Height [cm]: 34 / Subject Terms: angel - YCBA Collections Search Search Results

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Height [cm] 34

Subject Terms angel

1. Jerusalem, Plate 2, Title Page

Jerusalem, Plate 2, Title Page

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."

Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Jerusalem, Plate 30, "And the Two that escaped...."

Jerusalem, Plate 30, "And the Two that escaped...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Jerusalem, Plate 9, "Condens'd his Emanations...."

Jerusalem, Plate 9, "Condens'd his Emanations...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1826
Medium:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1826
Medium:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1826
Medium:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Notre Dame, Dinant [Belgian Set: No. 8]

Notre Dame, Dinant [Belgian Set: No. 8]

Creator:: Sir David Young Cameron, 1865–1945, British
Date:: 1907
Medium:: Etching on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 15 5/8 × 9 1/2 inches (39.7 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

9. S. Matthaus

Creator:: Print made by Elias Nessenthaler, 1664–1714
Date:: undated
Medium:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 9/16 × 9 5/16 inches (34.4 × 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund