<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Height [cm] 14

Remove constraint Height [cm]: 14

Image Use Free to Use

Remove constraint Image Use: Free to Use

Subject Terms literary theme

Remove constraint Subject Terms: literary theme

Search Results

George Romney Paradise Lost Sketchbook
George Romney, 1734–1802, British
Paradise Lost Sketchbook
ca. 1793
George Romney The Witches' Cavern
George Romney, 1734–1802, British
The Witches' Cavern
between 1792 and 1793
George Romney MacBeth: Banquet Scene
George Romney, 1734–1802, British
MacBeth: Banquet Scene
undated
George Romney MacBeth: Banquet Scene
George Romney, 1734–1802, British
MacBeth: Banquet Scene
undated
George Romney MacBeth at the Witches' Cave: Second Visit
George Romney, 1734–1802, British
MacBeth at the Witches' Cave: Second Visit
undated
George Romney Birth of Man
George Romney, 1734–1802, British
Birth of Man
undated
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney The Abandonment and Rescue of Perdita from "The Winter's Tale"
George Romney, 1734–1802, British
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
George Romney The Abandonment and Rescue of Perdita from "The Winter's Tale"
George Romney, 1734–1802, British
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
George Romney The Banquet Scene
George Romney, 1734–1802, British
The Banquet Scene
ca. 1792
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Exit Pursued by a Bear, or "The Abandonment of Perdita" from "The Winter's Tale"
George Romney, 1734–1802, British
Exit Pursued by a Bear, or "The Abandonment of Perdita" from "The Winter's Tale"
undated
George Romney Witches' Cavern: MacBeth's Second Visit
George Romney, 1734–1802, British
Witches' Cavern: MacBeth's Second Visit
undated
George Romney MacBeth: Banquet Scene
George Romney, 1734–1802, British
MacBeth: Banquet Scene
undated
George Romney Unidentified Subjects
George Romney, 1734–1802, British
Unidentified Subjects
undated
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Witches' Cavern: MacBeth's Second Visit
George Romney, 1734–1802, British
Witches' Cavern: MacBeth's Second Visit
undated
William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
William Blake There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
ca. 1788
William Blake There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
ca. 1788
William Blake There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
ca. 1788
William Blake There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
ca. 1788
William Blake There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
ca. 1788
William Blake There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
ca. 1788
William Blake There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
ca. 1788
William Blake There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
ca. 1788
William Blake There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
ca. 1788
William Blake There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
ca. 1788
William Blake My Son! My Son!; Plate 10
Print made by William Blake, 1757–1827, British
My Son! My Son!; Plate 10
1793
William Blake Visions of the Daughters of Albion, Plate 2, Title Page
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 2, Title Page
1793
William Blake The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
1789
William Blake The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
1789
William Blake The First Book of Urizen, Plate 9, "As the Stars Are Apart from the Earth...." (Bentley 6)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 9, "As the Stars Are Apart from the Earth...." (Bentley 6)
1794
Robert Smirke Anne Page and Slender
Robert Smirke, 1752–1845, British
Anne Page and Slender
1821
Robert Smirke Lysander Awakening to See Helena
Robert Smirke, 1752–1845, British
Lysander Awakening to See Helena
1825
Thomas Carwitham Illustration to Homer's Iliad
Thomas Carwitham, active 1723, British
Illustration to Homer's Iliad
1723
John Pye Junction of the Greta and the Tees
Print made by John Pye, 1782–1874, British
Junction of the Greta and the Tees
1834
John Pye Junction of the Greta and the Tees
Print made by John Pye, 1782–1874, British
