Print made by George Cruikshank, 1792–1878, British
Jack Sheppard and Blueskin in Mr. Woods Bedroom
1839
202
Print made by George Cruikshank, 1792–1878, British
Jonathan Wild Discovers Darrell in the Loft
1835
203
Print made by Thomas Cook, 1744–1818, British
David Garrick in the Character of Richard III
1798
204
Print made by Richard Earlom, 1743–1822, British
Angelica and Medoro
1768
205
Print made by Peter Simon, 1750–1810
Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
1791
206
Print made by Robert Thew, 1758–1802, British
King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
1792
207
Print made by Jean B. Michel, active 1803
King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)
1791
208
Print made by Robert Thew, 1758–1802, British
King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
1789
209
Henry Thomas Alken, 1785–1851, British
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
210
Print made by George Cruikshank, 1792–1878, British
Jack Sheppard Gets Drunk and Orders his Mother off
1839
211
Print made by David Allan, 1744–1796, British, born in Scotland
Bauldy, Symon and Sir William Worthy
1808
212
Print made by William Miller, 1796–1882, British
Berwick-on-Tweed
1834
213
Print made by William Miller, 1796–1882, British
Abbotsford from the Northern Bank of the Tweed
1839
214
Print made by William Miller, 1796–1882, British
Dryburgh Abbey
1834
215
Print made by John Pye, 1782–1874, British
Junction of the Greta and the Tees
1834
216
Print made by Henry Le Keux, 1787–1868, British
Abbotsford, Vignette Title
1834, reprinted 1851
217
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
John Henderson as Iago
1786
218
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
219
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
220
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
221
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
222
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
223
Print made by Richard Hamilton, 1922–2011, British
How a Great Daily Organ is Turned Out
1990
224
Print made by Richard Hamilton, 1922–2011, British
Leopold Bloom
1983
225
Print made by Richard Hamilton, 1922–2011, British
Finn MacCool
1983
226
Print made by Richard Hamilton, 1922–2011, British
Bronze by Gold
1985 to 1987
227
Print made by Richard Hamilton, 1922–2011, British
The Transmogrifications of Bloom
1984 to 1985
228
Print made by Richard Hamilton, 1922–2011, British
He Foresaw his Pale Body
1990
229
Print made by Richard Hamilton, 1922–2011, British
In Horne's House
1982
230
After Edward Burne-Jones, 1833–1898, British
The Garden Court
1892
231
Thomas Rowlandson, 1756–1827, British
Dr. Syntax and his Counterpart
1820
232
James Gillray, 1756–1815, British
Sophia, Honour, and the Chambermaid
1780
233
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
A Plate from Orlando Furioso: Depicting Orlando and Rodomont Fighting
1773
234
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"
1773
235
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Cordelia
1784
236
Print made by Henry J. Townsend, 1810–1890, British
Where the Bee Sucks. The Tempest, Act V, Scene I, Ariel on a Hammock of Convolvulus
1853
237
John Finlayson, 1730–1776, British
David Garrick in the Character of 'Kitely'
1769
238
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
239
James Fittler, 1758–1835, British
'The Gamester,' Act V, Scene IV
1792
240
Print made by John Hall, 1739–1797, British
Comedies
ca. 1776
241
Print made by Lydia Bates, active 1784
Literary Characters Assembled around the Medallion of Shakespeare
ca. 1777
242
Print made by Francis Haward, 1759–1797, British
Mrs. Siddons, in the Character of the Tragic Muse
1787
243
Print made by John Dixon, ca. 1740–1811, Irish
David Garrick as Richard III
1772
244
Print made by Thomas Watson, 1743–1781, British
Sigismunda
1779
245
Print made by John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain
Kitty Clive as Lady Easy in "The Careless Husband"
1739
246
Print made by William Faithorne the Younger, ca. 1669–1703, British
Sylvio and Dorinda
between 1752 and 1768
247
Print made by Edward Fisher, 1722–1785, British
Edwin
1776
248
Print made by Edward Fisher, 1722–1785, British
Don Ferdinand
1777
249
Print made by Edward Fisher, 1722–1785, British
George Primrose
1777
250
Print made by Philip Dawe, ca.1745–ca.1809, British
Juliet
1779
251
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Soul Hovering over the Body reluctantly Parting with Life
1808, published 1813
252
Print made by Henry Thomas Alken, 1785–1851, British
The Lover
1824
253
Print made by Henry Thomas Alken, 1785–1851, British
The School-Boy
1824
254
Print made by Henry Thomas Alken, 1785–1851, British
The Justice
1824
255
Print made by Henry Thomas Alken, 1785–1851, British
