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1. America. A Prophecy, Plate 13, "Fiery the Angels Rose...."

America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1793
Medium:
Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Jerusalem, Plate 14, "One hair nor particle of dust...."

Jerusalem, Plate 14, "One hair nor particle of dust...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Jerusalem, Plate 20, "But when they saw Albion...."

Jerusalem, Plate 20, "But when they saw Albion...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Jerusalem, Plate 3, "To the Public...."

Jerusalem, Plate 3, "To the Public...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Jerusalem, Plate 43, "They saw their Wheels...."

Jerusalem, Plate 43, "They saw their Wheels...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."

Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. America. A Prophecy, Plate 1, Frontispiece

America. A Prophecy, Plate 1, Frontispiece
Creator:
Print made by William Blake, 1757–1827, British
Date:
1793
Medium:
Color-printed relief etching in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. America. A Prophecy, Plate 10, "The Terror Answered...."

America. A Prophecy, Plate 10, "The Terror Answered...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1793
Medium:
Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. America. A Prophecy, Plate 16, "In the Flames Stood...."

America. A Prophecy, Plate 16, "In the Flames Stood...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1793
Medium:
Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. America. A Prophecy, Plate 2, Title Page

America. A Prophecy, Plate 2, Title Page
Creator:
Print made by William Blake, 1757–1827, British
Date:
1793
Medium:
Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Jerusalem, Plate 31, "His western heaven...."

Jerusalem, Plate 31, "His western heaven...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Jerusalem, Plate 50, "The Atlantic Mountains...."

Jerusalem, Plate 50, "The Atlantic Mountains...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Jerusalem, Plate 74, "The Four Zoa's clouded rage...."

Jerusalem, Plate 74, "The Four Zoa's clouded rage...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Jerusalem, Plate 77, "To the Christians...."

Jerusalem, Plate 77, "To the Christians...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Jerusalem, Plate 78, "The Spectres of..."

Jerusalem, Plate 78, "The Spectres of..."
Creator:
William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Jerusalem, Plate 12, "Why wilt thou give to her...."

Jerusalem, Plate 12, "Why wilt thou give to her...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Jerusalem, Plate 32, "Leaning against the pillars...."

Jerusalem, Plate 32, "Leaning against the pillars...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Jerusalem, Plate 45, "Bath, healing City!...."

Jerusalem, Plate 45, "Bath, healing City!...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Jerusalem, Plate 70, "And this the form of mighty Hand...."

Jerusalem, Plate 70, "And this the form of mighty Hand...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Jerusalem, Plate 8, "Rose up against me...."

Jerusalem, Plate 8, "Rose up against me...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Jerusalem, Plate 81, "I have mockd those...."

Jerusalem, Plate 81, "I have mockd those...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Jerusalem, Plate 82, "I have heard Jerusalems groans...."

Jerusalem, Plate 82, "I have heard Jerusalems groans...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Jerusalem, Plate 92, "What do I see!...."

Jerusalem, Plate 92, "What do I see!...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)

Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789
Medium:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)

The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "

Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
Creator:
William Blake, 1757–1827, British
Date:
1793
Medium:
Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)

Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Songs of Innocence and of Experience, Plate 45, "The Chimney Sweeper" (Bentley 37)

Songs of Innocence and of Experience, Plate 45, "The Chimney Sweeper" (Bentley 37)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Visions of the Daughters of Albion, Plate 2, Title Page

Visions of the Daughters of Albion, Plate 2, Title Page
Creator:
William Blake, 1757–1827, British
Date:
1793
Medium:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "

Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
Creator:
William Blake, 1757–1827, British
Date:
1793
Medium:
Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)

Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789
Medium:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Visions of the Daughters of Albion, Plate 1, Frontispiece

Visions of the Daughters of Albion, Plate 1, Frontispiece
Creator:
William Blake, 1757–1827, British
Date:
1793
Medium:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. America. A Prophecy, Plate 6, "Appear to the Americans...."

America. A Prophecy, Plate 6, "Appear to the Americans...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1793
Medium:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. America. A Prophecy, Plate 8, "The Morning Comes...."