Junction of the Greta and the Tees
1834
William Miller Loch Achray
Print made by William Miller, 1796–1882, British
Loch Achray
1834
Francesco Bartolozzi Ticket: Anacreontic Society Meeting
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Ticket: Anacreontic Society Meeting
1773
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
undated
George Cruikshank The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'
Print made by George Cruikshank, 1792–1878, British
The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'
1839
George Cruikshank Jack Sheppard Exhibits a Vindictive Character
Print made by George Cruikshank, 1792–1878, British
Jack Sheppard Exhibits a Vindictive Character
1835
George Cruikshank "May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"
Print made by George Cruikshank, 1792–1878, British
"May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"
1839
George Cruikshank Jonathan Wild Discovers Darrell in the Loft
Print made by George Cruikshank, 1792–1878, British
Jonathan Wild Discovers Darrell in the Loft
1835
William Miller Berwick-on-Tweed
Print made by William Miller, 1796–1882, British
Berwick-on-Tweed
1834
William Miller Dryburgh Abbey
Print made by William Miller, 1796–1882, British
Dryburgh Abbey
1834
John Pye Junction of the Greta and the Tees
Print made by John Pye, 1782–1874, British
Junction of the Greta and the Tees
1834
George Cruikshank Hamlet and the Ghost
George Cruikshank, 1792–1878, British
Hamlet and the Ghost
ca. 1825
Joseph Slater Robin Hood and Clarinda Hunting Deer
Joseph Slater, c. 1750– died after 1789
Robin Hood and Clarinda Hunting Deer
undated
John Massey Wright The Rustics Perform from "A Midsummer Night's Dream"
John Massey Wright, 1777–1866, British
The Rustics Perform from "A Midsummer Night's Dream"
undated
James Fittler 'The Gamester,' Act V, Scene IV
James Fittler, 1758–1835, British
'The Gamester,' Act V, Scene IV
1792
Daniel Nikolaus Chodowieki Seht Ihr denn nichts hier: 'Hamlet,' Act IV, Scene II
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801, German
Seht Ihr denn nichts hier: 'Hamlet,' Act IV, Scene II
1778
Ford Madox Brown The Prisoner of Chillon Entreating his Jailors to Bury His Brother Where the Sun Might Fall Upon His Grave
Ford Madox Brown, 1821–1893, British
The Prisoner of Chillon Entreating his Jailors to Bury His Brother Where the Sun Might Fall Upon His Grave
1858
Isaac Taylor Scene from the play, "The Careless Husband"
Isaac Taylor, 1730–1807, British
Scene from the play, "The Careless Husband"
undated
Benjamin Robert Haydon The Murder of Duncan - Macbeth Stabbing Duncan
Benjamin Robert Haydon, 1786–1846, British
The Murder of Duncan - Macbeth Stabbing Duncan
between 1809 and 1811
Robert Smirke Falstaff with Mistress Quickly and Bardolph
Robert Smirke, 1752–1845, British
Falstaff with Mistress Quickly and Bardolph
1825
Robert Smirke Ford in a Rage After Seeing Falstaff
Robert Smirke, 1752–1845, British
Ford in a Rage After Seeing Falstaff
1821
Robert Smirke Lady Mortimer's Welsh Song
Robert Smirke, 1752–1845, British
Lady Mortimer's Welsh Song
1825
William Miller Dryburgh Abbey
Print made by William Miller, 1796–1882, British
Dryburgh Abbey
1833
John Pye Junction of the Greta and the Tees
Print made by John Pye, 1782–1874, British
Junction of the Greta and the Tees
1834
William Miller Dryburgh Abbey
Print made by William Miller, 1796–1882, British
Dryburgh Abbey
1834
Benjamin Robert Haydon The Murder of Duncan - Macbeth with the Daggers
Benjamin Robert Haydon, 1786–1846, British
The Murder of Duncan - Macbeth with the Daggers
between 1809 and 1811
Robert Smirke Viola and Olivia
Robert Smirke, 1752–1845, British
Viola and Olivia
1822
Alfred Thompson Costume Design for two Morris Dancers
Alfred Thompson, ca. 1833–1895, British
Costume Design for two Morris Dancers
undated
Luigi Schiavonetti The Counsellor, King, Warrior, Mother & Child, in the Tomb
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Counsellor, King, Warrior, Mother & Child, in the Tomb
1808
Luigi Schiavonetti The Counsellor, King, Warrior, Mother & Child, in the Tomb
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Counsellor, King, Warrior, Mother & Child, in the Tomb
1808