Young's Night Thoughts, Page 23, "We censure nature for a span too short"
ca. 1797
2
William Blake, 1757–1827, British
The Parable of the Wise and Foolish Virgins
ca. 1825
3
Print made by William Blake, 1757–1827, British
Pity
ca. 1795
4
William Blake, 1757–1827, British
Mary Magdalen at the Sepulchre
ca. 1805
5
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
6
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 61, "The Bard."
between 1797 and 1798
7
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 20, "But when they saw Albion...."
1804 to 1820
8
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
1797
9
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
10
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."
1804 to 1820
11
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 72, "And the Thirty-two Counties...."
1804 to 1820
12
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 75, "And Rahab Babylon the Great...."
1804 to 1820
13
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 25, "A Long Story."
between 1797 and 1798
14
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
15
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 63, "The Bard."
between 1797 and 1798
16
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 16, "Night" (Bentley 20)
1789
17
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 18, "From every-one of the Four Regions...."
1804 to 1820
18
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 44, "With one accord...."
1804 to 1820
19
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
between 1797 and 1798
20
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
between 1797 and 1798
21
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789
22
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 27, "O treacherous conscience!"
ca. 1797
23
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
24
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
ca. 1797
25
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
ca. 1797
26
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
ca. 1797
27
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
ca. 1797
28
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
ca. 1797
29
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)
1789
30
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
1789
31
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
1789
32
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
1789
33
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 26, "Spring" (Bentley 23)
1789
34
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
35
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
36
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
1797
37
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
1797
38
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
1797
39
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
1794
40
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
1794
41
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
1794
42
Isaac Taylor, 1730–1807, British
Unidentified Periodical / Play Illustration
undated
43
Isaac Taylor, 1730–1807, British
Unidentified Periodical/Play Illustration
undated
44
Edward Francis Burney, 1760–1848, British
Allegory of Napoleonic Battles
undated
45
Sir James Thornhill, 1675–1734, British
Design for a Ceiling
undated
46
George Richardson, ca.1738–ca.1813, British
Design for a Ceiling
undated
47
Attributed to John Martin, 1789–1854, British
The Release of Saint Peter from Prison
undated
48
Sir James Thornhill, 1675–1734, British
A Design for a Ceiling
undated
49
Thomas Carwitham, active 1723, British
Design for a Ceiling Decoration
1723
50
Edward Francis Burney, 1760–1848, British
Allegory of Steam
undated
51
Sir James Thornhill, 1675–1734, British
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
undated
52
Sir James Thornhill, 1675–1734, British
The Birth of Venus
undated
53
unknown artist, nineteenth century
The Destruction of Sodom and Gomorrah
undated
54
Bernard Lens III, 1682–1740, British
Victorious Hero Takes Occasion to Conclude Peace
1720
55
John Flaxman, 1755–1826, British
Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels
undated
56
John Flaxman, 1755–1826, British
The Creation of the Heavens
ca. 1790
57
John Flaxman, 1755–1826, British
Get Thee Behind Me, Satan
between 1783 and 1787
58
Thomas Carwitham, active 1723, British
Raphael receiving the money of Tobias from Gabael: Tobit 9:5