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Work Type watercolor

Subject Terms grass

Robert Polhill Bevan Over the Bank, Exmoor

Robert Polhill Bevan, 1865–1925, British

Over the Bank, Exmoor

ca. 1895

Edward Lear A View of the Pine Woods Above Cannes

Edward Lear, 1812–1888, British

A View of the Pine Woods Above Cannes

1869

Edward Lear Pettenasco, Lago d'Orta

Edward Lear, 1812–1888, British

Pettenasco, Lago d'Orta

1867

Edward Lear Pettenasco, Lago d'Orta, 4:20 pm, 2 June 1867 (224)

Edward Lear, 1812–1888, British

Pettenasco, Lago d'Orta, 4:20 pm, 2 June 1867 (224)

1867

Edward Lear Harb. Gozo

Edward Lear, 1812–1888, British

Harb. Gozo

1866

Edward Lear Mqabba, Qrendi

Edward Lear, 1812–1888, British

Mqabba, Qrendi

1866

Edward Lear A Dry Halfeh Grass

Edward Lear, 1812–1888, British

A Dry Halfeh Grass

1867

Edward Lear Corpo di Cava, 28 June 1838

Edward Lear, 1812–1888, British

Corpo di Cava, 28 June 1838

1838

Edward Lear On the Road, Two Hours from Tepelene, 19 April 1857

Edward Lear, 1812–1888, British

On the Road, Two Hours from Tepelene, 19 April 1857

1857

Edward Lear Pettenasco, Lago d'Orta, 4:00 pm, 2 June 1867 (221)

Edward Lear, 1812–1888, British

Pettenasco, Lago d'Orta, 4:00 pm, 2 June 1867 (221)

1867

Edward Lear Corfu

Edward Lear, 1812–1888, British

Corfu

ca. 1856

Edward Lear Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'

Edward Lear, 1812–1888, British

Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'

undated

Edward Lear Kurayim

Edward Lear, 1812–1888, British

Kurayim

1867

Edward Lear Gozo, near Malta

Edward Lear, 1812–1888, British

Gozo, near Malta

1866

Edward Lear Albania

Edward Lear, 1812–1888, British

Albania

between 1848 and 1849

Edward Lear Nice from the Genoa Road

Edward Lear, 1812–1888, British

Nice from the Genoa Road

1865

Edward Lear Albenga

Edward Lear, 1812–1888, British

Albenga

1864

William Blake Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

ca. 1797

William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 65, "The Bard."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 65, "The Bard."

between 1797 and 1798

William Blake Jerusalem, Plate 15, "And Hand & Hyle...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 15, "And Hand & Hyle...."

1804 to 1820

William Blake Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"

1797

William Blake Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

1797

William Blake Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"

1797

William Blake Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

1797

William Blake The Poems of Thomas Gray, Design 3, "Ode on the Spring."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 3, "Ode on the Spring."

between 1797 and 1798

William Blake Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"

1797

William Blake The Poems of Thomas Gray, Design 41, "The Progress of Poesy."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 41, "The Progress of Poesy."

between 1797 and 1798

William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

ca. 1797

William Blake Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

ca. 1797

William Blake The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

Print made by William Blake, 1757–1827, British

The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

1789

William Blake Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"

ca. 1797

William Blake Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"

ca. 1797

William Blake Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"

ca. 1797

William Blake Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

ca. 1797

William Blake Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)

1789

William Blake Songs of Innocence and of Experience, Plate 42, "The Tyger" (Bentley 42)

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 42, "The Tyger" (Bentley 42)

1794

William Blake The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."

Print made by William Blake, 1757–1827, British

The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."

