Work Type: intaglio print / Height [cm]: 13 / Image Use: Free to Use

Print made by John Constable, 1776–1837, British

The Ruins of Netley Abbey

1826

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Moeris and Galatea

1880-1883

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

begun ca. 1880

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Herdsman's Cottage

1850

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Moeris and Galatea

plate etched between 1880 and 1883; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Cypress Grove

between 1880 and 1883

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sleeping Shepherd

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sepulchre

between 1880 and 1883

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

etching begun before 1861; impression printed in 1926

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

William Blake, 1757–1827, British

From Antique Coins

1821

William Blake, 1757–1827, British

Caius Julius Cæsar

1821

Print made by William Blake, 1757–1827, British

A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq

1804

Print made by James Caldwall, 1739–1819, British

Now Sir, You're a Complete Macaroni

1772

Print made by David Lucas, 1802–1881, British

Spring

1829 to 1830

Print made by John Sell Cotman, 1782–1842, British

Harlech Castle

undated

Print made by Miles Edmund Cotman, 1810–1858, British

Study of Trees on the Banks of the Yare

1846

Print made by John Smith, 1652–1743, British

Tobias and the Angel

ca. 1685

Frederick Goulding, 1842–1909, British

Ruins of the Old Bridge, Vernon

1879

Print made by Jean B. C. Chatelain, 1710–1771, French

Wooded Landscape with a River Leading to Distant Buildings

undated

Print made by James Caldwall, 1739–1819, British

A Macarony Alderman and His Rib

1772

Sir Francis Seymour Haden, 1818–1910, British

Egham

1859

Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)

Chelsea

ca. 1882

Sparrow, active 1773–1787

Herstmonceux Castle, Sussex Pl. 4

undated

Sparrow, active 1773–1787

Herstmonceux Castle, Sussex Pl. IV

undated

Print made by B. R. Davies, active ca. 1833, British

Mount Blanc

1828

Print made by Edward Francis Finden, 1791–1857, British

Bolton Abbey, Wharfdale

1826

Print made by Robert Wallis, 1794–1878, British

Buckfastleigh Abbey, Devonshire

1827

Print made by William Miller, 1796–1882, British

Nantes

1833

Print made by Thomas Jeavons, ca. 1800–1867, British

Vesuvius in Eruption

1827

Print made by Josiah Henshall, 1806–1869, British

The Forum Romanum

1830

Print made by George Murray, died 1822

Neath

1795

Print made by William Miller, 1796–1882, British

Clovelly Bay and Lundy Island

1814 to 1826

Print made by James C. Allen, active 1821–1831, British

Addingham Mill on the Warfe

1821

Print made by William Angus, 1752–1821, British

West Hill in Surrey, the Seat of D. H. Rucker Esqr

1810

Print made by Bartholomew Howlett, 1767–1827, British

Sleaford Church

1801

Print made by Bartholomew Howlett, 1767–1827, British

Grantham Church

1797

Print made by William Angus, 1752–1821, British

Fonthill House, Wiltshire

1800

Print made by Edward Webb, active 1805–1854

Bowes Tower

1834

Print made by James C. Allen, active 1821–1831, British

Harborough Sands (vignette)

ca. 1830

Print made by Edward Goodall, 1795–1870, British

Florence from the Chiesa al Monte

1831

Print made by James C. Allen, active 1821–1831, British

Harborough Sands (vignette)

ca. 1830

Print made by James T. Willmore, 1800–1863, British

Fire at Sea (vignette)

1835

Print made by James T. Willmore, 1800–1863, British

The Sea The Sea (vignette)

1836

Print made by James T. Willmore, 1800–1863, British

The Sea The Sea (vignette)

