Lamenting Woman Inside an Archway, Watching a Man Ride off on Horseback
909
Nathaniel Dance, 1735–1811, British
Corpulent Bride and Groom, with Arms Linked
910
Nathaniel Dance, 1735–1811, British
Man and Woman Seated in Armchairs, Facing Away From Each Other and Pouting
911
Nathaniel Dance, 1735–1811, British
Man Hanging from an Apple Tree Branch, over a River
912
Nathaniel Dance, 1735–1811, British
Man Peering Over the Edge of a Cliff
913
Nathaniel Dance, 1735–1811, British
Two Men at a Table Eating Pudding: One Rises Holding His Stomach
914
Nathaniel Dance, 1735–1811, British
Man with bulging eyes and pursed lips leaning his fists on a table
915
Richard Banks Harraden, 1778–1862, British
Downing College, Cambridge
1830
916
Richard Banks Harraden, 1778–1862, British
Warwick Vase, Public Library, Cambridge
1842
917
Nathaniel Dance, 1735–1811, British
Drunken Man Carrying Large Goblet of Wine, on the Bank of a River
918
Nathaniel Dance, 1735–1811, British
Man with Hammer and Chisel Working on a Globe; and a View of St. Peter's in a Frame
919
Nathaniel Dance, 1735–1811, British
Man with Closed Mouth Seated in an Armchair, Pursued by Flies
920
Nathaniel Dance, 1735–1811, British
Woman in Flowing Gown and Veil, with Upstretched Arms, Exclaiming in a Street: A Distant Man .
921
Nathaniel Dance, 1735–1811, British
Bald Man Held in Stocks, Before a Crowd
922
Nathaniel Dance, 1735–1811, British
A Personified Cloud Blowing a Man with his Head Restng on his Legs; Scene is set Beside the Sea
923
Nathaniel Dance, 1735–1811, British
Shy, Awakened Couple Standing Together
924
Nathaniel Dance, 1735–1811, British
Man Leaping Over a Hedge with Stile Nearby
925
Nathaniel Dance, 1735–1811, British
Two Men Seated at a Table, Eating Salt from a Bowl, with Large Spoons
926
Nathaniel Dance, 1735–1811, British
Large Man Strangling a Short Man
927
Nathaniel Dance, 1735–1811, British
Hanged Man Suspended from a Tree, Over a Lake
928
Nathaniel Dance, 1735–1811, British
Three Men Lounging on Chairs and Settee
929
Nathaniel Dance, 1735–1811, British
Man on settee Holding his Breath, as Woman Brings Him a Bowl of Porridge
930
Nathaniel Dance, 1735–1811, British
Man Holding Whip, Following Dog into A Stone Building
931
Nathaniel Dance, 1735–1811, British
A Man and a Goose Standing Erect, Looking at One Another
932
Nathaniel Dance, 1735–1811, British
Embracing Couple Jumping Out a Window as an Old Man Enters Their Home
933
Nathaniel Dance, 1735–1811, British
Man with Protruding Jaws and Tiny Nose, Facing Left
934
Nathaniel Dance, 1735–1811, British
Scene Between Two Men, One Pulling the Other's Ear
935
Attributed to Gideon Yates, active 1825–1837, British
The Building of London Bridge
undated
936
David Simson, 1803–1874, British
At Haddon Hall (window)
1861
937
unknown artist
Design for a Classical House
undated
938
unknown artist, eighteenth century
Panicum deustum Thunb. (Wild Millet): finished drawing of inflorscence
undated
939
Stephen Riou, 1720–1780
Title page of Piante e Alzate di Diverse Fabbriche
1752
940
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
941
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
942
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
943
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
944
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
945
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
946
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
947
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
948
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
949
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
950
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
951
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
952
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
953
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
954
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
955
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
956
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
957
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
958
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
959
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
960
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
961
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
962
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
963
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
964
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
965
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
966
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
967
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
968
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
969
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
970
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
971
unknown artist
London Cries: A Volume of Seventy-Seven Drawings
1742
972
Sir Jeffry Wyatville, 1766–1840, British
Dinton House, Wiltshire: Elevation
ca. 1812
973
Stephen Riou, 1720–1780
La facciata d'una Casa per fare alla Campagna
1752
974
Paul Sandby, 1731–1809, British
Cemetery Gate of St. Augustine's Monastery at Canterbury
1782
975
Henry Pyall, 1795–1833, British
Set of four: 3. Woodcock Shooting
undated
976
Henry Pyall, 1795–1833, British
Set of four: 2. Pheasant Shooting
undated
977
Henry Pyall, 1795–1833, British
Set of four: 4. Duck Shooting
undated
978
Charles Clifford, ca. 1800–1863, British, active in Spain
Guadalajara, Palace of the Duke of the Infantado, Facade
ca. 1857
979
John Fulleylove, 1845–1908, British
Thatched Cottages and Cottage Gardens
1881
980
Paul Sandby, 1731–1809, British
One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View in Hudson's River of Pakepsey and the Catts-Kill Mountains, From Sopos Island in Hudson's River
1761
981
unknown artist, nineteenth century
Various Engravings of York Cathedral
1813
982
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: 'No. 1 Full Trotting - No. 2 Cantering on a Ladys Horse - All with Their Muscles in Action'
undated
983
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: 'Wounded in the Field of Battle - Outline With Their Muscles in Action'
undated
984
James Gillray, 1756–1815, British
Political Candour - i.e. - Coalition "Resolutions" of June 14th 1805 - Pro Bono Publico
1805
985
John Whessell, 1760–ca. 1823, British
Racing: "Hambletonian" / Sir Harry Tempest Vanes [sic] Horse, Hambletonian, Preparing to start against Mr. Cookson's Diamond, over the / Beacon Course at Newmarket, ..
1800
986
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: '...A Mare Enclosed - a Horse Looking Over'
undated
987
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: 'Hunter at Grass-Property of His Grace the Duke of Beaufort'
undated
988
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: 'Artillery Horses Taking Fright at Lightning'
undated
989
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: 'Various Actions of Flemish Horses'
undated
990
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: 'Explanation to the first Anatomical Table of Outline of the Skeleton of the Horse'
undated
991
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: 'Explanation to the Second Anatomical Table of Outline of the Horse - Muscles in Action'
undated
992
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: 'The First Action of Leapin at the Bar-Shewing the Horse With His Muscles'
undated
993
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: 'Second Action in Leaping - Clearing the Bar Cleverley & Shewing His Muscles'
undated
994
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: 'Third Action - Leaping Down From Over the Bar - Shewing the Horse With His Muscles'
undated
995
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: 'Leaping ...Starting off Again From the Bar and Shewing the Horse With His Muscles'
undated
996
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: `Outline of Wounded Horses With Their Muscles in Action in the Field of Battle' (Study of Six Horses on a Page)
undated
997
Henry Bernard Chalon, 1771–1849, British
Studies of Horses: 'Officers Chargers With Their Muscles in Action'
undated
998
Paul Sandby, 1731–1809, British
One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View of the Falls on the Passaick, or Second River, in the Province of New Jersey. The height of the Fall between Eighty and Ninety feet..
1761
999
Pierre Charles Canot, ca. 1710–1777, French, active in Britain
View of the City of New York: A South West View of the City of New York in North America