Newmarket Heath, with the King's stables rubbing house at the finish of the Beacon Course
ca. 1765
Not on view
4
Joseph Mallord William Turner, 1775–1851, British
Off the Nore
between 1840 and 1845
Not on view
5
John Martin, 1789–1854, British
Kensington Gardens
1815
Not on view
6
William Daniell, 1769–1837, British
Westminster Bridge and Abbey
1813
Not on view
7
John Martin, 1789–1854, British
Kensington Gardens
1815
Not on view
8
Thomas Woodward, 1801–1852, British
Horses in a Thunderstorm
1823
Not on view
9
Peter Monamy, 1681–1749, British
An Evening Calm
undated, between 1696 and 1749
Not on view
10
Attributed to William Mulready, 1786–1863, Irish
Lock gate
undated
Not on view
11
Balthazar Nebot, active 1730–1762, Spanish, active in Britain (from 1729)
Fishmonger's stall
1737
Not on view
12
Sebastian Pether, 1790–1844, British
River Scene
1840
Not on view
13
Alexander Marshal, active 1651–died 1682, British
Flowers in a Delft Jar
1663
Not on view
14
Thomas Webster, 1800–1886, British
Ring O' Roses
ca. 1850
Not on view
15
George Morland, 1763–1804, British
Portrait of a Girl in a Garden
between 1786 and 1788
Not on view
16
James Pollard, 1792–1867, British
Outside the Pike and Anchor Inn at Ponders End, Middlesex
1834
Not on view
17
Edward Duncan, 1803–1882, British
Pheasant Shooting
1830
Not on view
18
Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)
Free West Indian Creoles in Elegant Dress
ca. 1780
Not on view
19
Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)
West Indian Man of Color, Directing Two Carib Women with a Child
ca. 1780
Not on view
20
Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)
Planter and his Wife, with a Servant
ca. 1780
Not on view
21
John Berney Ladbrooke, 1803–1879, British
Crown Point, Whitlingham, near Norwich
1855
Not on view
22
Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)
A Leeward Islands Carib family outside a Hut
ca. 1780
Not on view
23
Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)
A West Indian Creole Woman Attended by her Black Servant
ca. 1780
Not on view
24
Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)
West Indian Women of Color, with a Child and Black Servant
ca. 1780
Not on view
25
Edward William Cooke, 1811–1880, British
Toulon (?)
1845 or after 1863
Not on view
26
unknown artist, nineteenth century
Canal under construction, possibly the Bude Canal
ca. 1840
Not on view
27
Attributed to Philippe-Jacques de Loutherbourg, 1740–1812, French, active in Britain (from 1771)
Falstaff with the Body of Hotspur
ca. 1786
Not on view
28
unknown artist, nineteenth century
Procession of Characters from Shakespeare's Plays
ca. 1840
Not on view
29
George Chinnery, 1774–1852, British
Josiah Andrew Hudleston (1799-1865)
1832
Not on view
30
unknown artist, eighteenth century
A View of Lambeth
ca. 1770
Not on view
31
Joseph Francis Nollekens, 1702–1748, Flemish, active in Britain (1708; from 1733)
Portrait of Two Boys, probably Joseph and John Joseph Nollekens
ca. 1745
Not on view
32
William Jones, active 1832–1836, British
Fishing: Playing a Fish
ca. 1830
Not on view
33
George Morland, 1763–1804, British
Foxhunting in Hilly Country
1792
Not on view
34
James Seymour, 1702–1752, British
A Bay Racehorse with Jockey Up
ca. 1730
Not on view
35
Attributed to James Seymour, 1702–1752, British
One of Four Portraits of Horses - a Chestnut Racehorse with Jockey Up: walking to the left; jockey in buff-yellow jacket
ca. 1730
Not on view
36
Attributed to James Seymour, 1702–1752, British
One of Four Portraits of Horses - a Chestnut Horse (? Old Partner) held by a Groom: standing facing right, wearing blue saddle-cloth edged with gold; the groom in blue..