The Infant
1824
256
Print made by Charles Ansell, ca.1752–active 1790, British
Hamlet
1809
257
Print made by Cornelis Apostool, 1762–1844, Dutch
Here Nature List'ning Stood
1795
258
Print made by James H. Baker, born 1829
Come Gentle Night: "Romeo and Juliet," Act III, Scene II
between 1839 and 1849
259
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Queen Katherine's Dream - "Henry VIII"
1788
260
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Ophelia: There Is Rue for You and Here's Some for Me
1784
261
Print made by unknown artist, ( J. B. )
The Young Roscius
1804
262
Print made by Daniel Berger, 1744–1824, German
Die Maussalle.... - "Hamlet," Act III, Scene II
between 1778 and 1780
263
Print made by George Cruikshank, 1792–1878, British
Gloucestershire. Before Shallow's house: 'Henry IV Part II,' Act III, Scene II
after 1857
264
Print made by George Cruikshank, 1792–1878, British
London. The Boar's-head Tavern in Eastcheap: 'Henry IV Part II,' Act II, Scene IV
after 1857
265
Print made by William Heath, 1795–1840, British
Opera Reminiscences: Desdemona and Othello
1829
266
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801, German
'Henry IV, Part I,' Act II, Scene IV
undated
267
Print made by George Cruikshank, 1792–1878, British
London. A Street: 'Henry IV Part II,' Act II, Scene I
after 1857
268
Print made by George Cruikshank, 1792–1878, British
Another Part of the Field: 'Henry IV Part I,' Act V, Scene IV
after 1857
269
Print made by Robert Dighton, 1752–1814, British
Hamlet in Scotland
1794
270
Print made by Augustus Fox, 1800–1876, British
The Dreams of the Youthful Shakespeare
1827
271
Georg Goldberg, 1830–1894, German
"Antony and Cleopatra," Act III, Scene XI
undated
272
James Heath, 1757–1834, British
"Hubert, let me not be bound!"
1802
273
Andreas Geiger, 1765–1856, Austrian
Viola nach Shakespeare von Deinhardstein - Costume Bild zur Theatrezeitung
undated
274
James Heath, 1757–1834, British
"Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
1802
275
Print made by Henry William Bunbury, 1750–1811, British
Pistol eating Fluellen's Leak - "Henry V"
between 1811 and 1815
276
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801, German
Seht Ihr denn nichts hier: 'Hamlet,' Act IV, Scene II
1778
277
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801, German
...in ein Nonnen Kloster geh: 'Hamlet,' Act III, Scene IX
1778
278
Print made by William Bromley, 1769–1842, British
David Garrick as Richard III in the Drury Lane Theatre Performance, 1759
1811
279
James Heath, 1757–1834, British
"Then go, bid the huntsmen wake them with their horns"
1802
280
James Heath, 1757–1834, British
"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
1802
281
Print made by William Heath, 1795–1840, British
Opera Reminiscences: Desdemona and Otello
1829
282
William Woollett, 1735–1785, British
Macbeth and the Witches
1770
283
William Nutter, 1754–1802, British
Mr. Macklin and Mrs. Pope in the Characters of Shylock and Portia
1789
284
unknown artist, ( Shenner )
Falstaff Reproved by King Henry
1792
285
Benjamin Smith, 1775–1833, British
"Tempest", Act I, Scene I
1797
286
Peltro W. Tomkins, 1760–1840, British
The Three Witches
1786
287
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801, German
'Henry IV, Part I,' Act II, Scene II
undated
288
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801, German
'Henry IV, Part I,' Act II, Scene II
undated
289
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801, German
'Henry IV, Part I,' Act II, Scene IV
undated
290
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801, German
'Henry IV, Part I,' Act II, Scene III
undated
291
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801, German
'Henry IV, Part I,' Act II, Scene IV
undated
292
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801, German
'Henry IV, Part I,' Act II, Scene IV
undated
293
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801, German
'Henry IV, Part I,' Act III, Scene III
undated
294
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801, German
'Henry IV, Part I,' Act III, Scene III
undated
295
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801, German
'Henry IV, Part I,' Act V, Scene I
undated
296
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801, German
'Henry IV, Part I,' Act IV, Scene II
undated
297
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801, German
'Henry IV, Part I,' Act V, Scene IV
undated
298
William Greatbach, Born 1802, British
Falstaff and his Friends
ca. 1868
299
unknown artist, eighteenth century
Robin Hood and Clarinda hunting deer in a wooded landscape
undated
300
Print made by Thomas Gaugain, 1748–1812, French
Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)