Etched by Joseph Mallord William Turner, 1775–1851, British
Christ and the Woman of Samaria
1819
5
Etched by Joseph Mallord William Turner, 1775–1851, British
Lake of Thun, Switzerland
1808
6
William Blake, 1757–1827, British
The Man Sweeping the Interpreter's Parlour
ca. 1822
7
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
1789
8
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
1789
9
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
1789
10
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
1794
11
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
1789
12
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
1789
13
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
1789
14
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)
1789
15
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
1794
16
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 33, Experience Title Page (Bentley 29)
1794
17
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 37, "Nurses Song" (Bentley 38)
1794
18
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 39, "London" (Bentley 46)
1794
19
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 41, "A Poison Tree" (Bentley 49)
1794
20
William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 46, "The Human Abstract" (Bentley 47)
1794
21
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
1789
22
unknown artist
Design for Wall Paper
ca. 1760
23
Gavin Hamilton, 1723–1798, British, active in Italy (1744–48 and 1756 on)
Achilles Lamenting the Death of Patroclus
between 1760 and 1763
24
Samuel Prout, 1783–1852, British
A Stiff Breeze
ca. 1805
25
Richard Westall, 1765–1836, British
Wanstead House
undated
26
Richard Westall, 1765–1836, British
Conversation on a Country Road
1799
27
Sir David Wilkie, 1785–1841, British
Shopping in the Rows, Chester
1837
28
Sir David Wilkie, 1785–1841, British
Scene from Quentin Durward
1833
29
Conrad Gessner, 1764–1826, Swiss
A Horse, Dog and Figures outside a Cottage
undated
30
Theodor von Holst, 1810–1844, British
A Sheet of Sketches - Theatrical Studies
undated
31
William Henry Harriott, active 1811, died 1839, British
Fish Market, Hastings
1824
32
Thomas Hearne, 1744–1817, British
Leeds Castle, Kent
undated
33
Thomas Hearne, 1744–1817, British
The Gateway of Lancaster Castle
ca. 1778
34
Thomas Hearne, 1744–1817, British
The Ruins of Leiston Abbey
1781
35
Samuel Hieronymus Grimm, 1733–1794, Swiss
East Side of Mr. Hare's New House
1783
36
Samuel Hieronymus Grimm, 1733–1794, Swiss
North East View of Mr. Hare's New House
1783
37
Gangaram Chintaman Tambat, active 1790s, Indian
Two Jeyties
ca. 1792
38
Michel Jean Cazabon, 1813–1888, Trinidadian
Avenue and Entrance to St. James Barracks
1857
39
Benjamin West, 1738–1820, American, active in Britain (from 1763)
Landscape at Henstead
undated
40
Michael "Angelo" Rooker, 1746–1801, British
Illustration to Beaumont and Fletcher
undated
41
Sir David Young Cameron, 1865–1945, British
Via ai Prati, Genoa [North Italian Set: No. 8]
1896
42
Print made by Sir Muirhead Bone, 1876–1953, British
Ely Cathedral
1903
43
Sir David Young Cameron, 1865–1945, British
Porta del Molo, Genoa [North Italian Set: No. 23]
1896
44
John Hamilton Mortimer, 1740–1779, British
Three Soldiers in Armour Sitting on Stone Blocks
undated
45
Cornelius Varley, 1781–1873, British
A Horse pulling a Drag
undated
46
Benjamin West, 1738–1820, American, active in Britain (from 1763)
Figures Looking out to Sea
undated
47
George Fennell Robson, 1788–1833, British
The Murder of Banquo
ca. 1830
48
Michael "Angelo" Rooker, 1746–1801, British
The Market Square, Bury St. Edmunds
undated
49
Attributed to Sir David Wilkie, 1785–1841, British
On the Pier, Calais
ca. 1810
50
Thomas Malton, 1726–1801, British
Winchester Tower, Windsor Castle
undated
51
John Varley, 1778–1842, British
View of New Street, near London Bridge
undated
52
Thomas Rowlandson, 1756–1827, British
Bucks of the First Head
ca. 1785
53
George Sidney Shepherd, 1784–1862, British
The Times and Evening Mail Office
1811
54
Thomas Rowlandson, 1756–1827, British
Scene Outside an Inn
undated
55
Thomas Rowlandson, 1756–1827, British
A Village Scene outside a Church
undated
56
Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)
The Adam and Eve Tavern, Old Chelsea
1878
57
Alexander Bannerman, ca. 1730–1780
Talman, Sir Ralph Cole, and Marco Ricci
undated
58
Charles Grignion, 1717–1810, British
Earl Rivers Presenting His Book and Caxton, His Printer, to Edward IV
undated
59
Alexander Bannerman, ca. 1730–1780
Sevonyans and Herbert Tuer
1762
60
Alexander Bannerman, ca. 1730–1780
John van Belcamp and Geldorp
undated
61
Leopold Flameng, 1831–1911, French
Van Dyck et Son Protecteur le Comte de Bristol
undated
62
Print made by Sir Charles D'Oyly, 1781–1845, British, active in India
A Punca Bearer
ca. 1830
63
Upper print made by unknown artist
King Leopold's Public Entry into Brussels and Weighing Cotton at Bombay for the English Market; Page from Illustrated London News
1862
64
John Brown, 1749–1787, British
The Geographers
undated
65
Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
Percival Frees Belisane from the Spell of Urma
1811
66
Samuel Hieronymus Grimm, 1733–1794, Swiss
At Mortlake
1773
67
Samuel Hieronymus Grimm, 1733–1794, Swiss
On the Thames at Barnes
ca. 1773
68
Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)
Visitors' Boat
1887
69
James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)
The "Adam and Eve," Old Chelsea
1879
70
Henry Thomas Alken, 1785–1851, British
"Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds
1823
71
Henry Thomas Alken, 1785–1851, British
Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
between 1818 and 1822
72
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
73
Henry Thomas Alken, 1785–1851, British
"Sporting Discoveries, or the Miseries of Driving ..." You Discover you Have Overlooked a Small Post on you Whip Hand
undated
74
Henry Thomas Alken, 1785–1851, British
Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
between 1822 and 1827
75
Henry Thomas Alken, 1785–1851, British
Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching
between 1822 and 1827
76
Henry Thomas Alken, 1785–1851, British
Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,
between 1822 and 1827
77
Henry Thomas Alken, 1785–1851, British
Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed
between 1822 and 1827
78
Henry Thomas Alken, 1785–1851, British
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
79
Henry Thomas Alken, 1785–1851, British
Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark
between 1822 and 1827
80
Charles Cooper Henderson, 1803–1877, British
A Hay Wagon Drawn by Four Horses
undated
81
Samuel Howitt, 1756–1822, British
Coursing: Setting Out
1794
82
Samuel Howitt, 1756–1822, British
Coursing: The Kill
1794
83
Samuel Howitt, 1756–1822, British
Going out of Kennel
undated
84
Samuel Howitt, 1756–1822, British
Going to Cover
undated
85
Samuel Howitt, 1756–1822, British
Full Cry
undated
86
Samuel Howitt, 1756–1822, British
The Check
undated
87
Samuel Howitt, 1756–1822, British
The Death
undated
88
Samuel Howitt, 1756–1822, British
Going Home
undated
89
James Seymour, 1702–1752, British
A Boar Hunt
undated
90
Louis Philippe Boitard, active 1734–1760
The Earthquake Scare in Piccadilly
1750
91
Francis Barlow, 1622–1704, British
Hare Hunting
undated
92
Print made by George Cruikshank, 1792–1878, British
Jack Sheppard Committing the Robbery in Willesden Church
1839
93
Print made by George Cruikshank, 1792–1878, British
Audacity of Jack Sheppard
1839
94
Print made by George Cruikshank, 1792–1878, British
Jack Sheppard Tricking Shotbolt, the Gaoler
1839
95
Print made by George Cruikshank, 1792–1878, British
Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard
1839
96
Print made by George Cruikshank, 1792–1878, British
The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'
1839
97
Print made by George Cruikshank, 1792–1878, British
Mr. Wood Offers to Adopt Little Jack Sheppard
1835
98
Print made by George Cruikshank, 1792–1878, British
The Murder on the Thames
1839
99
Print made by George Cruikshank, 1792–1878, British
Jack Sheppard's Escape from the Cage at Willesden
1839
100
Print made by George Cruikshank, 1792–1878, British