ca. 1730
Not on view
37
Attributed to James Seymour, 1702–1752, British
One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Red Coat: galloping to the left, the horse wearing white sweat covers on head, neck and body
ca. 1730
Not on view
38
James Pollard, 1792–1867, British
Epsom Races: The Race Over
1834 to 1835
Not on view
39
Attributed to James Seymour, 1702–1752, British
One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Blue Coat: galloping to the left, the horse wearing blue sweat cover and saddle-cloth edged with gold
ca. 1730
Not on view
40
James Ward, 1769–1859, British
A Border Leicester Ewe
between 1795 and 1800
Not on view
41
William Jones, active 1832–1836, British
Fishing: Bottom Fishing
ca. 1830
Not on view
42
James Pollard, 1792–1867, British
Epsom Races: Settling Day at Tattersalls
1834 to 1835
Not on view
43
James Pollard, 1792–1867, British
Epsom Races: Preparing to Start
1834 to 1835
Not on view
44
James Pollard, 1792–1867, British
Epsom Races: The Betting Post
1834 to 1835
Not on view
45
Benjamin West, 1738–1820, American, active in Britain (from 1763)
Gentlemen Fishing
1794
Not on view
46
Edmund Bristow, 1787–1876, British
The Rat Trap
early to mid-nineteenth century
Not on view
47
Peter DeWint, 1784–1849, British
Landscape with Chestnut Tree
ca. 1835
Not on view
48
Edward Duncan, 1803–1882, British
Partridge Shooting
1830
Not on view
49
Peter Gaspar Scheemakers, 1691–1781, Flemish, active in Britain (from ca. 1720)
Cleopatra
ca. 1723
Not on view
50
Unknown artist, nineteenth century
Sir Thomas Lawrence, P.R.A., (1769-1830)
ca. 1830
Not on view
51
Francis Danby, 1793–1861, Irish
A Lake in Norway
ca. 1825
52
Francis Danby, 1793–1861, Irish
Sunset over a River Landscape
early 1840s
53
Robert Polhill Bevan, 1865–1925, British
Study of a Woman Sewing
undated
54
Robert Polhill Bevan, 1865–1925, British
A Village in the Sussex Downs
undated
55
Robert Polhill Bevan, 1865–1925, British
Sale at Ward's Repository, No. 2
ca. 1918
56
Print made by John Constable, 1776–1837, British
The Ruins of Netley Abbey
1826
57
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Cypresses at the Villa d'Este, Tivoli
1838
58
George Stubbs, 1724–1806, British
Study for the Self-portrait in Enamel
ca. 1781
59
George Stubbs, 1724–1806, British
Leopard Body, Lateral View (First of Five Studies of Another Large Cat)
1795 to 1806
60
Robert Polhill Bevan, 1865–1925, British
Hounds in Covert
ca. 1896
61
William Hogarth, 1697–1764, British
Lewis Theobald: Detail of the Poet
62
William Hogarth, 1697–1764, British
A Rake's Progress, Plate II: His Levee
1735
63
William Hogarth, 1697–1764, British
A Rake's Progress, Plate III: He Revels
1735
64
William Hogarth, 1697–1764, British
A Rake's Progress, Plate IV: Goes to Court
1735
65
Print made by William Hogarth, 1697–1764, British
A Rake's Progress, Plate VII: In Fleet Street Prison
1735
66
William Hogarth, 1697–1764, British
A Rake's Progress, Plate VI: He Gambles
1735
67
William Hogarth, 1697–1764, British
The Distrest(ed) Poet
1740
68
William Hogarth, 1697–1764, British
A Rake's Progress, Plate VIII: In Bedlam
1735
69
William Hogarth, 1697–1764, British
The Bench
1758
70
Etched and engraved by Joseph Mallord William Turner, 1775–1851, British
Entrance of Calais Harbour
1816
71
Etched by Joseph Mallord William Turner, 1775–1851, British
The Stork and Aqueduct
between 1813 and 1823
72
Joseph Mallord William Turner, 1775–1851, British
Barnard Castle
ca. 1825
73
Joseph Mallord William Turner, 1775–1851, British
Newark - upon - Trent
ca. 1796
74
Print made by Joseph Mallord William Turner, 1775–1851, British
Ship in a Storm
between 1820 and 1826
75
Print made by Joseph Mallord William Turner, 1775–1851, British
Gloucester Cathedral
between 1820 and 1826
76
Etched by Joseph Mallord William Turner, 1775–1851, British
Lake of Thun, Switzerland
1808
77
Etched by Joseph Mallord William Turner, 1775–1851, British
The Drawing of the Clyde
1809
78
Etched by Joseph Mallord William Turner, 1775–1851, British
Sheep-Washing, Windsor
1813 to 1823
79
Etched by Joseph Mallord William Turner, 1775–1851, British
Scene in the Campagna
1812
80
Edward Lear, 1812–1888, British
Parham, Sept. 30, 1834
1834
81
Edward Lear, 1812–1888, British
Valmontone, from Views in Rome and its Environs, 1841
1841
82
Edward Lear, 1812–1888, British
Leonessa, 3 October 1844
1844
83
Edward Lear, 1812–1888, British
Corfu
ca. 1856
84
Edward Lear, 1812–1888, British
Ballianeh
1867
85
Print made by William Hogarth, 1697–1764, British
A Rake's Progress, Plate 8
1735
86
Print made by William Hogarth, 1697–1764, British
Tail Piece, or the Bathos
1764
87
Print made by William Hogarth, 1697–1764, British
A Harlot's Progress, Plate 2
1732
88
Print made by William Hogarth, 1697–1764, British
A Harlot's Progress, Plate 4
1732
89
George Romney, 1734–1802, British
The Accusation of Susanna by the Elders
undated
90
George Romney, 1734–1802, British
The Accusation of Susanna
ca. 1773
91
George Romney, 1734–1802, British
Two Nude Children
undated
92
George Romney, 1734–1802, British
Figures Mourning at the Bier of a Woman
undated
93
George Romney, 1734–1802, British
Lear Awakened by Cordelia
between 1774 and 1775
94
Print made by William Blake, 1757–1827, British
Romeo and Juliet, Act IV, Scene V
1799
95
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
96
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 2, Title Page
1789
97
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
1789
98
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 5, "II. / O little Cloud . . . ."
1789
99
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."