1836

George Baxter, 1804–1867, British

The Sacrifice at Lystra

after 1855

Print made by Charles Golding Constable, 1821–1879, British

Woolwich

between 1820 and 1835

Print made by C. R. W. Nevinson, 1889–1946, British

Returning to the Trenches

1916

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Jane Shore

1790

Print made by William Miller, 1796–1882, British

Edinburgh from Blackford Hill

1834

Print made by William Miller, 1796–1882, British

Nantes

1833

George H. Every, 1837–1910, British

Sir Joshua Reynolds

1866

Print made by Thomas Chambars, ca. 1724–1789, British

Paul Van Somer

undated

Thomas Girtin, 1775–1802, British

View of St. Cloud and Mount Calvary taken from Pont de Seve

1802

Sir George Hayter, 1792–1871, British

Sir George Hayter

1822

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket for the Theatre Royal, Haymarket

Between 1775 and 1800

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket for the Theatre Royal, Covent Garden

Between 1775 and 1800

Print made by Thomas Chambars, ca. 1724–1789, British

Samuel Cooper

undated

Print made by John Condé, 1765–1794, French, active in Britain

T. Banks, Sculptor, R. A

1791

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by Bell, active 1840s, British

Hindu Fakirs Practising their Superstitious Rites

ca. 1840

Print made by J. Sands, active ca. 1840

Entrance to the Valley of the Dhoon

1840

Print made by Bell, active 1840s, British

Key to Plate of Hindu Fakirs Practising their Superstitious Rites

ca. 1840

Print made by William Woolnoth, active 1806–1830, British

Triad Figure, Interior of Elephanta

1833

Print made by Edward Goodall, 1795–1870, British

Scene at Colgong on the Ganges

1836

Print made by Walker, active 1850s, British

The Fall of Tippoo Saib

undated

Print made by unknown artist, nineteenth century

View of Lucknow

ca. 1860

Print made by James Stephenson, 1808–1886, British

Cabul, from the Bala Hissar

1885

Print made by Edward William Stodart, 1841–1914

Major General Sir Henry Havelock, K.C.B

undated

Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)

Troop Ships

1887

Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)

Ryde Pier

1887

unknown artist, nineteenth century

St. Stephen's Chapel, Speaker's House, &c. from the River

ca. 1835

Print made by James Fittler, 1758–1835, British

The King on his Throne in the House of Lords

1804

Print made by Henry Melville, active 1826–1841, British

House of Lords, Her Majesty Opening the Session of Parliament

ca. 1837

Print made by T. Kearnan, active 1821–1850, British

New Houses of Parliament, View of the Adopted Design as the Building Would Appear from the Surrey End of Westminster Bridge

ca. 1835

Print made by George Cruikshank, 1792–1878, British

Cue in a Corner

1855

Samuel Ireland, active 1760–died 1800, British

Inner Temple

1800

Samuel Ireland, active 1760–died 1800, British

Lion's Inn

1800

Samuel Ireland, active 1760–died 1800, British

Lincoln's Inn Gate

1800

Print made by George Cruikshank, 1792–1878, British

Pisces - Too Deep!

undated

Print made by George Cruikshank, 1792–1878, British

Untitled

undated

Samuel Ireland, active 1760–died 1800, British

Garden Front of Furnival's Inn

1800

Print made by George Cruikshank, 1792–1878, British

Untitled

undated

Print made by George Cruikshank, 1792–1878, British

Turning the Tables

undated

Print made by George Cruikshank, 1792–1878, British

"Captain Kelly conveys a slight remonstance"

undated

Print made by George Cruikshank, 1792–1878, British

Mr Crump's Extreme Politeness

undated

Print made by James T. Willmore, 1800–1863, British

Tancarville

1834

Print made by James Baylis Allen, 1803–1876, British

Havre

1834

Print made by John Robert Cozens, 1752–1797, British

Ariccia

between 1783 and 1789

Print made by Anthony Cardon, 1772–1813, Flemish

E. Edwards, Associate and Teacher of Perspective in the Royal Academy

1808

Print made by unknown artist, ( J. Clarke )

Richard Cosway

1788

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Work Type intaglio print

Height [cm] 13

Image Use Free to Use

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Work Type intaglio print

Height [cm] 13

Image Use Free to Use

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