Print made by Samuel Middiman, ca. 1750–1831, British
High Street, Oxford
1811
3
Print made by John Pye, 1782–1874, British
A View of Oxford from the Abingdon Road
1818
4
Print made by Henry Lemon, 1823–1882
Saturday Night
ca. 1850
5
Michael Landy, Born 1963, British
Herb-Robert
2002
6
Print made by Thomas Oldham Barlow, 1824–1889, British
The Death of Chatterton
1860
7
Thomas Girtin, 1775–1802, British
View of St. Cloud and Mount Calvary taken from Pont de Seve
1802
8
Thomas Girtin, 1775–1802, British
View of the City with the Louvre &c., taken from Pont Marie
1802
9
etching by Thomas Girtin, 1775–1802, British
A General View of Paris taken from Chaillot
1803
10
Thomas Girtin, 1775–1802, British
A View of Pont Neuf, the Mint, &c
1803
11
Thomas Girtin, 1775–1802, British
View of the Gate of St. Denis taken from the Suburbs
1802
12
Thomas Girtin, 1775–1802, British
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
13
Thomas Girtin, 1775–1802, British
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
14
Thomas Girtin, 1775–1802, British
View of the Pantheon taken from the Arsenal
1803
15
Thomas Girtin, 1775–1802, British
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
16
Thomas Girtin, 1775–1802, British
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
17
Thomas Girtin, 1775–1802, British
The Waterworks at Marli; and St. Germain en Laye seen in the distance
1802
18
Thomas Girtin, 1775–1802, British
View of the Palace and Village of Choisi on the Banks of the Seine
1803
19
Thomas Girtin, 1775–1802, British
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
20
Thomas Girtin, 1775–1802, British
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1802
21
Thomas Girtin, 1775–1802, British
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1803
22
Thomas Girtin, 1775–1802, British
The Water Mill above the Bridge at Charenton
1803
23
Print made by James Basire the younger, 1769–1822, British
Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823
1828
24
Richard Banks Harraden, 1778–1862, British
The Waterworks at Marli; and St. German en Laye seen in the distance
1803
25
James Girtin, ca. 1780–after 1820
Title Page for: A Selection of the Most Picturesque Views in Paris and its Environs
1803
26
James Girtin, ca. 1780–after 1820
Half Title page for: Views in Paris and its Environs
1803
27
Print made by James Girtin, ca. 1780–after 1820
Dedication Page for: to the Right Honorable George Earl of Essex
1803
28
Thomas Girtin, 1775–1802, British
View of Thuilleries and Bridge taken from the Quay d'Orsai
1802
29
Thomas Girtin, 1775–1802, British
View of the Thuilleries and Bridge taken f rom the Quai d'Orsai
1802
30
Thomas Girtin, 1775–1802, British
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
31
Thomas Girtin, 1775–1802, British
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
32
Thomas Girtin, 1775–1802, British
View of Pont St. Michel, taken from Pont Neuf
1803
33
Thomas Girtin, 1775–1802, British
View of the City with the Louvre &c. taken from Pont Marie
1802
34
Thomas Girtin, 1775–1802, British
View of Pont St. Michel, taken from Pont Neuf
1802
35
Thomas Girtin, 1775–1802, British
A General View of Paris taken from Chaillot
1802
36
Thomas Girtin, 1775–1802, British
A View of Pont Neuf, the Mint, &c
1802
37
Thomas Girtin, 1775–1802, British
View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame
1802
38
Thomas Girtin, 1775–1802, British
View of the Gate of St. Denis taken from the Suburbs
1802
39
Thomas Girtin, 1775–1802, British
View of the Palace and Village of Choisi on the Banks of the Seine
1802
40
Thomas Girtin, 1775–1802, British
View of the Village of Chaillot and &c., taken from Pont de la Concorde
1803
41
Print made by Henry Robert Robertson, 1839–1921, British
The Fighting Téméraire
ca. 1887
42
Conrad Martin Metz, 1749–1827, German
The Elect
1801
43
Charles Robert Cockerell, 1788–1863, British
