Height [cm]: 13 / Subject Terms: literary theme - YCBA Collections Search Search Results

1. The Homeward Star

Creator:: Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Date:: etching begun ca. 1880; impression printed in 1924
Medium:: Etching and drypoint, with plate tone on thin, moderately textured, cream laid paper
Dimensions:: Sheet: 6 7/16 x 9 1/2 inches (16.4 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Sepulchre

Creator:: Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Date:: etching begun ca. 1800; impression printed in 1924
Medium:: Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 7/16 x 12 13/16 inches (24 x 32.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Moeris and Galatea

Creator:: Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Date:: 1880-1883
Medium:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 x 14 1/2in. (25.4 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

4. The Cypress Grove

Creator:: Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Date:: plate etched between ca. 1880 and 1883; impression printed in 1924
Medium:: Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 15/16 x 12 1/16 inches (27.8 x 30.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Homeward Star

Creator:: Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Date:: begun ca. 1880
Medium:: Etching and drypoint, with plate tone on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 x 9 5/16 inches (16.8 x 23.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The Homeward Star

Creator:: Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Date:: etching begun ca. 1880; impression printed in 1924
Medium:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/16 x 9 1/16 inches (15.7 x 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Homeward Star

Creator:: Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Date:: etching begun ca. 1880; impression printed in 1924
Medium:: Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 13/16 x 12 15/16 inches (27.4 x 32.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Moeris and Galatea

Creator:: Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Date:: plate etched between 1880 and 1883; impression printed in 1924
Medium:: Etching and drypoint, with plate tone, retouched with white watercolor, gouache or chalk on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 7/16 x 13 13/16 inches (29.1 x 35.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The Sepulchre

Creator:: Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Date:: between 1880 and 1883
Medium:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 9 15/16 x 14 3/8 inches (25.3 x 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

10. MacBeth: Banquet Scene

Creator:: George Romney, 1734–1802, British
Date:: undated
Medium:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 7 3/8 inches (13 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

11. The Abandonment and Rescue of Perdita from "The Winter's Tale"

Creator:: George Romney, 1734–1802, British
Date:: undated
Medium:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 10 inches (13 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

12. There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1788
Medium:: Color-printed relief etching and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1788
Medium:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1788
Medium:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1788
Medium:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1788
Medium:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1788
Medium:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1788
Medium:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1788
Medium:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1788
Medium:: Color-printed relief etching and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1788
Medium:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1788
Medium:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Gulliver Bound by the Lilliputians

Creator:: Richard Wilson, 1713/4–1782, British, active in Italy (1750–56)
Date:: undated
Medium:: Graphite on medium, rough, blue laid paper
Dimensions:: Mount: 6 7/8 x 9 5/8 inches (17.5 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Falstaff Instructing Bardolph

Creator:: Robert Smirke, 1752–1845, British
Date:: 1825
Medium:: Pen and brown ink with brown wash and gouache over graphite with gum on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 x 4 1/2 inches (15.2 x 11.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Falstaff Dragging the Body of Hotspur

Creator:: Robert Smirke, 1752–1845, British
Date:: 1825
Medium:: Pen and brown ink with brown wash and gouache over graphite with gum on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/8 x 4 15/16 inches (16.2 x 12.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Illustration to the Maids of Elfen-Mere

Creator:: Dante Gabriel Rossetti, 1828–1882, British
Date:: 1854
Medium:: Graphite with pen and black ink and pen and brown ink; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 3 1/4 inches (13 x 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

27. Falstaff in the Boar's Head

Creator:: Robert Smirke, 1752–1845, British
Date:: 1807
Medium:: Oil with brown ink and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 7 3/4 x 9 3/4 inches (19.7 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Daughters of Cecrops discover Ericthonius: Ovid, Metamorphoses, Book 2

Creator:: Thomas Carwitham, active 1723, British
Date:: 1723
Medium:: Pen and brown ink and brown wash on medium, slightly textured, white wove paper
Dimensions:: Sheet: 5 × 7 1/2 inches (12.7 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Falstaff at Herne's Oak

Creator:: Robert Smirke, 1752–1845, British
Date:: 1807
Medium:: Brown ink, oil, and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 6 1/8 x 9 5/8 inches (15.6 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Grandpapa's Story or The Witches Frolick

Creator:: Print made by unknown artist, (A. Dick)
Date:: 1838
Medium:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 9 1/4 × 5 11/16 inches (23.5 × 14.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

31. Titania and Bottom from A Midsummer Night's Dream

Creator:: unknown artist
Date:: undated
Medium:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/4 × 7 1/2 inches (13.3 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

32. 'The Gamester,' Act V, Scene IV

Creator:: James Fittler, 1758–1835, British
Date:: 1792
Medium:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/2 × 3 1/16 inches (14 × 7.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

33. She Never Told Her Love, But Sat Like Patience on a Monument

Creator:: Robert Smirke, 1752–1845, British
Date:: 1827
Medium:: Brown ink with brown wash and gouache and oil on medium, smooth, beige wove paper
Dimensions:: Sheet: 5 1/8 x 3 7/8 inches (13 x 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Robin Hood and Clarinda hunting deer in a wooded landscape

Creator:: unknown artist, eighteenth century
Date:: undated
Medium:: Engraving
Dimensions:: Sheet: 5 1/4 × 3 1/8 inches (13.3 × 7.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Illustration for Don Quixote (with figures on a donkey)

