Work Type: intaglio print / Height [cm]: 28 / Subject Terms: river

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

1874

Etched by Joseph Mallord William Turner, 1775–1851, British

Apuleia in Search of Apuleius

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

London from Greenwich

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

The Drawing of the Clyde

1809

Print made by William Bernard Cooke, 1778–1855, British

Dartmoor; Source of the Tamar and the Torridge

1816

Print made by Samuel Rawle, 1771–1860, British

Brignall Church

1821

Print made by John Pye, 1782–1874, British

Wycliffe, near Rokeby

1818-1823

Print made by Edward Goodall, 1795–1870, British

Traitor's Gate - Tower of London

1834

Print made by William Radclyffe, 1780–1855, British

Hornby Castle from Tatham Church

1818-1823

Print made by Edward Francis Finden, 1791–1857, British

Bolton Abbey, Wharfdale

1826

Print made by Robert Brandard, 1805–1862, British

Blois

1833

Print made by Robert Brandard, 1805–1862, British

Tours

1833

Print made by James T. Willmore, 1800–1863, British

Lillebonne, Château

1834

Print made by James Charles Armytage, 1802–1897, British

Jumièges

1834

Print made by William Miller, 1796–1882, British

Rouen, looking down the river

1834

Print made by Robert Brandard, 1805–1862, British

Rouen, looking up the river

1834

Print made by Robert Brandard, 1805–1862, British

Château de Tancarville with Town of Quilleboeuf

1834

Print made by William Bernard Cooke, 1778–1855, British

Dartmouth, Devon

1814 to 1826

Print made by William Bernard Cooke, 1778–1855, British

Plymouth Dock, from Mount Edgecumbe

1816

Print made by John Wykeham Archer, 1808–1864, British

Richmond Castle and Town

1820

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1818-1823

Print made by Thomas Higham, 1796–1844, British

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by Samuel Rawle, 1771–1860, British

Brignall Church

1818-1823

Print made by John Pye, 1782–1874, British

Wycliffe, near Rokeby

1823

Print made by John Pye, 1782–1874, British

Wycliffe, near Rokeby

1818-1823

Print made by John Scott, 1774–1828, British

Aysgarth Force

1818-1823

Print made by John Wykeham Archer, 1808–1864, British

Crook of the Lune, Looking towards Hornby Castle

1821

Print made by Robert Wallis, 1794–1878, British

Bolton Abbey

1834

Print made by Robert Wallis, 1794–1878, British

Bolton Abbey

1834

Print made by Robert Brandard, 1805–1862, British

Rouen, looking up the river

1834

Print made by Robert Brandard, 1805–1862, British

Beaugency

1833

Print made by Robert Wallis, 1794–1878, British

St. Germain-en-Laye

1831

Print made by Thomas Jeavons, ca. 1800–1867, British

Arundel Castle and Town, Sussex

1834

Print made by David Allan, 1744–1796, British, born in Scotland

Peggy Advocates a Sweetheart

1808

Print made by James Baylis Allen, 1803–1876, British

Château of Amboise

1833

Print made by James Baylis Allen, 1803–1876, British

Caudebec

1834

Print made by James Baylis Allen, 1803–1876, British

Caudebec

1834

Print made by William Finden, 1787–1852, British

The Drachenfels

1832-1834

Print made by W. R. Smith, active 1819–1851

Amboise

1833

Print made by Robert Brandard, 1805–1862, British

Graville

1834

Print made by Robert Brandard, 1805–1862, British

Château de Tancarville with Town of Quilleboeuf

1834

Print made by James T. Willmore, 1800–1863, British

Lillebonne, Château

1834

Print made by Thomas Jeavons, ca. 1800–1867, British

Lillebonne, Château and Tower

1834

Print made by David Allan, 1744–1796, British, born in Scotland

Patie Rebukes Roger

1808

Print made by Robert Wallis, 1794–1878, British

Bolton Abbey

1834

Print made by Edward Goodall, 1795–1870, British

The Boy of Egremond

1834

Print made by Robert Wallis, 1794–1878, British

Havre, Tower of Francis I

1834

Print made by James Baylis Allen, 1803–1876, British

Caudebec

1833

Thomas Girtin, 1775–1802, British

A General View of Paris taken from Chaillot

1802

Thomas Girtin, 1775–1802, British

A View of Pont Neuf, the Mint, &c

1802

Print made by James T. Willmore, 1800–1863, British

Montjen

1833

Print made by Robert Wallis, 1794–1878, British

Havre, Tower of Francis I

1834

Print made by Robert Brandard, 1805–1862, British

La Chaise de Gargantua near Duclair

1834

Print made by Samuel Rawle, 1771–1860, British

Brignall Church

1821

Print made by John Pye, 1782–1874, British

Wycliffe, near Rokeby

1823

Print made by Thomas Higham, 1796–1844, British

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by Robert Wallis, 1794–1878, British