1789

William Blake Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)

1789

William Blake Songs of Innocence, Plate 26, "Spring" (Bentley 23)

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 26, "Spring" (Bentley 23)

1789

William Blake Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

1797

William Blake Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

1797

William Blake Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

1797

William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

1797

Andrew Fyfe Eragrostis Tef

Andrew Fyfe, 1752–1824, British

Eragrostis Tef

1775

Charles Tomkins Reading Gate-Way

Charles Tomkins, 1757–1823, British

Reading Gate-Way

undated

Charles Warren The Eel Catcher

Charles Warren, 1767–1823, British

The Eel Catcher

undated

Peter Tillemans From Hampstead

Peter Tillemans, 1684–1734, Flemish, active in Britain (from 1708)

From Hampstead

1730

Richard Westall Wanstead House

Richard Westall, 1765–1836, British

Wanstead House

undated

George Barret Tree Study with Stags (Landscape)

George Barret, ca. 1728/32–1784, Irish

Tree Study with Stags (Landscape)

undated

Thomas Hearne The Poor House, Hadley, Hertfordshire

Thomas Hearne, 1744–1817, British

The Poor House, Hadley, Hertfordshire

1802

Thomas Hearne The Trees and River in the Park at Coleorton Hall, Leicestershire

Thomas Hearne, 1744–1817, British

The Trees and River in the Park at Coleorton Hall, Leicestershire

undated

Thomas Hearne The Ruins of the College of Lincluden, Near Dumfries

Thomas Hearne, 1744–1817, British

The Ruins of the College of Lincluden, Near Dumfries

ca. 1778

Samuel Prout Bolton Abbey

Samuel Prout, 1783–1852, British

Bolton Abbey

undated

Henry Moore Showery June, Picardy

Henry Moore, 1831–1895, British

Showery June, Picardy

between 1870 and 1880

William Pars Temple of Venus and Rome from the Colosseum

William Pars, 1742–1782, British

Temple of Venus and Rome from the Colosseum

1781

John Henry Mole View from Craig-y-Barns, Dunkeld, Looking South

John Henry Mole, 1814–1886, British

View from Craig-y-Barns, Dunkeld, Looking South

1855

John Varley Two Donkeys in a Landscape

John Varley, 1778–1842, British

Two Donkeys in a Landscape

undated

William Henry Hunt Aldenham Church

William Henry Hunt, 1790–1864, British

Aldenham Church

ca. 1817

John Linnell Llanberis, North Wales

John Linnell, 1792–1882, British

Llanberis, North Wales

1813

William Marlow Nîmes from the Tour Magne

William Marlow, 1740–1813, British

Nîmes from the Tour Magne

ca. 1765

Henry Moore High Tor, Matlock

Henry Moore, 1831–1895, British

High Tor, Matlock

undated

unknown artist Mountainous Landscape

unknown artist, nineteenth century

Mountainous Landscape

undated

unknown artist Roundway Park, Wiltshire: Exterior View

unknown artist, nineteenth century

Roundway Park, Wiltshire: Exterior View

ca. 1840

unknown artist Roundway Park, Wiltshire: Exterior View

unknown artist, nineteenth century

Roundway Park, Wiltshire: Exterior View

ca. 1840

Cornelius Varley Hartwell, Buckinghamshire

Cornelius Varley, 1781–1873, British

Hartwell, Buckinghamshire

1833

Sir Robert Smirke the younger Windsor Castle, Berkshire

Sir Robert Smirke the younger, 1781–1867, British

Windsor Castle, Berkshire

ca. 1823

Thomas Hearne The Ruins of the College of Lincluden, near Dumfries

Thomas Hearne, 1744–1817, British

The Ruins of the College of Lincluden, near Dumfries

ca. 1806

John Linnell Terraced Cottages with Fallen Trees

imitator of John Linnell, 1792–1882, British

Terraced Cottages with Fallen Trees

undated

Patrick Nasmyth Part of Regent's Park

