Print made by Frederick Calvert, ca. 1785–1845, Irish
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
202
Print made by Frederick Calvert, ca. 1785–1845, Irish
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
203
Print made by Frederick Calvert, ca. 1785–1845, Irish
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
204
Print made by Frederick Calvert, ca. 1785–1845, Irish
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
205
Print made by Frederick Calvert, ca. 1785–1845, Irish
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
206
Print made by Frederick Calvert, ca. 1785–1845, Irish
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
207
Print made by Frederick Calvert, ca. 1785–1845, Irish
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
208
Print made by Frederick Calvert, ca. 1785–1845, Irish
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
209
Print made by Frederick Calvert, ca. 1785–1845, Irish
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
210
Print made by Frederick Calvert, ca. 1785–1845, Irish
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
211
Print made by Frederick Calvert, ca. 1785–1845, Irish
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
212
Print made by Frederick Calvert, ca. 1785–1845, Irish
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
213
Print made by Frederick Calvert, ca. 1785–1845, Irish
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
214
Print made by Frederick Calvert, ca. 1785–1845, Irish
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
215
Print made by Frederick Calvert, ca. 1785–1845, Irish
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
216
Print made by Frederick Calvert, ca. 1785–1845, Irish
One of A Series of Sixty Sketches of Cottages. London, 1825
1825
217
Bridget Riley, born 1931, British
Untitled [Rose]
1978
218
John Piper, 1903–1992, British
Swansea Chapel
1966
219
Tom Phillips, born 1937, British
Ornamentik, for one or more performers, no.1
1976
220
Print made by Thomas Fairland, 1804–1852, British
Francis Chantrey
1841
221
Print made by George Cruikshank, 1792–1878, British
George Cruikshank, self-portrait
undated
222
Gaynor Chapman, 1935–2000, British
Country Walks: The Naturalist
1963
223
after Comte Alfred d' Orsay, 1801–1852, French
J.M.W. Turner - "The Fallacy of Hope"
1851
224
Print made by William Fairland, active 1828–1835, British
Sir Anthony Van Dyke
1828
225
Print made by M. H. Long
A Village Fair
1884
226
Print made by M. H. Long
St. Herbert's Chapel
1884
227
Print made by M. H. Long
Loch Lommond
1884
228
Print made by M. H. Long
Galileo's Villa
1884
229
Print made by M. H. Long
Rome, Castle of St. Angelo
1884
230
Print made by M. H. Long
Paestum
1884
231
Print made by M. H. Long
Evening (Datur Hora Quieti)
1884
232
unknown artist
Insult to Injury
undated
233
Anna Katrina Zinkeisen, 1901–1976, British
Richmond Horse Show
1934
234
Percy Drake Brookshaw, 1907–1993
Boat Race
1937
235
Print made by Craigie Aitchison, 1926–2009, British
Sheep at Tulliallan
1998
236
Print made by François-Séraphin Delpech, 1778–1825, French
Louis XV
undated
237
Print made by Charles Baugniet, 1814–1886, Belgian
Daniel Maclise
1857
238
Andrew Johnson, active 1935, British
Woodhall Spa
after 1938
239
Wyndham Lewis, 1882–1957, British
Poster for "Wyndham Lewis and Vorticism" exhibition, Tate Gallery, London, 6 July - 19 August, 1956
1956
240
Print made by Charles Shannon, 1863–1937, British
Salt Water
1895
241
Frank Newbould, 1887–1951, British
North Berwick
between 1923 and 1948
242
Edward McKnight Kauffer, 1890–1954, American, active in Britain (1914–40)
Official for Winter: Shell Lubricating Oil
1936
243
Edward McKnight Kauffer, 1890–1954, American, active in Britain (1914–40)
Eno's Fruit Salt
1929
244
Tom Purvis, 1888–1959, British
Getting Ready for the East Coast: Travel L.N.E.R
1937
245
Andrew Power, 1898–1992, British
Football
1933
246
Frank Newbould, 1887–1951, British
Penny a Mile
1935
247
Gerald Spencer Pryse, 1882–1956, British
To-Morrow When Labour Rules
1922
248
Print made by Austin Cooper, 1890–1964, British, born in Canada
Lowestoft
1932
249
Print made by Frank Newbould, 1887–1951, British
Jerusalem
ca. 1929
250
Print made by Tom Purvis, 1888–1959, British
Austin Reed's of Regent Street
ca. 1925
251
Paul Nash, 1889–1946, British
Fruits and Vegetables
1930
252
unknown artist
Stay Put this Whitsun
between 1939 and 1945
253
Duncan Grant, 1885–1978, British
20,011 Telephonists
1939
254
Barry Craig, 1902–1951, British
These Men Use Shell
1938
255
