Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Lady Gertrude, Marchioness of Halifax
1776
803
Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)
Old Hungerford Bridge
1861
804
Hablot Knight Browne, 1815–1882, British
Fox-Hunting Sketches: No. 2. An Agricultural Lecturer [Farmer Wurzel]
805
Hablot Knight Browne, 1815–1882, British
Fox-Hunting Sketches: No. 8. Well, now I call that cool!
806
Hablot Knight Browne, 1815–1882, British
Fox-Hunting Sketches: No. 12. The Squire's Christmas Tip
807
Hablot Knight Browne, 1815–1882, British
Fox-Hunting Sketches: No. 11. Sporting Parson - "Well! I'm d---, b-b-blest (I mean), if the cunning beggar has't run to ground in My Own churchyard!"
808
John Skippe, 1741–1812, British
Tall Monument at a Roadside
undated
809
John Smart, 1741–1811, British
Portrait of Lt. John Dighton
1791
810
unknown artist, eighteenth century
Landscape with Horses by a Pool
undated
811
unknown artist
Copy of Self-Portrait of John Opie
undated
812
Print made by William Finden, 1787–1852, British
The Great Temple, Hurdwar
ca. 1840
813
Print made by Bell, active 1840s, British
Hindu Fakirs Practising their Superstitious Rites
ca. 1840
814
Print made by Bell, active 1840s, British
Key to Plate of Hindu Fakirs Practising their Superstitious Rites
ca. 1840
815
Print made by William Woolnoth, active 1806–1830, British
Triad Figure, Interior of Elephanta
1833
816
Print made by unknown artist, nineteenth century
Entrance to the Cave of Elephanta
ca. 1834
817
Print made by unknown artist, nineteenth century
Fort George, Madras
ca. 1860
818
Print made by Walker, active 1850s, British
The Fall of Tippoo Saib
undated
819
Print made by unknown artist, nineteenth century
View of Lucknow
ca. 1860
820
Print made by unknown artist, nineteenth century
View of Calcutta from the Esplanade, No. 1
ca. 1860
821
Print made by Émile Rouargue, ca. 1795–ca. 1865, French
Benares
1850
822
Print made by James H. Kernot, active early 19th century
Jumma Musjid, Mandoo
1834
823
Upper print made by unknown artist
King Leopold's Public Entry into Brussels and Weighing Cotton at Bombay for the English Market; Page from Illustrated London News
1862
824
Sawrey Gilpin, 1733–1807, British
Tiger
undated
825
Sawrey Gilpin, 1733–1807, British
Skeletal Drawing, and Leg Studies, of Cattle
undated
826
Sawrey Gilpin, 1733–1807, British
Horse
undated
827
Sawrey Gilpin, 1733–1807, British
Two Sheep
undated
828
John Brown, 1749–1787, British
The Geographers
undated
829
James Deacon, c. 1728–1750, British
Rocky Landscape with Classical Buildings
undated
830
Alfred Diston, active 1818–1829
Ox-sledge for the conveyance of merchandise
ca. 1828
831
Alfred Diston, active 1818–1829
Realejo de arriba, Tenerife
1821
832
Robert Cleveley, 1747–1809, British
Shipping in the Mediterranean
undated
833
unknown artist
Design for a Townhouse or Public Building
undated
834
Henry Edridge, 1769–1821, British
Terrace at St. Germain-en-Laye
between 1817 and 1819
835
William Daniell, 1769–1837, British
The Koodoo
1804
836
Joseph Farington, 1747–1821, British
Footbridge Over a Stream Near a Willow Tree
undated
837
Anthony Vandyke Copley Fielding, 1787–1855, British
Mountainous Landscape with Lake and Stream
1831 to 1841
838
Thales Fielding, 1793–1837, British
Hop Picking
1832
839
Attributed to Hon. Daniel Finch, 1789–1868, British
Packington
1834
840
Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
Design for a Coin: Chambre de Commerce de Picardie
1761
841
Thomas Gainsborough, 1727–1788, British
Wooded Landscape with Shepherd and Sheep
between 1765 and 1770
842
Samuel Hieronymus Grimm, 1733–1794, Swiss
Vanbrugh Castle, Greenwich
undated
843
Prince Hoare, 1755–1834, British
Head of a Young Girl
1780
844
Print made by Thomas Bewick, 1753–1828, British
Zebra
1799
845
Joseph Michael Gandy, 1771–1843, British
A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
ca. 1830
846
Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
Design for a Coin: Queis Tutum Faciant Iter
undated
847
Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
Design for an Engraving: Figures in an Interior
undated
848
Robert Isaac Cruikshank, 1789–1856, British
The Poet. The Sailor's Ballast
1830
849
Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
Design for a Medal: Figure of the Virgin
undated
850
Joseph Farington, 1747–1821, British
Castle with a Round Tower Above a River
undated
851
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 3
