)

1794

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)

1794

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)

1794

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 8 (Bentley 9)

1794

Print made by John Copley, 1875–1950, British

Sheep in Twilight

1922

Print made by Paulus Pontius, 1603–1658, Flemish

Paulus Pontius

ca. 1635

Print made by John Boydell, 1720–1804, British

Noon

1753

Print made by John Boydell, 1720–1804, British

A Calm

1754

Print made by David Lucas, 1802–1881, British

Hadleigh Castle, Large Plate

1830 to 1832

James McArdell, ca. 1729–1765, Irish

Charles Saunders Esq

1748

unknown artist, ( Lewis )

Returning from a Review...Paris

1802

unknown artist, ( Lewis )

Breakfast at Breteuil

1801

Print made by James Clark, 19th century

Cowdray Ruins

1824

Print made by William Bernard Cooke, 1778–1855, British

The Vale of Ashburnham

1816

Print made by William Bernard Cooke, 1778–1855, British

Hurstmonceux Castle

1820

Print made by Henry Le Keux, 1787–1868, British

Simmer Lake near Askrig

1818-1823

Print made by Charles Heath, 1785–1848, British

Ingleborough, from Hornby Castle Terrace

1818-1823

Print made by Charles Heath, 1785–1848, British

Kirkby Lonsdale Churchyard

1818-1823

Print made by Samuel Middiman, ca. 1750–1831, British

Weathercote Cave when Half Filled with Water

1821

Print made by Robert Wallis, 1794–1878, British

Edinburgh from Leith Harbour, Vignette Title to Vol. II

1826

Print made by Edward Francis Finden, 1791–1857, British

Genoa

1832-1834

unknown artist

South Front of St. Pauls

1801

Sir David Young Cameron, 1865–1945, British

The Five Sisters, York Minister

1907

unknown artist

St. George's, Bloomsbury

1799

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Tom Jones Assisting Molly Seagrim

1782

Sir David Young Cameron, 1865–1945, British

The Five Sisters, York Minister

1907

Print made by James Basire the younger, 1769–1822, British

A View of Worcester College &c

1804

Print made by James Basire the younger, 1769–1822, British

View of Oxford from the South Side of Heddington Hill

1808

Print made by George Cooke, 1781–1834, British

Edinburgh Castle, Vignette Title to Vol. I

1826

Print made by John Landseer, 1769–1852, British

Freshwater Bay

1799

Print made by James Basire the younger, 1769–1822, British

South View of Christ Church, etc. from the Meadows

1799

Print made by James C. Allen, active 1821–1831, British

Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz

1824

Print made by Benjamin Green, ca. 1736–ca. 1800, British

Oxford Physic Garden

1766

Print made by John Raphael Smith, 1752–1812, British

Painting

1783

Print made by Willem Janszoon Blaeu, 1571–1638

Magnae Britanniae et Hiberniae Tabula

1634

Print made by Edward Goodall, 1795–1870, British

Valombre

1834

Samuel William Reynolds, 1773–1835, British

Animals [a pair]: 2. Tigress

1799

William Holl, 1807–1871, British

Mrs. Siddons

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Gainsborough

undated

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão

undated

unknown artist Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

Print made by unknown artist

Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

undated