Tony Sarg, 1880–1942, American
Flying at Hendon
1914
256
unknown artist
Bedford to Yarmouth Clacton & Southend
after 1929
257
unknown artist
To Ipswich, Lowestoft and Yarmouth
after 1929
258
unknown artist
Go by the Regular Coach Services
after 1929
259
Print made by Duncan Grant, 1885–1978, British
41,271 Engineering Workmen
1939
260
unknown artist
Express Coach Services
after 1929
261
unknown artist
Bedford-Yarmouth Bedford-Clacton
after 1929
262
Benjamin Getzel Lewis, 1900–1966, British
Central Bus Routes North-West Area
ca. 1955
263
Benjamin Getzel Lewis, 1900–1966, British
Central Bus Routes North-East Area
ca. 1955
264
Benjamin Getzel Lewis, 1900–1966, British
Central Bus Routes South-West Area
ca. 1955
265
Benjamin Getzel Lewis, 1900–1966, British
Central Bus and Trolleybus Routes
ca. 1955
266
Benjamin Getzel Lewis, 1900–1966, British
Central Bus Routes South-East Area
ca. 1955
267
Douglas England, active 1927
Say "Empire Please"
1927
268
Dora M. Batty, 1900–1966, British
For Picnics and Rambles from Town to Open Country
1925
269
Print made by Day & Haghe, 1824–1913, British
The High Street, Southampton
1828
270
Auguste François Laby, 1784–1860
Freetown, Sierra Leone
ca. 1850
271
Auguste François Laby, 1784–1860
Freetown, Sierra Leone
ca. 1850
272
Auguste François Laby, 1784–1860
Freetown, Sierra Leone
ca. 1850
273
Auguste François Laby, 1784–1860
Freetown, Sierra Leone
ca. 1850
274
Print made by Sarah Morris, born 1967, American
Dulles (Capital) Portfolio
2001
275
Victor Pasmore, 1908–1998, British
Points of Contact No. 24
1974
276
Victor Pasmore, 1908–1998, British
Points of Contact No. 25
1974
277
Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)
The Smith's Yard
ca. 1895
278
Print made by John Doyle ('H.B.'), 1797–1868, Irish
A New Way to Drive Over an Old Road; Now Alas! Sadly out of Order
1847
279
Print made by John Doyle ('H.B.'), 1797–1868, Irish
An Interesting Group: "Misfortune Makes us Acquainted with Strange Bedfellows"
1847
280
Print made by John Doyle ('H.B.'), 1797–1868, Irish
Rather Sharp Practice in Diplomacy, or a Curious Illustration of the "Entente Cordiale"
1847
281
Print made by John Doyle ('H.B.'), 1797–1868, Irish
Perseus Flying to the Rescue of Andromeda
1847
282
Print made by John Doyle ('H.B.'), 1797–1868, Irish
A Fancy Ball, Winding up with Sir Roger de Coverley, in Appropriate Costume
1846
283
Print made by John Doyle ('H.B.'), 1797–1868, Irish
The Seven Bold Swabians - Who Sallied forth with One Spear, Vide Fairy Ring
1847
284
Print made by John Doyle ('H.B.'), 1797–1868, Irish
The State Wagon in Difficulties
1847
285
Print made by John Doyle ('H.B.'), 1797–1868, Irish
Rather a Dangerous Kind of Hug
1847
286
Print made by John Doyle ('H.B.'), 1797–1868, Irish
The Mask of Comus. As Now Being Performed at the Theatre Royal, Madrid, with Amazing Success
1847
287
Print made by John Doyle ('H.B.'), 1797–1868, Irish
A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"
1847
288
Print made by John Doyle ('H.B.'), 1797–1868, Irish
Unhappy Ghosts Wandering on the Banks of Styx, while Charon in his Boat Ferries over the Elect to the Elysian Fields
1847
289
Print made by John Doyle ('H.B.'), 1797–1868, Irish
Rowing in the Same Boat: Something Wrong at the Bottom... Weather Rather Squally
1848
290
Print made by John Doyle ('H.B.'), 1797–1868, Irish
Another Saint Sebastian, Shot at by Cruel Archers
1847
291
Print made by John Doyle ('H.B.'), 1797–1868, Irish
The Old Donkey Turned Restive at Last
1848
292
Print made by John Doyle ('H.B.'), 1797–1868, Irish
Common Sense Versus Precedent
1848
293
Print made by John Doyle ('H.B.'), 1797–1868, Irish
A Brummagem Don Quixote, Meditating his Grand Attack Upon the Leading Giant
1847
294
Print made by John Doyle ('H.B.'), 1797–1868, Irish
The (Modern) Deluge
1848
295
Print made by John Doyle ('H.B.'), 1797–1868, Irish
An Old Coast Guard, Looking Out... A Strange Sail on the Horizon
1848
296
Print made by John Doyle ('H.B.'), 1797–1868, Irish
Materials for a Strong and Adhesive Government: A peep into the Lobby, on the Occasion of a Late Division
1848
297
Print made by John Doyle ('H.B.'), 1797–1868, Irish
A Parliamentary "Souvenir"
1848
298
Print made by John Doyle ('H.B.'), 1797–1868, Irish
"Concert Monstre" of "Musical Congress" Extraordinary!
1849
299
Print made by John Doyle ('H.B.'), 1797–1868, Irish
A Strong Case for Shortening the Hours of Labour
1848
300
Print made by John Doyle ('H.B.'), 1797–1868, Irish
The Sibyl Presenting the Mysterious Writings to Tarquin, Who "With Gay Audacity" Rejects the Proferred Treasure