Work Type: intaglio print / Subject Terms: ruins - YCBA Collections Search Search Results

Print made by John Constable, 1776–1837, British

The Ruins of Netley Abbey

1826

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Print made by Robert Wallis, 1794–1878, British

Taj Mahal, Agra

1831

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

etching begun before 1861; impression printed in 1926

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

1874

Etched by Joseph Mallord William Turner, 1775–1851, British

Dunstanborough Castle

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Christ and the Woman of Samaria

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Dunstanborough Castle

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Holy Island Cathedral

1808

Print made by William Blake, 1757–1827, British

My Son! My Son!; Plate 10

1793

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

Print made by John Browne, 1741–1801, British

Moon-Light

ca. 1797

Print made by John Browne, 1741–1801, British

Evening

ca. 1797

Print made by John Browne, 1741–1801, British

Evening

ca. 1797

Print made by John Browne, 1741–1801, British

Moon-Light

ca. 1797

Print made by David Lucas, 1802–1881, British

Hadleigh Castle, Large Plate

1830 to 1832

Robert Dixon, 1780–1815, British

The Black Tower Norwich

between 1810 and 1811

Robert Dixon, 1780–1815, British

The Greyfriars Tower, Lynn, as it appeared 1801

between 1810 and 1811

Robert Dixon, 1780–1815, British

West Tower, Wymondham Church

1810

Robert Dixon, 1780–1815, British

Remains of the Priory, Beeston Regis

1810

Paul Sandby, 1731–1809, British

Views in the Levant: The Sacred Cave of Archidamus

ca. 1785

Frederick Goulding, 1842–1909, British

Ruins of the Old Bridge, Vernon

1879

Robert Dixon, 1780–1815, British

Beeston Priory, Beeston Regis

between 1810 and 1811

Print made by James Clark, 19th century

Cowdray Ruins

1824

Print made by James T. Willmore, 1800–1863, British

Lillebonne, Château

1834

Print made by James Charles Armytage, 1802–1897, British

Jumièges

1834

Print made by James C. Allen, active 1821–1831, British

Aldborough

ca. 1830

Print made by James C. Allen, active 1821–1831, British

Aldborough

ca. 1830

Print made by James C. Allen, active 1821–1831, British

Aldborough

ca. 1830

Print made by Edward Francis Finden, 1791–1857, British

Bacharach on the Rhine

1832-1834

Print made by Thomas Jeavons, ca. 1800–1867, British

Lillebonne, Château and Tower

1834

Thomas Girtin, 1775–1802, British

The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance

1802

Print made by Sir Muirhead Bone, 1876–1953, British

Demolition of St. James's Hall, Interior

1906

Sir David Young Cameron, 1865–1945, British

The Desert

1909

Sir David Young Cameron, 1865–1945, British

Inverlochy

1914

Print made by James S. Storer, 1771–1853, British

Chepstow

1794

Print made by James Walker, 1748–1808, British

Flint, from Park-Gate

1797

Print made by James Walker, 1748–1808, British

Elgin Cathedral, Morayshire

1797

Print made by Thomas Medland, 1755–1823, British

Ruins of St. Paul Covent Garden

1795

Print made by William Byrne, 1743–1805, British

The Ruins of the College of Lincluden

1782

Print made by Thomas Tagg, died 1809, British

Flint

1795

Heneage Finch fourth Earl of Aylesford, 1751–1812, British

Maxstoke Priory

undated

Print made by Morgan Dennis, 1892–1960, American

Muckross Abbey, Killarney

undated

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket: For the Benefit of Mr. Salpietro

1799

Print made by James H. Kernot, active early 19th century

Jumma Musjid, Mandoo

1834

Print made by John Thomas Smith, 1766–1833, British

Cotton Garden, Westminster

1804

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

1842

Print made by Robert William Billings, 1813–1874, British

Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster

1836

Print made by James T. Willmore, 1800–1863, British

Lillebonne, Château

1834

Print made by Thomas Jeavons, ca. 1800–1867, British

Lillebonne, Château and Tower

1834

James Charles Armytage, 1802–1897, British

Jumièges

1834

Print made by Edward Francis Finden, 1791–1857, British

Bacharach on the Rhine

1832-1834

Print made by James T. Willmore, 1800–1863, British

Lillebonne, Château

1834

Print made by James Charles Armytage, 1802–1897, British

Jumièges

1834

Print made by James Charles Armytage, 1802–1897, British

Jumièges

1834

Print made by John Le Keux, 1783–1846, British

Plate XXVII: St Stephen's Chapel, Looking East, Westminster

ca. 1836

Print made by Robert William Billings, 1813–1874, British

Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall

1835

Print made by William Forrest, 1802–1889

Smailholm Tower

1836

Print made by John Sell Cotman, 1782–1842, British

Church of L'Ery, near Pont-de-l'Arche

1820

Print made by James T. Willmore, 1800–1863, British

Lillebonne, Château

1834

Print made by Thomas Jeavons, ca. 1800–1867, British

Lillebonne, Château and Tower

1834

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket: For the Benefit of Mr. Salpietro

1799

Print made by unknown artist, nineteenth century

Flower-Garden Porch at Farnley (Vignette)

1814

Jean B. C. Chatelain, 1710–1771, French

View with Figures in a Classical Landscape with Ruins

undated

Print made by Robert Spence, 1871–1964, British

George Fox Comes to London After the Great Fire

between 1890 and 1911

Print made by Sir Frank William Brangwyn, 1867–1956, British

The Headless Christ

1910

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Mortmain

1918

Print made by Robert Sargent Austin, 1895–1973, British

L'Eglise Saint-Vaast, Armentieres

1928

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Meppershall Chapel

1915

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Meppershall Chapel

1915

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Meppershall Chapel

c.1915

Print made by Richard Earlom, 1743–1822, British

A Study, with Ancient Ruins

1810

Print made by James S. Storer, 1771–1853, British

Chepstow

1794

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Stepping Stones

1915

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Epiphany

1919

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Maur's Farm

1913

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Carnagh

1915

Print made by Charles William Cain, 1893–1962, British

Ctesiphon Arch

1921

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by James H. Kernot, active early 19th century

St. Catherine's Hill, near Guildford, Surrey

1832

Print made by James C. Allen, active 1821–1831, British

Aldborough

1819-1826

Print made by James C. Allen, active 1821–1831, British

Aldborough

ca. 1830

Print made by Thomas Jeavons, ca. 1800–1867, British

Lillebonne, Château and Tower

1834

Print made by James T. Willmore, 1800–1863, British

Lillebonne, Château

1834

Print made by James Charles Armytage, 1802–1897, British

Jumièges

1834

Print made by William Byrne, 1743–1805, British

View of Leiston Abbey

1781

Print made by Bernard Lens II, 1659–1725, British

Nymphs Bathing

undated

Print made by Lydia Bates, active 1784

Landscape with Classical Ruins

1784

Print made by Robert Dunkarton, 1744–1811, British

Sisters Contemplating on Mortality

1770

Print made by James Johnson, 1803–1834, British

Music Has Charms

undated

Print made by James McBey, 1883–1959, British

Albert

1917

Print made by Thomas Gainsborough, 1727–1788, British

Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church

1779 to 1780

Richard Earlom, 1743–1822, British

Embassy of Hyderbeck to Calcutta

1800

William Byrne, 1743–1805, British

Untitled

1765

William Byrne, 1743–1805, British

A View in the Villa Madama, near Rome, called II Teatro

1765

Engraved by William Woollett, 1735–1785, British

Celadon and Amelia

1766

Print made by James C. Allen, active 1821–1831, British

Aldborough

ca. 1830

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