Saumur

1830

Print made by John Pye, 1782–1874, British

Ehrenbreitstein

1828

Sir Francis Seymour Haden, 1818–1910, British

The Breaking Up of the Agamemnon, no. 1

1870

Sir Francis Seymour Haden, 1818–1910, British

A Lancashire River

1881

Sir Francis Seymour Haden, 1818–1910, British

Harlech, no. 2

1880

Print made by Robert Sargent Austin, 1895–1973, British

The Pack Bridge

1926

Print made by William Radclyffe, 1780–1855, British

Hornby Castle, from Tatham Church

1822

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1819

Print made by John Scott, 1774–1828, British

Aysgarth Force

1820

Print made by Robert Wallis, 1794–1878, British

Bolton Abbey, Yorkshire

1827

Print made by Sir Muirhead Bone, 1876–1953, British

San Frediano in Cestello, Florence

1915

Print made by J. C. Varrall, active 1815–1827

Merrick Abbey, Swaledale

1822

Print made by Thomas Jeavons, ca. 1800–1867, British

Devonport and Dockyard, Devonshire

1830

Print made by Robert Wallis, 1794–1878, British

Warwick Castle, Warwickshire

1832

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by James T. Willmore, 1800–1863, British

Llanthony, Monmouthshire

1836

Print made by James T. Willmore, 1800–1863, British

Llanthony, Monmouthshire

1836

Print made by William Radclyffe, 1780–1855, British

Blenheim, Oxfordshire

1833

Print made by James Baylis Allen, 1803–1876, British

Castle Upnor

1833

Print made by Edward Goodall, 1795–1870, British

Florence

1827

Print made by William Miller, 1796–1882, British

Carew Castle, Pembroke

1834

Print made by William Miller, 1796–1882, British

Durham Cathedral

1836

Print made by John Pye, 1782–1874, British

Ehrenbreitstein

1845

Print made by John Robert Cozens, 1752–1797, British

Bath: The New Bridge

1773

Print made by John Robert Cozens, 1752–1797, British

Bath: The South Parade

1773

Print made by John Robert Cozens, 1752–1797, British

Bath: The North Parade

1773

Print made by Thomas Shotter Boys, 1803–1874, British

Corner of the Palais de Justice, Paris

ca. 1833

Sir George Hayter Ticket for Mr. George Hayter's Raffle for his Pictures of the Enlevement of Circassians, a Kurdish Bandit Chief, and an Historical Landscape

Sir George Hayter, 1792–1871, British

Ticket for Mr. George Hayter's Raffle for his Pictures of the Enlevement of Circassians, a Kurdish Bandit Chief, and an Historical Landscape

1828

Print made by Richard Earlom, 1743–1822, British

View of a Portico by the Side of a River, with Herdsmen and Cattle

1774

Print made by Richard Earlom, 1743–1822, British

A Landscape, with the Story of Apollo and Marsyas

1775

Print made by Richard Earlom, 1743–1822, British

A Landscape with Cattle

1775

Print made by Samuel Rawle, 1771–1860, British

Brignall Church

1821

Print made by Thomas Jeavons, ca. 1800–1867, British

Exeter

1829

Print made by James T. Willmore, 1800–1863, British

Alnwick Castle

1830

Print made by William Miller, 1796–1882, British

Rouen, looking down the River

1834

Louisa Augusta Greville, 1743–active 1762, British

Two People Fording a River, Dog on Riverbank, Round Building in Middle Distance

1770

Print made by Thomas Gainsborough, 1727–1788, British

Wooded Upland Landscape with Riders and Packhorse

1797

Print made by Johnstone Baird, active 1900–1935

St. Paul's from Charing Cross

undated

Print made by Sir Frank Short, 1857–1945, British

Pan and Syrinx, No. 2

1896

Print made by Isaac Cruikshank, 1764–1811, British

An Abyssinian Breakfast

1791

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Work Type intaglio print

Height [cm] 28

Subject Terms river

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Height [cm] 28

Subject Terms river

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