Attributed to William James, active 1754–1771, British
Northumberland House, London
ca. 1759
Not on view
6
Edward William Cooke, 1811–1880, British
Opposite my House at Barnes
1862
Not on view
7
George Morland, 1763–1804, British
A Woman, possibly Anne (née Ward) Morland, Wife of the Artist
ca. 1795
Not on view
8
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Weary Ploughman
1858
9
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Herdsman's Cottage
1850
10
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
begun before 1861
11
Robert Polhill Bevan, 1865–1925, British
Study for the Horse Dealers
ca. 1917
12
William Hogarth, 1697–1764, British
Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
undated
13
Joseph Mallord William Turner, 1775–1851, British
Saint Catherine's Hill, Guildford, Surrey
1830
14
Print made by John Browne, 1741–1801, British
Moon-Light
ca. 1797
15
Print made by John Browne, 1741–1801, British
After Sun-Set
ca. 1797
16
Print made by John Browne, 1741–1801, British
Evening
ca. 1797
17
Print made by James Bretherton, ca. 1730–1806, British
The Fish-Street Macaroni
1772
18
L. Truchy, 1721–1764
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
19
Print made by John Browne, 1741–1801, British
Morning
ca. 1797
20
Print made by James Bretherton, ca. 1730–1806, British
The Full Blown Macaroni
1772
21
John Grant, Died 1873
Royal Artillery Repository Exercises, 1844
1844
22
Print made by Thomas Gainsborough, 1727–1788, British
Wooded Landscape with Herdsman and Cows
between 1785 and 1788
23
Benjamin West, 1738–1820, American, active in Britain (from 1763)
Characters in the Streets of London
1799
24
unknown artist
A Coat of Arms for a Stamp on Income
undated
25
Robert Adam, 1728–1792, British
Study for a Stable Court of Kirkdale, Wigtownshire, Scotland
between 1770 and 1780
26
Sir David Young Cameron, 1865–1945, British
Robert Lee's Workshop
1905
27
Julius Caesar Ibbetson, 1759–1817, British
Sailors Carousing and Frying Watches
undated
28
William Henry Hunt, 1790–1864, British
Dr. Munro's Carpenter at Work
ca. 1815
29
William Henry Hunt, 1790–1864, British
A Farmhouse
ca. 1817
30
Thomas Rowlandson, 1756–1827, British
A Worn Out Debauchée
between 1790 and 1795
31
Print made by Day & Haghe, 1824–1913, British
The High Street, Southampton
1828
32
Print made by John Doyle ('H.B.'), 1797–1868, Irish
Rowing in the Same Boat: Something Wrong at the Bottom... Weather Rather Squally
1848
33
Print made by John Doyle ('H.B.'), 1797–1868, Irish
Common Sense Versus Precedent
1848
34
Print made by John Doyle ('H.B.'), 1797–1868, Irish
An Old Coast Guard, Looking Out... A Strange Sail on the Horizon
1848
35
Print made by John Doyle ('H.B.'), 1797–1868, Irish
"Concert Monstre" of "Musical Congress" Extraordinary!
1849
36
Print made by John Doyle ('H.B.'), 1797–1868, Irish
A Strong Case for Shortening the Hours of Labour
1848
37
Print made by John Doyle ('H.B.'), 1797–1868, Irish
Breaking Cover, Desperate Struggle for the Lead, Consequences of Leaping Short
1849
38
Print made by John Doyle ('H.B.'), 1797–1868, Irish
The Ass and the Sick Lion
1849
39
Print made by John Doyle ('H.B.'), 1797–1868, Irish
New Illustration of Hudibras
1851
40
Print made by William Nelson Gardiner, 1766–1814, Irish
November
1788
41
William Lee Hankey, 1869–1952, British
Temps Difficiles
1917
42
Edward Dayes, 1763–1804, British
Haweswater, Westmoreland
ca. 1795
43
John Warwick Smith, 1749–1831, British
Craig y Ladron - The Thieves Precipice
1797
44
William Daniell, 1769–1837, British
Bramha and Nursingdara Ghat, Varanasi
between 1788 and 1789
45
William Day, 1764–1807
A Scene in Derbyshire; Industrial Works spanning a River
undated
46
Attributed to William Marlow, 1740–1813, British
Full-length study of a Man carrying books
undated
47
David Cox, 1783–1859, British
Landscape with a Man Washing His Feet at a Fountain, after Poussin
ca. 1821
48
James Pollard, 1792–1867, British
Cottager's Hospitality to Travellers of The Coach Broke Down
1819
49
Peter DeWint, 1784–1849, British
The Cornfield
undated
50
Robert Havell, 1769–1832, British
Crofton
1813
51
Alexander Bannerman, ca. 1730–1780
Boit. Baker
undated
52
Charles Cooper Henderson, 1803–1877, British
Unloading the Luggage From The Exeter Coach
undated
53