Creator:: Robert Smirke, 1752–1845, British
Date:: undated
Medium:: Oil on moderately textured, brown laid paper
Dimensions:: Sheet: 5 x 4in. (12.7 x 10.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Malvolio Dancing

Creator:: Robert Smirke, 1752–1845, British
Date:: 1827
Medium:: Black ink with brown wash and oil on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 1/8 x 3 7/8 inches (13 x 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Malvolio abusing Maria, Fabian and Sir Toby

Creator:: Robert Smirke, 1752–1845, British
Date:: 1822
Medium:: Pen and brown ink, brown wash, gouache, and oil, partly varnished on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 x 4 5/16 inches (15.5 x 11 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Isabella and Mariana Kneeling Before the Duke

Creator:: Robert Smirke, 1752–1845, British
Date:: 1822
Medium:: Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 4 inches (13 x 10.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Master William Page and Sir Hugh Evans

Creator:: Robert Smirke, 1752–1845, British
Date:: 1821
Medium:: Pen and brown ink, brown wash, gouache and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/16 x 4 1/2 inches (18.5 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Falstaff at Herne's Oak

Creator:: Robert Smirke, 1752–1845, British
Date:: 1821
Medium:: Pen and brown ink, brown wash, gouache and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/16 x 4 1/2 inches (18.6 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Hotspur and the Plotters at Bangor

Creator:: Robert Smirke, 1752–1845, British
Date:: 1825
Medium:: Graphite, pen and brown ink, brown wash, gouache and oil on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 x 5 inches (16.8 x 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Claudio and Isabella

Creator:: Robert Smirke, 1752–1845, British
Date:: 1823
Medium:: Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 4 inches (13 x 10.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Ferdinand Reunited with his Father

Creator:: Robert Smirke, 1752–1845, British
Date:: 1821
Medium:: Pen and brown ink, brown wash, and gouache on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 15/16 x 4 5/16 inches (15.1 x 11 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Prospero Conjuring a Masque for Ferdinand and Miranda

Creator:: Robert Smirke, 1752–1845, British
Date:: ca. 1810
Medium:: Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 15/16 x 6 9/16 inches (12.6 x 16.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Christopher Sly and the Page, as His Wife

Creator:: Robert Smirke, 1752–1845, British
Date:: 1821
Medium:: Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, beige wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/16 x 4 7/16 inches (16.3 x 11.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Feste, as Sir Topas, addressing Malvolio

Creator:: Robert Smirke, 1752–1845, British
Date:: 1822
Medium:: Pen and brown ink, brown wash, gouache and oil, partly varnished on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 x 4 5/16 inches (16.7 x 11 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Capulet Railing at his Daughter, Juliet

Creator:: Robert Smirke, 1752–1845, British
Date:: 1825
Medium:: Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/16 x 4 1/2 inches (16.1 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Juliet About to Take her Sleeping Draught

Creator:: Robert Smirke, 1752–1845, British
Date:: 1825
Medium:: Pen and brown ink, brown wash, gouache, and oil, partially varnished on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 x 4 1/2 inches (16.5 x 11.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Katherina and Grumio

Creator:: Robert Smirke, 1752–1845, British
Date:: 1821
Medium:: Pen and brown ink, brown wash, gouache, oil, and graphite on moderately thick, slightly textured, cream beige paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/8 x 4 3/8in. (16.2 x 11.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Height [cm] 13

Subject Terms literary theme

Search Results

1. The Homeward Star

2. The Sepulchre

3. Moeris and Galatea

4. The Cypress Grove

5. The Homeward Star

6. The Homeward Star

7. The Homeward Star

8. Moeris and Galatea

9. The Sepulchre

10. MacBeth: Banquet Scene

11. The Abandonment and Rescue of Perdita from "The Winter's Tale"

12. There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

13. There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)

14. There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)

15. There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)

16. There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

17. There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)

18. There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)

19. There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)

20. There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)

21. There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)

22. There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)

23. Gulliver Bound by the Lilliputians

24. Falstaff Instructing Bardolph

25. Falstaff Dragging the Body of Hotspur

26. Illustration to the Maids of Elfen-Mere

27. Falstaff in the Boar's Head

28. The Daughters of Cecrops discover Ericthonius: Ovid, Metamorphoses, Book 2

29. Falstaff at Herne's Oak

30. Grandpapa's Story or The Witches Frolick

31. Titania and Bottom from A Midsummer Night's Dream

32. 'The Gamester,' Act V, Scene IV

33. She Never Told Her Love, But Sat Like Patience on a Monument

34. Robin Hood and Clarinda hunting deer in a wooded landscape

35. Illustration for Don Quixote (with figures on a donkey)

36. Malvolio Dancing

37. Malvolio abusing Maria, Fabian and Sir Toby

38. Isabella and Mariana Kneeling Before the Duke

39. Master William Page and Sir Hugh Evans

40. Falstaff at Herne's Oak

41. Hotspur and the Plotters at Bangor

42. Claudio and Isabella

43. Ferdinand Reunited with his Father

44. Prospero Conjuring a Masque for Ferdinand and Miranda

45. Christopher Sly and the Page, as His Wife

46. Feste, as Sir Topas, addressing Malvolio

47. Capulet Railing at his Daughter, Juliet

48. Juliet About to Take her Sleeping Draught

49. Katherina and Grumio