Patrick Nasmyth, 1787–1831, British

Part of Regent's Park

1805

Cornelius Varley Remains of Purton Hall, Staffordshire

Cornelius Varley, 1781–1873, British

Remains of Purton Hall, Staffordshire

1820

William Henry Hunt Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro

William Henry Hunt, 1790–1864, British

Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro

ca. 1822

unknown artist Carew Castle South Wales

unknown artist, nineteenth century

Carew Castle South Wales

undated

unknown artist Mountainous Landscape with Cows

unknown artist, nineteenth century

Mountainous Landscape with Cows

undated

T. E. Jeffers Barnes Common, June 1836

T. E. Jeffers, active 1836

Barnes Common, June 1836

1836

John Linnell Figures on a Bank, Kensington Gravel Pits

John Linnell, 1792–1882, British

Figures on a Bank, Kensington Gravel Pits

1812

Thomas Hearne The Back of a Farm House

Thomas Hearne, 1744–1817, British

The Back of a Farm House

undated

John Varley River Landscape

imitator of John Varley, 1778–1842, British

River Landscape

undated

Alexander Monro Boxhill from West Humble Lane

Alexander Monro, 1802–1844

Boxhill from West Humble Lane

undated

Alexander Monro Classical Landscape

Alexander Monro, 1802–1844

Classical Landscape

undated

Henry Morton St. Thomas' Church, Winchelsea

Henry Morton, ca. 1807–1825, British

St. Thomas' Church, Winchelsea

undated

Charles Tomkins Hanworth Park, Middlesex

Charles Tomkins, 1757–1823, British

Hanworth Park, Middlesex

undated

Charles Tomkins Swakeley House, Middlesex

Charles Tomkins, 1757–1823, British

Swakeley House, Middlesex

undated

Thomas Streatfield Wanstead House, Essex

Thomas Streatfield, 1777–1848, British

Wanstead House, Essex

1807

unknown artist Unidentified Country House

unknown artist

Unidentified Country House

between 1700 and 1715

James Sowerby A House Sparrow

James Sowerby, 1756–1822, British

A House Sparrow

undated

James Sowerby Quagga Zebra

James Sowerby, 1756–1822, British

Quagga Zebra

ca. 1824

James Sillett The Summer Lodden, Sept. 1832: A Still Life Study of Three Apples

James Sillett, 1764–1840, British

The Summer Lodden, Sept. 1832: A Still Life Study of Three Apples

1832

Thomas Girtin View of Rochester

Thomas Girtin, 1775–1802, British

View of Rochester

1791

Thomas Girtin Valley of the Conway

Thomas Girtin, 1775–1802, British

Valley of the Conway

ca. 1800

Thomas Girtin Rochester, Kent: from the North

Thomas Girtin, 1775–1802, British

Rochester, Kent: from the North

ca. 1790

Thomas Girtin Classical Composition

Thomas Girtin, (after Fossati?), 1775–1802, British

Classical Composition

1798 to 1799

Thomas Girtin Kirkstall Abbey from the N.W.

Thomas Girtin, 1775–1802, British

Kirkstall Abbey from the N.W

ca. 1792

Thomas Girtin Tynemouth Priory, Northumberland

Thomas Girtin, 1775–1802, British

Tynemouth Priory, Northumberland

ca. 1793

Thomas Rowlandson A Water-Wheel Driving a Transporter

Thomas Rowlandson, 1756–1827, British

A Water-Wheel Driving a Transporter

undated

Thomas Girtin Carlisle Cathedral, Cumberland, from the South-west

Thomas Girtin, 1775–1802, British

Carlisle Cathedral, Cumberland, from the South-west

ca. 1795

Thomas Girtin Rievaulx Abbey, Yorkshire

Thomas Girtin, 1775–1802, British

Rievaulx Abbey, Yorkshire

ca. 1796

Thomas Girtin Country House

Thomas Girtin, 1775–1802, British

Country House

ca. 1797

Thomas Girtin The New Walk, York

Thomas Girtin, 1775–1802, British

The New Walk, York

ca. 1798

unknown artist The Watermill Above the Bridge at Charenton

unknown artist

The Watermill Above the Bridge at Charenton

undated