America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
1793
2
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
1793
3
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Frontispiece Proof Impression
ca. 1820
4
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 14, "One hair nor particle of dust...."
1804 to 1820
5
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 1, Frontispiece
1793
6
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 10, "The Terror Answered...."
1793
7
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 16, "In the Flames Stood...."
1793
8
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 2, Title Page
1793
9
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 24, "What have I said?...."
1804 to 1820
10
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 75, "And Rahab Babylon the Great...."
1804 to 1820
11
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."
1793
12
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
1793
13
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 4, "Silent as despairing love...."
1793
14
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."
1793
15
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 12, "Why wilt thou give to her...."
1804 to 1820
16
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 35, "Then the Divine hand...."
1804 to 1820
17
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 6, "Appear to the Americans...."
1793
18
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 7, "Albions Angel stood...."
1793
19
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
1793
20
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 8, "The Morning Comes...."
1793
21
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 1, Frontispiece
1794
22
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
1794
23
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
1794
24
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
1794
25
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 13 (Bentley 10)
1794
26
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)
1794
27
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 3, "Preludium"
1794
28
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)
1794
29
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)
1794
30
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
1794
31
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
1794
32
Thomas Girtin, 1775–1802, British
Ruins on the Coast
undated
33
Paul Sandby, 1731–1809, British
A Group of Men on Westminster Pier
ca. 1752
34
Sir James Thornhill, 1675–1734, British
Neptune
undated
35
David Charles Read, 1790–1851, British
Landscape with two figures beside an old building
undated
36
unknown artist, eighteenth century
The Royal Sport, Pit Ticket
undated
37
John Nixon, ca. 1760–1818, British
The Steine, Brighton
1787
38
Sir David Wilkie, 1785–1841, British
The Chelsea Pensioners Reading the Waterloo Dispatch
before 1822
39
Sir David Wilkie, 1785–1841, British
Sketch for "Reading the Will"
before 1820
40
Sir James Thornhill, 1675–1734, British
The House of Commons
after 1731
41
Louis Philippe Boitard, active 1734–1760
Holbein's Gateway and Jones's Banqueting House, Whitehall..
undated
42
Thomas Rowlandson, 1756–1827, British
Drawing Cover
undated
43
Thomas Rowlandson, 1756–1827, British
Dr Syntax outside the Halfway House
1821
44
unknown artist
Portrait of Two Men
18th century
45
unknown artist, nineteenth century
A Three- Masted Ship
undated
46
John Fulleylove, 1845–1908, British
Argos and Larissa
undated
47
Samuel Atkins, active 1787–1808, British, active in the East Indies (1796–1804)
Ships of the Line off Dover
undated
48
Henry Thomas Alken, 1785–1851, British
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities:" 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman'
undated
49
Henry Thomas Alken, 1785–1851, British
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Lift me Up! Tie me in my Chair! Fill my Glass'
undated
50
Henry Thomas Alken, 1785–1851, British
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '
undated
51
Thomas Rowlandson, 1756–1827, British
Doctor Syntax loses his Money on the Race Ground at York
1820
52
Thomas Rowlandson, 1756–1827, British
Fruit and Nut Picking
undated
53
Henry Thomas Alken, 1785–1851, British
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed'
undated
54
Henry Thomas Alken, 1785–1851, British
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": "Water, I do Declare with Worms in it"
undated
55
Thomas Rowlandson, 1756–1827, British
Diners in a Chop Shop
between 1800 and 1805
56
Thomas Girtin, 1775–1802, British
The Tithe Barn at Abbotsbury with the Abbey on the hill..
ca. 1795
57
Thomas Girtin, 1775–1802, British
Glasgow Cathedral
between 1794 and 1795
58
Richard Cosway, 1742–1821, British
Cupid Overpowering a Satyr
undated
59
William Alexander, 1767–1816, British
Mourning at a Tomb
between 1792 and 1794
60
David Allan, 1744–1796, British, born in Scotland
Symon Breaks the News to Glaud: Design number 3 for The Gentle Shepherd