America. A Prophecy, Plate 8, "The Morning Comes...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1793
Medium:
Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)

The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)

Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)

Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)

Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)

Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867, British
Date:
after 1893
Medium:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 5/16 inches (22.6 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867, British
Date:
after 1852
Medium:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19.1 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867, British
Date:
after 1893
Medium:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 9 x 6 5/16 inches (22.9 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867, British
Date:
after 1852
Medium:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867, British
Date:
after 1893
Medium:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 inches (22.5 x 15.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Eve

Eve
Creator:
Print made by Edward Anthony Carrick, 1905–1998, British
Date:
undated
Medium:
Wood-engraving on medium, smooth, cream Asian paper
Dimensions:
Sheet: 10 7/8 x 7 11/16 inches (27.6 x 19.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

46. The Church in the Hills

The Church in the Hills
Creator:
Print made by Edward Anthony Carrick, 1905–1998, British
Date:
undated
Medium:
Wood-engraving on medium, smooth, cream Asian paper
Dimensions:
Sheet: 10 13/16 x 7 13/16 inches (27.5 x 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

47. Venus, after Masters of Tarrochi

Venus, after Masters of Tarrochi
Creator:
Print made by Arthur Burgess, 1844–1886
Date:
undated
Medium:
Wood-engraving on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 6 7/16 x 6 7/16 inches (16.3 x 16.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

48. Bridge over River

Bridge over River
Creator:
Robert John Gibbings, 1889–1958, British
Date:
undated
Medium:
Wood-engraving; annotated proof on medium, smooth, cream laid paper
Dimensions:
Sheet: 8 1/8 x 5 3/8 inches (20.6 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Daniel Bell.

49. The Belle of the Village

The Belle of the Village
Creator:
Print made by George Baxter, 1804–1867, British
Date:
1854
Medium:
Aquatint, stipple engraving, and etching with color woodcut on moderately thick, slightly textured, cream wove paper laid on contemporary mount made of thick cream card
Dimensions:
Mount: 12 3/8 x 10 3/8 inches (31.4 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. View near Bingen

View near Bingen
Creator:
Print made by Bradshaw & Blacklock, active ca.1850, British
Date:
after 1850
Medium:
Etching and aquatint, with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 4 15/16 x 6 7/8 inches (12.5 x 17.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Bacharach

Bacharach
Creator:
Print made by Bradshaw & Blacklock, active ca.1850, British
Date:
after 1850
Medium:
Etching and aquatint, with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 4 7/8 x 6 13/16 inches (12.4 x 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Chepstow Castle

Chepstow Castle
Creator:
Print made by Bradshaw & Blacklock, active ca.1850, British
Date:
after 1850
Medium:
Etching and color woodcut on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 11/16 × 6 11/16 inches (14.5 × 17 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Four Subjects

Four Subjects
Creator:
Print made by Bradshaw & Blacklock, active ca.1850, British
Date:
after 1850
Medium:
Aquatint, etching, stipple engraving and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 4 5/16 x 3 1/4 inches (11 x 8.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Four Subjects

Four Subjects
Creator:
Print made by Bradshaw & Blacklock, active ca.1850, British
Date:
after 1850
Medium:
Aquatint, etching, stipple engraving and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 4 3/8 x 3 1/4 inches (11.1 x 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Haddon Hall

Haddon Hall
Creator:
Print made by Bradshaw & Blacklock, active ca.1850, British
Date:
after 1850
Medium:
Aquatint, etching, and color woodcut on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 5 9/16 × 4 3/16 inches (14.2 × 10.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Newstead Abbey

Newstead Abbey
Creator:
Print made by Bradshaw & Blacklock, active ca.1850, British
Date:
after 1850
Medium:
Etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 5 9/16 × 7 15/16 inches (14.2 × 20.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Balmoral Castle

Balmoral Castle
Creator:
Print made by Bradshaw & Blacklock, active ca.1850, British
Date:
after 1850
Medium:
Etching, stipple engraving, and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 1/4 × 7 3/8 inches (26 × 18.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. The Wild Bull of Chillingham