Progetto di collocazione delle statue antiche esistenti nella galleria di Firenze che rappresentano la favola di Niobe [scheme for the configuration of the ancient statues in the gallery of Florence that represent the myth of Niobe](Florence, 1816)
1816
44
Thomas Girtin, 1775–1802, British
View of the Pantheon taken from the Arsenal
1802
45
Thomas Girtin, 1775–1802, British
View of the Village of Chaillot &c., taken from Pont de la Concorde
1802
46
Thomas Girtin, 1775–1802, British
View of St. Cloud and Mount Calvary taken from Pont de Seve
1802
47
Print made by Thomas Girtin, 1775–1802, British
On the Banks of the Marne below the Bridge at Charenton
1803
48
Patrick Procktor, 1936–2003, Irish
Kathmandu
1970
49
Print made by Axel Herman Haig, 1835–1921, British
Gefaler Cathedral
1901
50
Print made by Ken Kiff, 1935–2001, British
The Hill
undated
51
unknown artist, ( James Phelps )
A View of St. Katharine's Dock in the Month of January, 1828
1828
52
John Wood, 1728–1781, British
The View from One Tree Hill in Greenwich Park
1744
53
Print made by James Ward, 1769–1859, British
John Dunning, 1st Baron Ashburton, with Colonel Isaac Barre and William Petty, 2nd Earl of Shelburne, Marquis of Lansdowne
1847
54
Print made by John Murphy, ca. 1748–1820, British
The Encampment at Brighton
1796
55
Print made by Daniel Wilson, 1816–1892
Ancient Carthage - The Embarcation of Regulus
1840
56
Print made by James T. Willmore, 1800–1863, British
Ancient Italy - Ovid Banished from Rome
1842
57
Benjamin Smith, 1775–1833, British
"Tempest", Act I, Scene I
1797
58
Richard Earlom, 1743–1822, British
Tiger Hunting in the East Indies
1802
59
Richard Earlom, 1743–1822, British
Embassy of Hyderbeck to Calcutta
1800
60
Print made by Richard Earlom, 1743–1822, British
The Enchantress
1786
61
Print made by Richard Earlom, 1743–1822, British
The Enchantress
1786
62
Richard Earlom, 1743–1822, British
Labourers
1790
63
William Ward, 1766–1826, British
The Truants
1796
64
Thomas Malton, 1726–1801, British
Lleweney Bleach Works
1798
65
James Ward, 1769–1859, British
A Boy Employed in Burning Weeds
1793
66
Print made by Samuel William Reynolds, 1773–1835, British
Death of Captain Alexander Hood
1798
67
Print made by Thomas Malton the Younger, 1748–1804, British
Cambridge University: Queens College
1800
68
Thomas Malton the Younger, 1748–1804, British
South Front of the Senate House and West End of St. Mary's Church in the University of Cambridge
1799
69
Thomas Malton the Younger, 1748–1804, British
The East Front of the Library of Trinity College in the University of Cambridge
1800
70
Print made by Andrew Lawrence, 1708–1747, French
The Death of the Stag
1753
71
Print made by Gerard van der Gucht, 1696–1776, British
The Cape of Good Hope
1736
72
William Ward, 1766–1826, British
Selling Rabbits
1796
73
Lawrence Josset, 1910–1995
The Drummond Family
1960
74
Lawrence Josset, 1910–1995
The Drummond Family
1960
75
Print made by William Sharp, 1749–1824, British
Niobe
1792
76
Abraham Raimbach, 1784–1868, British
Distraining for Rent
1828
77
Print made by J. P. Quilley, active 1828
Boccaccio, the Bird Cage
1830
78
Print made by Joseph Grozer, ca. 1755–1798, British
Charles Marquis Cornwallis Receiving the two Sons of Tippoo Sultaun as Hostages from the Vakeel
1793
79
Print made by James Basire the younger, 1769–1822, British
PLATE XV. Elevation of a Window Bay &c
1805
80
Print made by Richard Newton, 1777–1798, British
The Princess's Curtsey (Left)
1795
81
Print made by William Miller, 1796–1882, British
Kilchurn Castle, Loch Awe
1847
82
Print made by James T. Willmore, 1800–1863, British
Italy - Childe Harold's Pilgrimage
1861
83
Print made by Benedetto Pastorini, Italian, ca.1746–after 1803, Italian
Inside View of the Theatre Royal, Drury Lane
1775
84
Print made by James T. Willmore, 1800–1863, British
Dover
1851
85
Print made by William Walcot, 1874–1943, British
Antony in Egypt No.2, Morning of the Festival
1916
86
Print made by William Walcot, 1874–1943, British
A Tragedy of Sophocles Performed before the Emperor Hadrian