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John Constable The Ruins of Netley Abbey
Print made by John Constable, 1776–1837, British
The Ruins of Netley Abbey
1826
Samuel Palmer The Sepulchre
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Sepulchre
etching begun ca. 1800; impression printed in 1924
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Weary Ploughman
1858
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Weary Ploughman
1858
Samuel Palmer The Cypress Grove
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Cypress Grove
plate etched between ca. 1880 and 1883; impression printed in 1924
Samuel Palmer The Herdsman's Cottage
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Herdsman's Cottage
1850
Samuel Palmer The Cypress Grove
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Cypress Grove
between 1880 and 1883
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Weary Ploughman
1858
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
begun before 1861
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Sleeping Shepherd
1857
Samuel Palmer The Sepulchre
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Sepulchre
between 1880 and 1883
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
begun before 1861
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
etching begun before 1861; impression printed in 1926
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
begun before 1861
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Weary Ploughman
1858
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Early Ploughman
1874
William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
William Blake There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
ca. 1788
William Blake There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
ca. 1788
William Blake There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
ca. 1788
William Blake There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
ca. 1788
William Blake There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
ca. 1788
William Blake There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
ca. 1788
William Blake There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
ca. 1788
William Blake There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
ca. 1788
Miles Edmund Cotman Study of Trees on the Banks of the Yare
Print made by Miles Edmund Cotman, 1810–1858, British
Study of Trees on the Banks of the Yare
1846
John Smith Tobias and the Angel
Print made by John Smith, 1652–1743, British
Tobias and the Angel
ca. 1685
Frederick Goulding Ruins of the Old Bridge, Vernon
Frederick Goulding, 1842–1909, British
Ruins of the Old Bridge, Vernon
1879
Jean B. C. Chatelain Wooded Landscape with a River Leading to Distant Buildings
Print made by Jean B. C. Chatelain, 1710–1771, French
Wooded Landscape with a River Leading to Distant Buildings
undated
Sir Francis Seymour Haden Egham
Sir Francis Seymour Haden, 1818–1910, British
Egham
1859
James McNeill Whistler Chelsea
Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)
Chelsea
ca. 1882
Robert Sargent Austin Plane Tree Cottage
Print made by Robert Sargent Austin, 1895–1973, British
Plane Tree Cottage
1926
William Angus West Hill in Surrey, the Seat of D. H. Rucker Esqr.
Print made by William Angus, 1752–1821, British
West Hill in Surrey, the Seat of D. H. Rucker Esqr
1810
Morgan Dennis Muckross Abbey, Killarney
Print made by Morgan Dennis, 1892–1960, American
Muckross Abbey, Killarney
undated
J. Sands Entrance to the Valley of the Dhoon
Print made by J. Sands, active ca. 1840
Entrance to the Valley of the Dhoon
1840
James McNeill Whistler Chelsea
James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)
Chelsea
undated
James McNeill Whistler Battersea Reach
James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)
Battersea Reach
1863
Louis Haghe View of the City of Bristol
Louis Haghe, 1806–1885, British
View of the City of Bristol
ca. 1831
Stanley Anderson Pont Corneille, Rouen
Print made by Stanley Anderson, 1884–1966, British
Pont Corneille, Rouen
undated
Sir Francis Seymour Haden Egham
Sir Francis Seymour Haden, 1818–1910, British
Egham
1859
Sir Francis Seymour Haden Egham
Sir Francis Seymour Haden, 1818–1910, British
Egham
1859
Sir Francis Seymour Haden Dusty Millers
Sir Francis Seymour Haden, 1818–1910, British
Dusty Millers
1877
David Lucas Autumnal Sunset
Print made by David Lucas, 1802–1881, British
Autumnal Sunset
1831
Frederick Landseer Maur Griggs Meppershall Chapel
Print made by Frederick Landseer Maur Griggs, 1876–1938, British
Meppershall Chapel
1915
Frederick Landseer Maur Griggs Meppershall Chapel
Print made by Frederick Landseer Maur Griggs, 1876–1938, British
Meppershall Chapel
1915