Thomas Rowlandson, 1756–1827, British
A Horse Sale in Hopkins's Repository, Barbican
between 1798 and 1800
54
Charles Turner, 1774–1857, British
Wrestling
1810
55
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Moonlight
1745
56
Thomas Rowlandson, 1756–1827, British
Horsemen Colliding
between 1785 and 1790
57
Joseph Josiah Dodd, 1809–1894, British
View of Tonbridge During the Late Election
after 1832
58
Print made by unknown artist
Harvest
undated
59
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
60
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
61
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
62
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
63
Print made by Thomas Dale, active ca. 1921, British
Interior of the Chapel of the Holy Trinity
1825
64
Thomas Rowlandson, 1756–1827, British
Female Dancer with a Tambourine
between 1790 and 1795
65
Thomas Girtin, 1775–1802, British
Turver's Farm, Wimbish, Essex
ca. 1799
66
William Anderson, 1757–1837, British
A Two-Decker Running up the Estuary with Figures on the Beach in the Foreground
1790
67
Richard Dadd, 1817–1886, British
Eastern Letter Writer
1863
68
Print made by John Doyle ('H.B.'), 1797–1868, Irish
War !!! Commencement of Hostilities --Combined movement of the Allied Powers
1831
69
Print made by John Doyle ('H.B.'), 1797–1868, Irish
The Exeter Cat and Plymouth Mouse
1834
70
Print made by John Doyle ('H.B.'), 1797–1868, Irish
Jack in Office
1835
71
Print made by Robert Walker Macbeth, 1848–1910, British
Marlow Ferry
1880
72
Print made by G. Greatbach, active 19th century
Indian Procession, Ivory Carving; Indian Figures
undated
73
George Dance, 1741–1825, British
Two Ladies Standing in Conversation, Presumably a Scene from a Play
undated
74
Samuel Scott, 1701/2–1772, British
Figures and Boats on the Thames
undated
75
Print made by Richard Parkes Bonington, 1802–1828, British
L'Eglise de St. Gervais et St. Protais
1824
76
Print made by Johann Jacobus Haid, 1704–1767
Men Playing Backgammon
undated
77
Print made by Johann Jacobus Haid, 1704–1767
Ornatus Corporis et Animi
undated
78
Print made by Johann Jacobus Haid, 1704–1767
Potus Calidæ Theiæ
undated
79
Print made by Johann Jacobus Haid, 1704–1767
Medicus Alchemista
undated
80
Print made by Samuel Cousins, 1801–1887, British
Sunshine of Love
1837
81
Print made by Johann Jacobus Haid, 1704–1767
Vie debauche de l'Enfant Prodigue
undated
82
Print made by Johann Jacobus Haid, 1704–1767
Woman with a Basket of Fruit
undated
83
Print made by Johann Jacobus Haid, 1704–1767
Uxor Zelotypa
undated
84
Print made by Thomas Gainsborough, 1727–1788, British
Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church
1779 to 1780
85
Print made by George Cruikshank, 1792–1878, British
Traveling in France -or, -Le départ de la diligence
1818
86
Thomas Rowlandson, 1756–1827, British
Cat Like Courtship
undated
87
L. Truchy, 1721–1764
Pamela is represented in this first Piece, writing in her late Lady's dressing room, her History being known only by her letters. She is here surprised by Mr. B. who improves this occasion to further his designs
1762
88
Paul Sandby, 1731–1809, British
An Encampment in St. James Park
ca. 1780
89
Robert Hills, 1769–1844, British
A Woodcutter and Other Studies
undated
90
Print made by William Faithorne the Younger, ca. 1669–1703, British
Vertumnus and Pomonae
between 1690 and 1703
91
Guillaume Philippe Benoist, 1725–ca. 1770, French
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
92
Guillaume Philippe Benoist, 1725–ca. 1770, French
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
93
Print made by L. Truchy, 1721–1764
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
94
Guillaume Philippe Benoist, 1725–ca. 1770, French
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
95
L. Truchy, 1721–1764
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
96
Guillaume Philippe Benoist, 1725–ca. 1770, French
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
97
Print made by L. Truchy, 1721–1764
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
98
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
99
L. Truchy, 1721–1764
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
100
Print made by unknown artist, ( J. Fagan )
St. Vincent's Rocks, Clifton (Hotwell House and Baths)