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1. Lear Awakened by Cordelia

Lear Awakened by Cordelia
Creator:
George Romney, 1734–1802, British
Date:
between 1774 and 1775
Medium:
Brown ink over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/16 x 19 5/16 inches (30.7 x 49 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

2. Remains of the Priory, Beeston Regis

Remains of the Priory, Beeston Regis
Creator:
Robert Dixon, 1780–1815, British
Date:
1810
Medium:
Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/16 x 8 1/4 inches (26.5 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Battle of the Cataplasm

The Battle of the Cataplasm
Creator:
Print made by Henry William Bunbury, 1750–1811, British
Date:
between 1773 and 1817
Medium:
Hand-colored etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 17 3/4 inches (28.2 x 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Ruins of Leiston Abbey

The Ruins of Leiston Abbey
Creator:
Thomas Hearne, 1744–1817, British
Date:
1781
Medium:
Watercolor, pen and black ink, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 9 3/4 x 12 3/8 inches (24.8 x 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Women at Prayer

Women at Prayer
Creator:
Print made by Robert Sargent Austin, 1895–1973, British
Date:
1936
Medium:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 11/16 x 11 9/16 inches (39.8 x 29.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

6. A Strong Case for Shortening the Hours of Labour

A Strong Case for Shortening the Hours of Labour
Creator:
Print made by John Doyle ('H.B.'), 1797–1868, Irish
Date:
1848
Medium:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 15/16 x 18 1/8 inches (30.4 x 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."

The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
Creator:
James Gillray, 1756–1815, British
Date:
1806
Medium:
Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 13/16 × 13 7/8 inches (25 × 35.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"

The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
Creator:
James Gillray, 1756–1815, British
Date:
1806
Medium:
Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/4 × 13 7/8 inches (24.7 × 35.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."

The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
Creator:
James Gillray, 1756–1815, British
Date:
1806
Medium:
Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 5/8 × 14 1/16 inches (24.5 × 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. A Scene From the Farce of "The Critic," a Little Altered.

A Scene From the Farce of "The Critic," a Little Altered.
Creator:
Print made by John Doyle ('H.B.'), 1797–1868, Irish
Date:
1848
Medium:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 x 18 1/16 inches (30.5 x 45.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. A Graceful Speciman of The Retort Courteous

A Graceful Speciman of The Retort Courteous
Creator:
Print made by John Doyle ('H.B.'), 1797–1868, Irish
Date:
1831
Medium:
Lithograph, hand-colored on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 x 17 5/16 inches (30.5 x 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Brian and Linda Gracie

12. The Prison Door, Concaran

The Prison Door, Concaran
Creator:
Sir William Russell Flint, 1880–1969, British
Date:
1929
Medium:
Etching and drypoint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 13 3/8 x 10 inches (34 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

13. Edwin

Edwin
Creator:
Print made by Edward Fisher, 1722–1785, British
Date:
1776
Medium:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 7/8 x 9 3/16 inches (30.1 x 23.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

14. Don Ferdinand

Don Ferdinand
Creator:
Print made by Edward Fisher, 1722–1785, British
Date:
1777
Medium:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 14 5/8 x 10 3/8 inches (37.2 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

15. George Primrose

George Primrose
Creator:
Print made by Edward Fisher, 1722–1785, British
Date:
1777
Medium:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 14 1/2 x 10 3/8 inches (36.8 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

16. Traveling in France -or, -Le départ de la diligence

Traveling in France -or, -Le départ de la diligence
Creator:
Print made by George Cruikshank, 1792–1878, British
Date:
1818
Medium:
Etching and stipple engraving, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 x 17 5/8 inches (29.9 x 44.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Ignis - t' Vuer

Ignis - t' Vuer
Creator:
Print made by Cornelis Danckerts, before 1604–before 1656, Dutch
Date:
undated
Medium:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 10 1/16 x 7 5/8 inches (25.6 x 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

18. Edwin

Edwin
Creator:
Print made by Edward Fisher, 1722–1785, British
Date:
1776
Medium:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 14 3/16 x 10 1/16 inches (36 x 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

19. Don Ferdinand

Don Ferdinand
Creator:
Print made by Edward Fisher, 1722–1785, British
Date:
1777
Medium:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 17 3/16 x 11 3/4 inches (43.6 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

20. The Damnation of Obadiah

The Damnation of Obadiah
Creator:
Print made by Henry William Bunbury, 1750–1811, British
Date:
between 1773 and 1817
Medium:
Hand-colored etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 13/16 x 17 1/2 inches (27.5 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)

Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
Creator:
James Gillray, 1756–1815, British
Date:
1791
Medium:
Etching and aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 13/16 × 13 3/4 inches (24.9 × 35 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Statue Hall or the Modern Register Office

Statue Hall or the Modern Register Office
Creator:
Print made by Matthew Darly, active 1754–1778, British
Date:
1769
Medium:
Etching and stipple engraving on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 x 15 13/16 inches (28 x 40.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Poking the Old Lion

Poking the Old Lion
Creator:
Print made by John Doyle ('H.B.'), 1797–1868, Irish
Date:
1847
Medium:
Tinted lithograph on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 3/16 x 17 3/8 inches (31 x 44.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection