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Falstaff at Herne's Oak
Creator:
Robert Smirke, 1752–1845, British
Date:
1807
Medium:
Brown ink, oil, and graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 6 1/8 x 9 5/8 inches (15.6 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Matthew Darly
Creator:
Print made by Matthew Darly, active 1754–1778, British
Date:
ca. 1771
Medium:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 6 5/8 × 4 3/4 inches (16.9 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Gloucestershire. Before Shallow's house: 'Henry IV Part II,' Act III, Scene II
Creator:
Print made by George Cruikshank, 1792–1878, British
Date:
after 1857
Medium:
Etching on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 6 5/16 × 8 9/16 inches (16.1 × 21.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
London. The Boar's-head Tavern in Eastcheap: 'Henry IV Part II,' Act II, Scene IV
Creator:
Print made by George Cruikshank, 1792–1878, British
Date:
after 1857
Medium:
Etching on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 6 7/16 × 8 1/8 inches (16.4 × 20.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Another Part of the Field: 'Henry IV Part I,' Act V, Scene IV
Creator:
Print made by George Cruikshank, 1792–1878, British
Date:
after 1857
Medium:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 6 3/16 × 8 7/16 inches (15.7 × 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Dreams of the Youthful Shakespeare
Creator:
Print made by Augustus Fox, 1800–1876, British
Date:
1827
Medium:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/4 × 3 15/16 inches (15.8 × 10 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund