Work Type: intaglio print / Height [cm]: 10 / Width [cm]: 15 - YCBA Collections Search Search Results

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sepulchre

etching begun ca. 1800; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Moeris and Galatea

1880-1883

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Cypress Grove

plate etched between ca. 1880 and 1883; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

begun ca. 1880

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Moeris and Galatea

plate etched between 1880 and 1883; impression printed in 1924

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Cypress Grove

between 1880 and 1883

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Sepulchre

between 1880 and 1883

Print made by Robert Wallis, 1794–1878, British

Tornaro

1834

Print made by Edward Goodall, 1795–1870, British

St. Julienne's Chapel

1834

Print made by Edward Goodall, 1795–1870, British

A Tempest – Voyage of Columbus

1834

Print made by Edward Goodall, 1795–1870, British

Cortes and Pizarro

1834

Print made by William Miller, 1796–1882, British

An Old Manor House

1834

John Greig, active 1803–1853, British

Herstmonceux Castle, Sussex

1815

Print made by Edward Goodall, 1795–1870, British

St. Julienne's Chapel

1834

Print made by Edward Goodall, 1795–1870, British

Cortes and Pizarro

1834

Print made by Edward Goodall, 1795–1870, British

A Tempest – Voyage of Columbus

1834

Print made by Thomas Rothwell, ca. 1742–1807, British

Swansea

1795

Print made by Edward Goodall, 1795–1870, British

Johnnie Armstrong's Tower

1834

Print made by William Bernard Cooke, 1778–1855, British

Newark Castle

1834

Print made by John Horsburgh, 1791–1869, British

Ashestiel

1834

Print made by Charles Golding Constable, 1821–1879, British

Woolwich

between 1820 and 1835

Print made by Edward Goodall, 1795–1870, British

Johnnie Armstrong's Tower

1834

Print made by James T. Willmore, 1800–1863, British

Lochmaben Castle

1834

Print made by James T. Willmore, 1800–1863, British

Lochmaben Castle

1834

Print made by Robert Wallis, 1794–1878, British

Hermitage Castle

1834

Print made by William Miller, 1796–1882, British

An Old Manor House

1834

Print made by Edward Goodall, 1795–1870, British

St. Julienne's Chapel

1834

Print made by W. J. Cook, active 1830s–1840s, British

Mr. Brooke's Bungalow at Sarawak

1848

Print made by Émile Rouargue, ca. 1795–ca. 1865, French

Benares

1850

Print made by George Cruikshank, 1792–1878, British

Adams's Visit to Parson Trulliber

ca. 1831

Print made by Ernest Stephen Lumsden, 1883–1948, British

A Kashmir Bridge

1924

Print made by Edward Goodall, 1795–1870, British

Cortes and Pizarro

1834

Print made by Edward Goodall, 1795–1870, British

A Tempest – Voyage of Columbus

1834

Print made by William Radclyffe, 1780–1855, British

St. Julian's, Tours

1833

Print made by John Cousen, 1804–1880, British

Light Towers of the Heve

1834

Print made by Edward Goodall, 1795–1870, British

Smailholm Tower (Vignette)

1834

Print made by unknown artist, ( A. B. )

John Constable

undated

Print made by George Cruikshank, 1792–1878, British

The Capture of Coldough and Harvey

undated

Print made by John Horsburgh, 1791–1869, British

Ashestiel

1834

Print made by William Bernard Cooke, 1778–1855, British

Newark Castle

1834

Print made by William Bernard Cooke, 1778–1855, British

Newark Castle

1834

Print made by John Chalon, 1738 – 1795

Study

1789-1790

Print made by E. Benjamin, active 1840s, British

Mountain Temples, Lake of Aboo

ca. 1840

Print made by Richard Earlom, 1743–1822, British

A Landscape with Buildings

1807

Print made by Sir Francis Seymour Haden, 1818–1910, British

Kidwelly Castle

1859

Print made by Philip Gilbert Hamerton, 1834–1894, British

Val Sainte Veronique and Ancient Chestnuts

ca. 1874

Print made by James S. Storer, 1771–1853, British

Hampton Court, Herefordshire

1801

Print made by Edward Francis Finden, 1791–1857, British

Bolton Abbey, Wharfdale

1826

Print made by John Smith, 1652–1743, British

Holy Family

undated

Print made by Henry Le Keux, 1787–1868, British

Abbotsford, Vignette Title

1834

Print made by Edward Goodall, 1795–1870, British

Johnnie Armstrong's Tower

1834

Print made by James T. Willmore, 1800–1863, British

Lochmaben Castle

1834

Print made by Robert Wallis, 1794–1878, British

Hermitage Castle

1834

Print made by William Bernard Cooke, 1778–1855, British

Newark Castle

1834

Print made by John Horsburgh, 1791–1869, British

Ashestiel

1834

Print made by Henry Le Keux, 1787–1868, British

Aosta (vignette)

1830

Print made by Bradshaw & Blacklock, active ca.1850, British

Balmoral Castle

after 1850

William Woolnoth, active 1806–1830, British

Stoke Park, Buckingshire

undated

Thomas Barber, ca. 1768–1843, British

Hungerford Market

1830

Richard Winkles, active 1830

Barnes, Surrey

1830

Thomas Lord Busby, active 1804–1837, British

North East view of Billingsgate

1812

unknown artist

The Bank of England and Threadneedle Street, circa 1780

ca. 1780

Print made by Edward Goodall, 1795–1870, British

Smailholm Tower (Vignette)

1834

Print made by John Horsburgh, 1791–1869, British

Ashestiel (Vignette)

1834

Print made by William John Cooke, 1797–1865, Irish

Newark Castle (vignette)

1834

Frederick James Havell, 1801–1840, British

Lincoln from the Castle

ca. 1836

Print made by Ebenezer Challis, active 1837–1859

Entrance to Lincoln Cathedral

1837

John Greig, active 1803–1853, British

Cloisters of Worcester Cathedral

1807

Frederick James Havell, 1801–1840, British

The Stone Bow, Lincoln

1836

Print made by unknown artist, ( T. Clark )

Boston Church and Grand Sluice, Lincolnshire

undated

Print made by William Miller, 1796–1882, British

The Dead Eagle - Oran (Vignette)

1837

Print made by James S. Storer, 1771–1853, British

Hampton Court, Herefordshire

1801

Print made by Edward Goodall, 1795–1870, British

Johnnie Armstrong's Tower (Vignette)

1834

Print made by Henry Le Keux, 1787–1868, British

Abbotsford, Vignette Title

1834

John Greig, active 1803–1853, British

Godalming, Surrey

1820

Thomas Higham, 1796–1844, British

Benacre Hall, Suffolk

1819

Print made by Bradshaw & Blacklock, active ca.1850, British

Osborne House

after 1850

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Vigilance

1782

Print made by Thomas Barber, ca. 1768–1843, British

Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

1829

Print made by Placido Columbani, born ca. 1744, active 1801, Italian, active in Britain

At the City of Albano

undated

John Greig, active 1803–1853, British

Dudley Castle from the Court

1810

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket for the Benefit of Mr. Dragonetti

1792

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket: For the Benefit of Mr. Salpietro

1799

Print made by Benjamin Comte, 1760–1851, Swiss

Tynemouth Castle and Priory, Northumberland

1802

Edward Francis Finden, 1791–1857, British

View of Lichfield, The Birth Place of Dr. Samuel Johnson

1835

Print made by Placido Columbani, born ca. 1744, active 1801, Italian, active in Britain

At Rome

undated

Print made by George Baxter, 1804–1867, British

The Landing of Her Majesty at Cove, Ireland in 1849

1850

Print made by Bernard Lens II, 1659–1725, British

Garden Perspective

1680-1690s

unknown artist, (A. Cruse)

St. Martin, Outwich, Bishopsgate Street

1830

Refine your search

Collection

Creator

Date

On-site Access

Image Use

Image Available

Classification

Creator Gender

Collective Title

Period

Medium

Height [cm]

Width [cm]

Work Type

Genre

Subject Terms

Associated Places

Associated People

Exhibition History

Credit Line

Work Type intaglio print

Height [cm] 10

Width [cm] 15

YCBA Collections Search

Refine your search

Search Constraints

Work Type intaglio print

Height [cm] 10

Width [cm] 15

Search Results