undated
852
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
undated
853
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
undated
854
John Flaxman, 1755–1826, British
To Phoebus at His Birth, From Aeschylus, Furies
undated
855
John White Abbott, 1763–1851, British
View from a Wood, Overlooking the River and Hills at Teignmouth, Devon
1810
856
Thomas Daniell, 1749–1840, British, active in India
Two Moored Ships and a Fishing Boat
ca. 1789
857
William Daniell, 1769–1837, British
Exmouth, Devon
ca. 1813
858
William Daniell, 1769–1837, British
Bovisand, near Plymouth
ca. 1813
859
Thomas Atwood, active ca. 1761–1766, British
Brambling
undated
860
William Ashford, 1746–1824, British
Phoenix Park, Dublin
1905
861
François Louis Thomas Francia, 1772–1839, French, active in Britain
Shipping on the Medway, Kent
undated
862
Robert Isaac Cruikshank, 1789–1856, British
Admiral Van Tromp's Duel. Comforts of a Wife
1830
863
Robert Isaac Cruikshank, 1789–1856, British
Going Out. Going Home
1830
864
Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
Percival Frees Belisane from the Spell of Urma
1811
865
John Scarlett Davis, 1804–1845, British
Street Scene in Calais
undated
866
Samuel Hieronymus Grimm, 1733–1794, Swiss
At Mortlake
1773
867
Samuel Hieronymus Grimm, 1733–1794, Swiss
On the Thames at Barnes
ca. 1773
868
John Fayram, op.1713–1743, British
Frontispiece design for John Fayram's "Eight Views after Nature"
ca. 1739
869
Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)
Design for a Frontispiece: Allegorical Landscape
undated
870
Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)
Visitors' Boat
1887
871
Attributed to John Carter, 1748–1817, British
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
872
unknown artist
View of the Office of Ordnance with the Entrance of the House of Lords
undated
873
Print made by James Fittler, 1758–1835, British
The King on his Throne in the House of Lords
1804
874
Print made by T. Kearnan, active 1821–1850, British
New Houses of Parliament, View of the Adopted Design as the Building Would Appear from the Surrey End of Westminster Bridge
ca. 1835
875
James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)
A Man Reading
between 1873 and 1877
876
James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)
The "Adam and Eve," Old Chelsea
1879
877
Henry Thomas Alken, 1785–1851, British
"Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds
1823
878
Henry Thomas Alken, 1785–1851, British
Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
between 1818 and 1822
879
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
880
Henry Thomas Alken, 1785–1851, British
"Sporting Discoveries, or the Miseries of Driving ..." You Discover you Have Overlooked a Small Post on you Whip Hand
undated
881
Henry Thomas Alken, 1785–1851, British
Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
between 1822 and 1827
882
Henry Thomas Alken, 1785–1851, British
Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching
between 1822 and 1827
883
Henry Thomas Alken, 1785–1851, British
Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,
between 1822 and 1827
884
Henry Thomas Alken, 1785–1851, British
Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed
between 1822 and 1827
885
Henry Thomas Alken, 1785–1851, British
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
886
Henry Thomas Alken, 1785–1851, British
Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark
between 1822 and 1827
887
Peter Casteels, 1684–1749, Flemish, active in Britain (from 1708)
Three Greyhounds in a Room
undated
888
Sawrey Gilpin, 1733–1807, British
Two Horses Walking to Left
undated
889
Sir Francis Grant, 1803–1878, British
A Grey Horse Trotting Out of a Wood
undated
890
Charles Cooper Henderson, 1803–1877, British
A Hay Wagon Drawn by Four Horses
undated
891
Samuel Howitt, 1756–1822, British
Coursing: Setting Out
1794
892
Samuel Howitt, 1756–1822, British
Coursing: The Kill
1794
893
Samuel Howitt, 1756–1822, British
Going out of Kennel
undated
894
Samuel Howitt, 1756–1822, British
Going to Cover
undated
895
Samuel Howitt, 1756–1822, British
Full Cry
undated
896
Samuel Howitt, 1756–1822, British
The Check
undated
897
Samuel Howitt, 1756–1822, British
The Death
undated
898
Samuel Howitt, 1756–1822, British
Going Home
undated
899
George Morland, 1763–1804, British
Study of a Hound: Head and Shoulders, Facing Right