Work Type: intaglio print / Width [cm]: 21 / Subject Terms: landscape (representation)

Print made by Robert Wallis, 1794–1878, British

Lake Albano

1828

Print made by Robert Brandard, 1805–1862, British

La Chaise de Gargantua near Duclair

1834

Print made by William Bernard Cooke, 1778–1855, British

Minehead, Somersetshire

1820

Print made by unknown artist, nineteenth century

The Little Devil's Bridge

between 1816 and 1820

Print made by Robert Wallis, 1794–1878, British

Lake Albano

1828

Print made by Robert Wallis, 1794–1878, British

Lake Albano

1828

Print made by Robert Wallis, 1794–1878, British

Lake Albano

1828

Print made by Robert Wallis, 1794–1878, British

Virginia Water No. 1

1828-1832

Print made by W. R. Smith, active 1819–1851

Lago Maggiore

1828-1837

Print made by Robert Wallis, 1794–1878, British

St. Germain-en-Laye

1828-1837

Print made by Robert Wallis, 1794–1878, British

Ehrenbreitstein

1833

Print made by William Miller, 1796–1882, British

Berwick-on-Tweed

1834

Print made by John Pye, 1782–1874, British

Junction of the Greta and the Tees

1834

Print made by William Miller, 1796–1882, British

Berwick on Tweed

1834

Print made by Robert Wallis, 1794–1878, British

Virginia Water No. 1

1828-1832

Print made by Robert Wallis, 1794–1878, British

Ehrenbreitstein

1833

Print made by Robert Wallis, 1794–1878, British

St. Germain-en-Laye

1828-1837

Print made by William Miller, 1796–1882, British

Palace of La Belle Gabrielle

1828-1837

Print made by Edward Goodall, 1795–1870, British

Carlisle

1834

Print made by William Miller, 1796–1882, British

Berwick-on-Tweed

1834

Print made by John Pye, 1782–1874, British

Junction of the Greta and the Tees

1834

Print made by Robert Wallis, 1794–1878, British

St. Germain-en-Laye

1831

Print made by James Baylis Allen, 1803–1876, British

Caudebec

1834

Print made by James T. Willmore, 1800–1863, British

Tancarville

1834

Print made by Edward Goodall, 1795–1870, British

Carlisle

1834

Print made by Robert Wallis, 1794–1878, British

Coteaux de Mauves

1831

Print made by John Cousen, 1804–1880, British

Harfleur

1834

Print made by William Miller, 1796–1882, British

Berwick-on-Tweed

1834

Print made by William Miller, 1796–1882, British

Dryburgh Abbey

1834

Print made by John Pye, 1782–1874, British

Junction of the Greta and the Tees

1834

Print made by Robert Wallis, 1794–1878, British

Lake Albano

1828

Print made by Edward Francis Finden, 1791–1857, British

Bolton Abbey, Wharfdale

1826

Print made by Edward Goodall, 1795–1870, British

Carlisle

1834

Print made by William Miller, 1796–1882, British

Dryburgh

1834

Print made by John Pye, 1782–1874, British

Junction of the Greta and the Tees

1834

Print made by Edward Goodall, 1795–1870, British

Richmond Hill

1826-1832

Print made by W. R. Smith, active 1819–1851

Lago Maggiore

1828

Print made by Robert Wallis, 1794–1878, British

Virginia Water No. 11

1828

Print made by Robert Wallis, 1794–1878, British

Virginia Water No. 1

1828

Print made by Robert Wallis, 1794–1878, British

Virginia Water No. 11

1828-1837

Print made by Robert Wallis, 1794–1878, British

Ehrenbreitstein

1833

Print made by William Miller, 1796–1882, British

Dryburgh Abbey

1833

Print made by Edward Goodall, 1795–1870, British

Carlisle

1834

Print made by John Pye, 1782–1874, British

Junction of the Greta and the Tees

1834

Print made by William Miller, 1796–1882, British

Dryburgh Abbey

1834

Print made by William Miller, 1796–1882, British

Berwick-on-Tweed

1834

Refine your search

Collection

Creator

Date

On-site Access

Image Use

Image Available

Classification

Creator Gender

Collective Title

Period

Medium

Height [cm]

Width [cm]

Work Type

Genre

Subject Terms

Associated Places

Exhibition History

Credit Line

Work Type intaglio print

Width [cm] 21

Subject Terms landscape (representation)

YCBA Collections Search

Refine your search

Search Constraints

Work Type intaglio print

Width [cm] 21

Subject Terms landscape (representation)

Search Results