Frederick Landseer Maur Griggs Meppershall Chapel
Print made by Frederick Landseer Maur Griggs, 1876–1938, British
Meppershall Chapel
c.1915
Robert Sargent Austin Zoutelande
Print made by Robert Sargent Austin, 1895–1973, British
Zoutelande
1929
Sir Francis Seymour Haden Egham
Sir Francis Seymour Haden, 1818–1910, British
Egham
1859
Sir Francis Seymour Haden Egham
Sir Francis Seymour Haden, 1818–1910, British
Egham
1859
Sir Francis Seymour Haden Sunset on the Thames
Sir Francis Seymour Haden, 1818–1910, British
Sunset on the Thames
1865
Sir Francis Seymour Haden Dusty Millers
Sir Francis Seymour Haden, 1818–1910, British
Dusty Millers
1877
Katharine Cameron Beregonium
Print made by Katharine Cameron, 1874–1965, British
Beregonium
1920
Frederick Landseer Maur Griggs Maur's Farm
Print made by Frederick Landseer Maur Griggs, 1876–1938, British
Maur's Farm
1913
Bernard Lens II Bacchus
Print made by Bernard Lens II, 1659–1725, British
Bacchus
undated
Samuel David Colkett The Gipsy Encampment
Print made by Samuel David Colkett, 1806–1863, British
The Gipsy Encampment
1830
John Sell Cotman Tan-y-Bwlch, Merionethshire, North Wales
Print made by John Sell Cotman, 1782–1842, British
Tan-y-Bwlch, Merionethshire, North Wales
between 1810 and 1817
Bradshaw & Blacklock View near Bingen
Print made by Bradshaw & Blacklock, active ca.1850, British
View near Bingen
after 1850
Bradshaw & Blacklock Chepstow Castle
Print made by Bradshaw & Blacklock, active ca.1850, British
Chepstow Castle
after 1850
William Angus Witley Court in Worcestershire, the Seat of Lord Foley
Print made by William Angus, 1752–1821, British
Witley Court in Worcestershire, the Seat of Lord Foley
1810
Thomas Bonnor Blockley Church
Print made by Thomas Bonnor, ca. 1740–ca. 1812, British
Blockley Church
1793
Bradshaw & Blacklock Bacharach and View near Bingen
Print made by Bradshaw & Blacklock, active ca.1850, British
Bacharach and View near Bingen
after 1850
Bradshaw & Blacklock Tintern Abbey
Bradshaw & Blacklock, active ca.1850, British
Tintern Abbey
after 1850
C. R. W. Nevinson Wind
Print made by C. R. W. Nevinson, 1889–1946, British
Wind
1918
Richard Bernard Godfrey Knighton, the Seat of George M. Bisset, Esq.
Richard Bernard Godfrey, 1728–op.1794, British
Knighton, the Seat of George M. Bisset, Esq
before 1781
John Hassell Clapham Manor-House, Surry
John Hassell, 1767–1825, British
Clapham Manor-House, Surry
between 1804 and 1822
William Angus Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
Print made by William Angus, 1752–1821, British
Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
1793
William Ellis Baskerville House, the Residence of John Ryland, Esq.
William Ellis, 1747–1810, British
Baskerville House, the Residence of John Ryland, Esq
1792
William Ellis Bordesley Hall, the Seat of John Taylor, Esq.
William Ellis, 1747–1810, British
Bordesley Hall, the Seat of John Taylor, Esq
1792
William Angus Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr.
Print made by William Angus, 1752–1821, British
Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr
undated
Alfred W. Cooper Lambing Time
Print made by Alfred W. Cooper, active 1850–1901, British
Lambing Time
undated
Alfred W. Cooper A-Hunting We Will Go
Print made by Alfred W. Cooper, active 1850–1901, British
A-Hunting We Will Go
undated
Graham Sutherland Barrow Hedges Farm
Print made by Graham Sutherland, 1903–1980, British
Barrow Hedges Farm
1924
James Caldwall Hagley Hall
Print made by James Caldwall, 1739–1819, British
Hagley Hall
undated
William Ellis The House of William Russell, Esq., Showell Green
William Ellis, 1747–1810, British
The House of William Russell, Esq., Showell Green
1792
Francesco Bartolozzi Virtuous Love
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Virtuous Love
1793
William Ellis Beddington
William Ellis, 1747–1810, British
Beddington
1792
Charles Heath Green Park
Charles Heath, 1785–1848, British
Green Park
1825
John Cousen Manse and Church of Cults, the Birthplace of Wilkie
John Cousen, 1804–1880, British
Manse and Church of Cults, the Birthplace of Wilkie
undated
Samuel David Colkett The Gipsy Encampment
Print made by Samuel David Colkett, 1806–1863, British
The Gipsy Encampment
1822
John Fullwood Laleham Meadows near Littleton
Print made by John Fullwood, op.1881–1915, British
Laleham Meadows near Littleton
undated
Paul Drury March Morning
Print made by Paul Drury, 1903–1987, British
March Morning
1933
William Lee Hankey The End of the Day
William Lee Hankey, 1869–1952, British
The End of the Day
between 1911 and 1912
Stanley Roy Badmin Priory Pond, Stroud
Print made by Stanley Roy Badmin, 1906–1989, British
Priory Pond, Stroud
1932
William Ellis Clapham
Print made by William Ellis, 1747–1810, British
Clapham
1792