The Wild Bull of Chillingham
Creator:
Print made by Thomas Bewick, 1753–1828, British
Date:
1781
Medium:
Wood-engraving on vellum
Dimensions:
Sheet: 10 1/16 × 13 9/16 inches (25.5 × 34.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. The Bacchante

The Bacchante
Creator:
Print made by Edward Calvert, 1799–1883, British
Date:
ca. 1827
Medium:
Wood-engraving on medium, smooth, cream Asian paper
Dimensions:
Sheet: 4 1/16 x 2 9/16 inches (10.3 x 6.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. The Virgin in the Clouds and Six Saints

The Virgin in the Clouds and Six Saints
Creator:
Print made by John Baptist Jackson, 1701–1780, British
Date:
1742
Medium:
Chiaroscuro woodcut
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Ralph Kirkpatrick, Yale MA (HON.) 1965

61. Bacharach and View near Bingen

Bacharach and View near Bingen
Creator:
Print made by Bradshaw & Blacklock, active ca.1850, British
Date:
after 1850
Medium:
Etching and aquatint, with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 12 13/16 × 8 7/8 inches (32.5 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Four Subjects

Four Subjects
Creator:
Print made by Bradshaw & Blacklock, active ca.1850, British
Date:
after 1850
Medium:
Aquatint, etching, stipple engraving and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 4 3/8 x 3 1/4 inches (11.1 x 8.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867, British
Date:
after 1852
Medium:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 9/16 inches (19 x 14.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Four Subjects

Four Subjects
Creator:
Print made by Bradshaw & Blacklock, active ca.1850, British
Date:
after 1850
Medium:
Aquatint, etching, stipple engraving and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 4 7/16 x 3 1/4 inches (11.3 x 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Returning from the Spring. Virginia.

Returning from the Spring. Virginia.
Creator:
Bradshaw & Blacklock, active ca.1850, British
Date:
after 1850
Medium:
Aquatint, stipple engraving and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 5 7/8 × 11 5/16 inches (15 × 28.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Prince Albert

Prince Albert
Creator:
after George Baxter, 1804–1867, British
Date:
after 1855
Medium:
Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper mounted on contemporary cream card with unevenly painted gold border
Dimensions:
Mount: 10 1/16 x 8 1/16 inches (25.5 x 20.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Prince Albert

Prince Albert
Creator:
after George Baxter, 1804–1867, British
Date:
after 1855
Medium:
Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 7/16 × 7 1/2 inches (26.5 × 19 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Tintern Abbey

Tintern Abbey
Creator:
Bradshaw & Blacklock, active ca.1850, British
Date:
after 1850
Medium:
Aquatint and etching, with color woodcut on cream card mounted on beige card
Dimensions:
Sheet: 5 1/8 × 7 1/16 inches (13 × 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Dog and the Shadow

Dog and the Shadow
Creator:
Print made by Thomas Bewick, 1753–1828, British
Date:
1909
Medium:
Wood-engraving on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 3 3/16 x 4 1/8 inches (8.1 x 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Illustrations used for 17th Century Chapbook

Illustrations used for 17th Century Chapbook
Creator:
Print made by unknown artist, ( related to Thomas Bewick material )
Date:
1909
Medium:
Woodcut on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 x 5 5/16 inches (14 x 13.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. The Farmer's Boy (tail piece)

The Farmer's Boy (tail piece)
Creator:
Print made by Alfred W. Cooper, active 1850–1901, British
Date:
undated
Medium:
Wood-engraving with hand coloring on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 5/8 x 4 15/16 inches (9.2 x 12.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Constantinople

No cover image available
Creator:
Print made by Bradshaw & Blacklock, active ca.1850, British
Date:
after 1850
Medium:
Stipple engraving, etching, aquatint and color woodcut on moderately thick, smooth, cream wove paper mounted on moderately thick, smooth, beige laid paper
Dimensions:
Image: 2 1/8 x 1 inches (5.4 x 2.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection