Work Type: intaglio print / Width [cm]: 51 - YCBA Collections Search Search Results

Print made after George Stubbs, 1724–1806, British

Plate VIII, Human Body, Posterior View

1804

Print made after George Stubbs, 1724–1806, British

Plate VII, Human Body, Lateral View

1804

Print made after George Stubbs, 1724–1806, British

Plate VI, Human Body, Frontal View

1804

Print made after George Stubbs, 1724–1806, British

Plate X, Fowl Body, Lateral View

1804

Valentine Green, 1739–1813, British

The British Naval Victors

1799

Print made by John Boydell, 1720–1804, British

Greenland Fishery

1754

Print made by Thomas Boydell, active 1750–1751

A Small Breeze

1753

Print made by John Boydell, 1720–1804, British

Morning

1753

Print made by John Boydell, 1720–1804, British

Evening

1755

Paul Sandby, 1731–1809, British

Views in the Levant: The Sacred Cave of Archidamus

ca. 1785

Print made by William Bernard Cooke, 1778–1855, British

The Observatory at Rosehill, Sussex. The Seat of John Fuller Esq

1816

Print made by Samuel Rawle, 1771–1860, British

Raby Castle, County of Durham

1820

Print made by John Pye, 1782–1874, British

Wycliffe, near Rokeby

1818-1823

Print made by Henry Le Keux, 1787–1868, British

Simmer Lake near Askrig

1818-1823

Print made by Samuel Middiman, ca. 1750–1831, British

Hardraw Fall

1817

Francis Jukes, 1747–1812, British

The First Balloon Ascent in England, September 1784, from the Artillery Ground, Moorfields

ca. 1784

Print made by Charles William Cain, 1893–1962, British

A Persian Bazaar

undated

Print made by James Basire the younger, 1769–1822, British

Inside View of the East End of Merton College Chapel

1802

Print made by William Bernard Cooke, 1778–1855, British

Plymouth, from Mount Batten

1817

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1818-1823

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1818-1823

Print made by John Pye, 1782–1874, British

Wycliffe, near Rokeby

1823

Print made by George Cooke, 1781–1834, British

Crichton Castle

1822

Print made by Henry Le Keux, 1787–1868, British

Borthwick Castle

1819

Print made by George Cooke, 1781–1834, British

Brighton

1814 to 1826

Print made by W. R. Smith, active 1819–1851

Heriot's Hospital

1822

Print made by Benjamin Green, ca. 1736–ca. 1800, British

Oxford Physic Garden

1766

Print made by W. Pyott, active late 18th century

The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro

1792

Mark Catesby An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754

Print made by workshop of Mark Catesby, 1682–1749, British

An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754

1754

Johannes Kip, 1653–1722, Dutch

Fair Lawn in ye County of Kent

1707

Johannes Kip, 1653–1722, Dutch

A Prospect of the House at Windsor, Belonging to his Grace Charles Beauclerck

1707

Print made by John Sell Cotman, 1782–1842, British

Castle at Tancarville

1821

Print made by James Basire the younger, 1769–1822, British

Plate XI: St Stephen's Chapel

1795

Print made by James Basire, 1730–1802, British

Plate IX: St Stephen's Chapel

1795

Print made by Thomas Ryder, 1746–1810, Irish

The Captive

1786

Print made by Charles Gauthier Playter, died 1809

Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . .

1793

Peter Simon, 1750–1810

Tom Jones: 'The Philosopher Square, Discovered in Molly Seagrim's Garret'

1789

Print made by Paul Sandby, 1731–1809, British

A View in Hudson's River of Pakepsey & the Catts-Kill Mountains, from Sopos Island in Hudson's River

1768

Print made by James Basire, 1730–1802, British

Plate VIII: St Stephen's Chapel

1795

Print made by James Basire, 1730–1802, British

Plate X: St Stephen's Chapel

1795

Print made by James Basire, 1730–1802, British

Plate XIII: St Stephen's Chapel

1795

Print made by G.F. Storm, active mid–19th century, British

Vol. 6, Plate XXVIII

1842

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXVII: The Painted Chamber

1842

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

1842

Print made by Robert Thew, 1758–1802, British

King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)

1792

Print made by John Sell Cotman, 1782–1842, British

Church of L'Ery, near Pont-de-l'Arche

1820

Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..

1745

Print made by William Elliot, active 1774, died 1792, British

A View of the Great Cohoes Falls, on the Mohawk River

1768

Print made by James Basire, 1730–1802, British

Plate XII: St Stephen's Chapel

1795

Print made by unknown artist, nineteenth century

Flower-Garden Porch at Farnley (Vignette)

1814

Print made by unknown artist, nineteenth century

Gateway to the Flower Garden at Farnley

1814

Print made by unknown artist, nineteenth century

Bay Windows in the Flower Garden at Farnley

1814

Valentine Green, 1739–1813, British

St. Augustine's Gate, Canterbury

1779

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Venus Attired By The Graces

1784

Thomas Watson, 1743–1781, British

Mrs. Frances Ann Crewe as 'St. Genevieve'

1773

Guillaume Philippe Benoist Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

1745

James Gillray, 1756–1815, British

A Morning Ride

1804

Print made by Thomas Shotter Boys, 1803–1874, British

Quayside, Notre Dame in Distance

undated

Print made by John Raphael Smith, 1752–1812, British

Louis Philippe Joseph, Duke of Orleans

ca. 1786

Print made by Francis Haward, 1759–1797, British

Mrs. Siddons, in the Character of the Tragic Muse

1787

Print made by Francis Haward, 1759–1797, British

Cymon and Iphigenia

1797

Print made by Samuel William Reynolds, 1773–1835, British

Marchioness of Exeter

1803

Print made by George H. Phillips, active 1819–1825, British

Countess Wilton

1838

Print made by James Daniell, active ca. 1780–1820, British

Samuel Declareth to Eli the Judgements of God Upon his House

1805

Print made by James Ward, 1769–1859, British

Studies from Nature

1807

Print made by Paul Adolphe Rajon, 1842–1888, French

Charles Robert Darwin

1882

Print made by Charles Waltner, 1846–1925, French

Aretino

1905

Charles Townley, 1746–c.1800

Sir Thomas Pasley

1795

Charles Turner, 1774–1857, British

Lord Collingwood

1811

Richard Earlom, 1743–1822, British

Vice Admiral Colpoys

1797

Richard Earlom, 1743–1822, British

The Right Honorable Viscount Duncan

1798

Charles Turner, 1774–1857, British

Admiral Sir Richard King

1835

Charles Townley, 1746–c.1800

Sir Hyde Parker

1785

John Young, 1755–1825, British

Philip Affleck, Esq

1792

Georg Zobel, 1810–1881

Lord Lyons

1856

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Queen Katherine's Dream - "Henry VIII"

1788

Print made by George Townly Stubbs, 1748–1815, British

Anvil

1794

Print made by Edward Fisher, 1722–1785, British

Garrick Between Tragedy and Comedy

undated

Print made by James McArdell, ca. 1729–1765, Irish

The Tribute Money

undated

Print made by James McArdell, ca. 1729–1765, Irish

The Tribute Money

undated

Print made by Robert Laurie, 1755?–1836, British

The Full of the Honeymoon

1789

Print made by Robert Laurie, 1755?–1836, British

The Wane of the Honeymoon

1789

Print made by Charles Turner, 1774–1857, British

The Dilettanti Society

between 1800 and 1820

Print made by Richard Earlom, 1743–1822, British

George Augustus Elliot Lord Heathfield

1788

Edward Rooker, 1724–1774, British

The Magicians Marching off After the Success of their Incantations

ca. 1763

Edward Rooker, 1724–1774, British

A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River

ca. 1763

Print made by Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)

A Negroes Dance in the Island of Dominica

1779

Print made by Charles Turner, 1774–1857, British

Shields on the River Tyne

1823

Print made by Thomas Goff Lupton, 1791–1873, British

Rochester, on the River Medway

1824

Print made by Charles Turner, 1774–1857, British

Okehampton Castle, on the River Okement

1825

Print made by James Parker, 1750–1805, British

The Fall of Agandecca

1783

James Parker, 1750–1805, British

Fainasollis, Borbar and Fingal

1783

Print made by James T. Willmore, 1800–1863, British

The Old Téméraire

1845

Print made by James T. Willmore, 1800–1863, British

The Old Téméraire

1845

Print made by Guillaume Sulpice Chevalier, 1804–1866, French

Intemperance

undated

John Boydell, 1720–1804, British

A View Taken near Mr. Smith's House at Battersea, Looking up the Thames

1752

Joseph Constantine Stadler, active 1780–1812, British

Battersea, Chelsea and London from Mr. Rucker's Villa

1795

William Woollett, 1735–1785, British

A View of the Lake etc. at West Wycomb

1757

William Woolnoth, active 1806–1830, British

A View of the House and Part of the Garden at West Wycomb

1757

Charles Rosenberg, active 1828–1848

Conflagration of the City of Bristol, Taken from the Centre of Somerset Street - (Below) A View of the Gloucester Gaol.

1831

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Work Type intaglio print

Width [cm] 51

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Work Type intaglio print

Width [cm] 51

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