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Samuel Palmer The Vine

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Vine

1852

Samuel Palmer The Sleeping Shepherd

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sleeping Shepherd

1857

Joseph Mallord William Turner Apuleia in Search of Apuleius

Etched by Joseph Mallord William Turner, 1775–1851, British

Apuleia in Search of Apuleius

between 1813 and 1823

William Blake The First Book of Urizen, Plate 22 (Bentley 24)

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 22 (Bentley 24)

1794

William Blake The First Book of Urizen, Plate 24 (Bentley 26)

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 24 (Bentley 26)

1794

William Blake The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)

1794

William Blake The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)

1794

William Blake The First Book of Urizen, Plate 14 (Bentley 14)

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 14 (Bentley 14)

1794

William Blake The First Book of Urizen, Plate 17, "They call'd her Pity and fled . . . ." (Bentley 19)

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 17, "They call'd her Pity and fled . . . ." (Bentley 19)

1794

William Blake The First Book of Urizen, Plate 16 (Bentley 17)

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 16 (Bentley 17)

1794

William Blake The First Book of Urizen, Plate 15, "8. The globe of life blood trembled . . . ." (Bentley 18)

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 15, "8. The globe of life blood trembled . . . ." (Bentley 18)

1794

William Blake The First Book of Urizen, Plate 21 (Bentley 27)

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 21 (Bentley 27)

1794

William Blake The First Book of Urizen, Plate 18 (Bentley 21)

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 18 (Bentley 21)

1794

William Blake The First Book of Urizen, Plate 19, "Stretch'd for a work of eternity . . . ." (Bentley 20)

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 19, "Stretch'd for a work of eternity . . . ." (Bentley 20)

1794

William Blake The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)

1794

William Blake The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

1794

William Blake The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)

1794

William Blake The First Book of Urizen, Plate 3, "Chap: 1 . . . ." (Bentley 3)

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 3, "Chap: 1 . . . ." (Bentley 3)

1794

William Blake The First Book of Urizen, Plate 6, "In living creations appear'd . . . ." (Bentley 5)

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 6, "In living creations appear'd . . . ." (Bentley 5)

1794

William Blake The First Book of Urizen, Plate 5 (Bentley 12)

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 5 (Bentley 12)

1794

William Blake The First Book of Urizen, Plate 7, "As the stars are apart from the earth . . . ." (Bentley 6)

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 7, "As the stars are apart from the earth . . . ." (Bentley 6)

1794

William Blake The First Book of Urizen, Plate 9, "Chap: IV | 1 Ages on ages roll'd over him . . . ." (Bentley 10)

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 9, "Chap: IV | 1 Ages on ages roll'd over him . . . ." (Bentley 10)

1794

William Blake The First Book of Urizen, Plate 8 (Bentley 9)

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 8 (Bentley 9)

1794

William Blake The First Book of Urizen, Plate 10, "7. From the caverns of his jointed spine . . . ." (Bentley 11)

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 10, "7. From the caverns of his jointed spine . . . ." (Bentley 11)

1794

William Blake The First Book of Urizen, Plate 13, "Thus the Eternal Prophet was divided . . . " (Bentley 15)

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 13, "Thus the Eternal Prophet was divided . . . " (Bentley 15)

1794

William Blake The First Book of Urizen, Plate 12 (Bentley 22)

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 12 (Bentley 22)

1794

William Blake The First Book of Urizen, Plate 20, "Of life forsaken mountains . . . ." (Bentley 23)

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 20, "Of life forsaken mountains . . . ." (Bentley 23)

1794

William Blake The First Book of Urizen, Plate 25, "They lived a period of years . . . ." (Bentley 28)

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 25, "They lived a period of years . . . ." (Bentley 28)

1794

William Blake The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)

1794

William Hamilton Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1

William Hamilton, 1751–1801, British

Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1

undated

Edward Burne-Jones Study for The Wedding Feast of Sir Degrevaunt

Edward Burne-Jones, 1833–1898, British

Study for The Wedding Feast of Sir Degrevaunt

undated

Edward Goodall Carlisle

Print made by Edward Goodall, 1795–1870, British

Carlisle

1834

John Pye Junction of the Greta and the Tees

Print made by John Pye, 1782–1874, British

Junction of the Greta and the Tees

1834

Mary Hoare The Three Witches from Macbeth: Though the Bark Cannot be Lost...

Mary Hoare, 1744–1820, British

The Three Witches from Macbeth: Though the Bark Cannot be Lost..

ca. 1781

Samuel Howitt Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"

Samuel Howitt, 1756–1822, British

Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"

1807

Samuel Howitt The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"

Samuel Howitt, 1756–1822, British

The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"

1807

Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..

1745

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

1745

Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

1745

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745

Guillaume Philippe Benoist Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

1745

Edward Fisher Edwin

Print made by Edward Fisher, 1722–1785, British

Edwin

1776

Charles Ansell Hamlet

Print made by Charles Ansell, ca.1752–active 1790, British

Hamlet

1809

Robert Wallis Bolton Abbey

Print made by Robert Wallis, 1794–1878, British

Bolton Abbey

1833

Robert Smirke Virgilia and Volumnia Plead with Coriolanus

Robert Smirke, 1752–1845, British

Virgilia and Volumnia Plead with Coriolanus

ca. 1795

Henry Le Keux St. Herbert's Chapel

Print made by Henry Le Keux, 1787–1868, British

St. Herbert's Chapel

1834

Edward Goodall Bolton Abbey

Print made by Edward Goodall, 1795–1870, British

Bolton Abbey

1834

Dame Elisabeth Frink The Miller's Tale II

Print made by Dame Elisabeth Frink, 1930–1993, British

The Miller's Tale II

1974

Dame Elisabeth Frink The Miller's Tale I

Print made by Dame Elisabeth Frink, 1930–1993, British

The Miller's Tale I

1974

Luigi Schiavonetti The Reunion of the Soul & the Body

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Reunion of the Soul & the Body

1808

Luigi Schiavonetti Death's Door

Print made by Luigi Schiavonetti, 1765–1810, Italian

Death's Door

1808

Luigi Schiavonetti The Reunion of the Soul & the Body

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Reunion of the Soul & the Body

1808

Luigi Schiavonetti Death's Door

Print made by Luigi Schiavonetti, 1765–1810, Italian

Death's Door

1808

Sir Frank Short Pan and Syrinx, No. 2

Print made by Sir Frank Short, 1857–1945, British

Pan and Syrinx, No. 2

1896